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Tracklist
Concerto In G Dur, Wq 169, H. 445:
01. I. Allegro di molto (11:18)
02. II. Largo (7:54)
03. III. Presto (5:39)
Concerto In B Dur, Wq 167, H. 435:
04. I. Allegretto (8:20)
05. II. Adagio (8:09)
06. III. Allegro Assai (6:12)
Concerto In D Moll, Wq 22, H. 425:
07. I. Allegro (7:29)
08. II. Un poco andante (8:19)
09. III. Allegro di molto (6:58)
Total Time: 01:10:11
Alexis Kossenko, flute & direction
Arte dei Suonatori :
Aureliusz Golinski, Marta Mamulska, Yannis Roger, Judith Steenbrink : violons I
Ewa Golinska, Martyna Pastuszka, Joanna Huszcza, Adam Pastuszka : violons II
Dymitr Olszewski, Bodo Lonartz : alti
Tom Pitt (continuo : Wq 169 & Wq 167), Bas van Hengel (continuo : Wq 22) : violoncelles
Stanislaw Smolka : contrebasse
Joanna Boslak-Gorniok : clavecin
Carl Philipp Emanuel Bach WAS Appointed 'principal harpsichordist' at the Court of Frederick II of Prussia. The flute WAS Constantly present in The Three Hundred Or So he works in Berlin Composed Between 1741 and 1767. Almost All the concertos he Composed in Three versions exist: for flute, for harpsichord and for strings. Undoubtedly, thesis works are unique in The History of the instrument: They Anticipate The _Sturm und Drang_ movement and open wide the doors to Romanticism.Alexis Kossenko, flute & Management
(Two-key flute in ebony and ivory by Jean-Jacques Melzer, from an original model of Quantz, ca 1745)
Post Link: Carl Philipp Emanuel Bach - Concerti a flauto traverso obligato - II (2009) (http://netlab.e2k.ru/forum/index.php?showtopic=101400&st=0#entry992957
Concerto In G Dur, Wq 169, H. 445:
01. I. Allegro di molto (11:18)
02. II. Largo (7:54)
03. III. Presto (5:39)
Concerto In B Dur, Wq 167, H. 435:
04. I. Allegretto (8:20)
05. II. Adagio (8:09)
06. III. Allegro Assai (6:12)
Concerto In D Moll, Wq 22, H. 425:
07. I. Allegro (7:29)
08. II. Un poco andante (8:19)
09. III. Allegro di molto (6:58)
Total Time: 01:10:11
Alexis Kossenko, flute & direction
Arte dei Suonatori :
Aureliusz Golinski, Marta Mamulska, Yannis Roger, Judith Steenbrink : violons I
Ewa Golinska, Martyna Pastuszka, Joanna Huszcza, Adam Pastuszka : violons II
Dymitr Olszewski, Bodo Lonartz : alti
Tom Pitt (continuo : Wq 169 & Wq 167), Bas van Hengel (continuo : Wq 22) : violoncelles
Stanislaw Smolka : contrebasse
Joanna Boslak-Gorniok : clavecin
Carl Philipp Emanuel Bach WAS Appointed 'principal harpsichordist' at the Court of Frederick II of Prussia. The flute WAS Constantly present in The Three Hundred Or So he works in Berlin Composed Between 1741 and 1767. Almost All the concertos he Composed in Three versions exist: for flute, for harpsichord and for strings. Undoubtedly, thesis works are unique in The History of the instrument: They Anticipate The _Sturm und Drang_ movement and open wide the doors to Romanticism.Alexis Kossenko, flute & Management
(Two-key flute in ebony and ivory by Jean-Jacques Melzer, from an original model of Quantz, ca 1745)
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(Post Link: Carl Philipp Emanuel Bach - Concerti a flauto traverso obligato - II (2009) (http://netlab.e2k.ru/forum/index.php?showtopic=101400&st=0#entry992957
