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 | TRACKLIST | 1. Eternity's Breath Part 1 . .3:10
2. Eternity's Breath Part 2 . .4:48
3. Lila's Dance . . . . . . . .5:34
4. Can't Stand Your Funk. . . .2:09
5. Pastoral . . . . . . . . . .3:41
6. Faith. . . . . . . . . . . .2:00
7. Cosmic Strut . . . . . . . .3:28
8. If I Could See . . . . . . .1:18
9. Be Happy . . . . . . . . . .3:31
10. Earth Ship . . . . . . . . .3:42
11. Pegasus. . . . . . . . . . .1:48
12. Opus 1 . . . . . . . . . . .0:15
13. On The Way Home To Earth . .4:34
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| SPOILER (Log) | Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 22. March 2011, 11:43
Mahavishnu Orchestra / Visions of the Emerald Beyond
Used drive : HL-DT-STDVDRAM GH22NS40 Adapter: 2 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\wavpack.exe
Additional command line options : -hlmx2 %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:09.62 | 0 | 14236
2 | 3:09.62 | 4:50.03 | 14237 | 35989
3 | 7:59.65 | 5:36.72 | 35990 | 61261
4 | 13:36.62 | 2:09.55 | 61262 | 70991
5 | 15:46.42 | 3:41.30 | 70992 | 87596
6 | 19:27.72 | 2:01.03 | 87597 | 96674
7 | 21:29.00 | 3:28.57 | 96675 | 112331
8 | 24:57.57 | 1:17.30 | 112332 | 118136
9 | 26:15.12 | 3:32.50 | 118137 | 134086
10 | 29:47.62 | 3:43.13 | 134087 | 150824
11 | 33:31.00 | 1:48.25 | 150825 | 158949
12 | 35:19.25 | 0:24.65 | 158950 | 160814
13 | 35:44.15 | 4:45.10 | 160815 | 182199
Range status and errors
Selected range
Filename C:\lossless\Visions of the Emerald Beyond\Mahavishnu Orchestra - Visions of the Emerald Beyond.wav
Peak level 99.0 %
Extraction speed 0.2 X
Range quality 100.0 %
Test CRC 456466A8
Copy CRC 456466A8
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 16) [50495EDD]
Track 2 accurately ripped (confidence 17) [562BCC3C]
Track 3 accurately ripped (confidence 17) [D91B15D0]
Track 4 accurately ripped (confidence 17) [8668BD7A]
Track 5 accurately ripped (confidence 17) [D1996184]
Track 6 accurately ripped (confidence 17) [79452C02]
Track 7 accurately ripped (confidence 17) [82633AF0]
Track 8 accurately ripped (confidence 17) [A880CC46]
Track 9 accurately ripped (confidence 17) [8EFDFD29]
Track 10 accurately ripped (confidence 17) [CE986BCD]
Track 11 accurately ripped (confidence 16) [A56C8261]
Track 12 accurately ripped (confidence 17) [83D7997E]
Track 13 accurately ripped (confidence 16) [F4352B77]
All tracks accurately ripped
End of status report
==== Log checksum 3F4782A3FF8CACF73D05B3C70FBF19AE8FE3C8BECB634F4CBA554F9057974A19 ==== |
| SPOILER (Info) | | QUOTE: | | As the second album to document the second Mahavishnu Orchestra, this one isn't as, well, apocalyptic as its predecessor, yet it does focus more intently on the band itself. Jean-Luc Ponty's curling electric violin lines help give this Mahavishnu band a more European sound than its predecessor, and some of the orchestral concepts of Apocalypse work their way into the picture via comments by a string trio and trumpet/sax duo. This band also had some interest in a bombastic funk direction that may have been borrowed from Mr. "Chameleon" Herbie Hancock, and would later be followed by Mahavishnu Two's drummer, Michael Walden. Gayle Moran's ethereal vocals don't date as badly as those on many jazz-rock records; at least she can sing. Overall, this Mahavishnu edition is more refined and not as aggressive as the first -- although they could charge ahead pretty hard, as "Be Happy" and "On the Way Home to Earth" demonstrate -- yet they were still capable of making memorable electric music. ~ Richard S. Ginell |
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