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Forums > Classical music > Carl Philipp Emanuel Bach - Symphonies & Concertos (2001), Akademie fur Alte Musik Berlin, Harmonia Mundi Gold HMG 501711


Posted by: Pr3ss on 02-11-2010, 14:25
Akademie für Alte Musik Berlin - Carl Philipp Emanuel Bach - Symphonies & Concertos
Артист: Akademie für Alte Musik Berlin (http://www.amazon.com/C-P-E-Bach-Symphonies-Concertos-Alpermann/dp/B0012OQZZ2
Альбом: Carl Philipp Emanuel Bach - Symphonies & Concertos, 2001 / 2008
Издатель: Harmonia Mundi / HMG 501711
Жанр: Classical
Формат файла: NetLab
Ссылка 1: eMule (ed2k://|file|Carl%20Philipp%20Emanuel%20Bach%20-%202001%20-%20Symphonies%20&%20Concertos%20(Akademie%20fur%20Alte%20Musik%20Berlin).[NetLab].wv.iso.wv|559330376|6A09CC3951BB9F592FF33A953DDA1495|h=EQ3P4Q2L6QFH5ST2LGDM3FDARU5ZVF7Q|/
Ссылка 2: Torrent (http://torrent.e2k.ru/details.php?id=23528&edited=1
Ссылка 3: Magnet
Нахождение: eDonkey/Torrent
Tracklist
Sinfonia in E flat major, Wq 179/H 654:
01. I. Prestissimo (4:15)
02. II. Larghetto (4:00)
03. III. Presto (2:49)
Concerto for Harpsichord in C major, Wq 20/H 423:
04. I. Ohne Satzbezeichnung (10:45)
05. II. Adagio ma non troppo (8:13)
06. III. Allegro assai (5:27)
Sinfonia in E minor, Wq 178/H 653:
07. I. Allegro assai (3:59)
08. II. Andante moderato (3:43)
09. III. Allegro (3:26)
Concerto for Cello no 1 in A minor, Wq 170/H 432:
10. I. Allegro assai (10:19)
11. II. Andante (7:54)
12. III. Allegro assai (6:23)
Sinfonia in G major, Wq 173/H 648:
13. I. Allegro assai (2:37)
14. II. Andante (2:38)
15. III. Allegretto (2:55)

Total Time: 01:19:24

At the end of the 18th century, the most famous member of the Bach family was not Johann Sebastian, but his son, Carl Philipp Emanuel! This prominent representative of the school of German, and more especially Prussian composers, a pioneer of Empfindsamkeit (the cult of "sensibility" ), was prized above all for what his contemporaries termed his "originality" – by which they meant the sovereign ease with which he forged his own style. To understand this, one need only listen to the nine symphonies from his Berlin period, whose radical departure from traditional forms symbolises a stylistic revolution in itself. As for his innovative treatment of the concerto, which overturns all the principles of symmetry so dear to Baroque composers, it seems already to prefigure Romanticism.


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