Joan Baez (1975) Diamonds & Rust 01. Diamonds & Rust (4:46)02. Fountain Of Sorrow (4:30)03. Never Dreamed You'd Leave In Summer (2:45)04. Children And All That Jazz (3:07)05. Simple Twist Of Fate (4:45)06. Blue Sky (2:46)07. Hello In There (3:05)08. Jesse (4:28)09. Winds Of The Old Days (3:56)10. Dida (3:26)11. I Dream Of Jeannie - Danny Boy (4:11)---
| SPOILER (Log) |
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 2. November 2011, 18:58
Joan Baez / Diamonds & Rust
Used drive : Optiarc DVD RW AD-7200S Adapter: 2 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\wavpack.exe
Additional command line options : -hm %source% %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 4:46.08 | 32 | 21489
2 | 4:46.40 | 4:30.25 | 21490 | 41764
3 | 9:16.65 | 2:45.02 | 41765 | 54141
4 | 12:01.67 | 3:07.25 | 54142 | 68191
5 | 15:09.17 | 4:45.25 | 68192 | 89591
6 | 19:54.42 | 2:45.50 | 89592 | 102016
7 | 22:40.17 | 3:04.50 | 102017 | 115866
8 | 25:44.67 | 4:28.13 | 115867 | 135979
9 | 30:13.05 | 3:55.42 | 135980 | 153646
10 | 34:08.47 | 3:26.18 | 153647 | 169114
11 | 37:34.65 | 4:10.47 | 169115 | 187911
Range status and errors
Selected range
Filename C:\lossless\Joan Baez\Joan Baez - Diamonds & Rust.wav
Peak level 100.0 %
Extraction speed 3.8 X
Range quality 100.0 %
Test CRC 7E693BE5
Copy CRC 7E693BE5
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [FB5D415F] (AR v1)
Track 2 accurately ripped (confidence 4) [6F2C55EB] (AR v1)
Track 3 accurately ripped (confidence 4) [5A52B448] (AR v1)
Track 4 accurately ripped (confidence 4) [9D01A4C1] (AR v1)
Track 5 accurately ripped (confidence 4) [12604599] (AR v1)
Track 6 accurately ripped (confidence 3) [D88EFD06] (AR v1)
Track 7 accurately ripped (confidence 4) [033C0D24] (AR v1)
Track 8 accurately ripped (confidence 3) [555EC9B5] (AR v1)
Track 9 accurately ripped (confidence 4) [A4680D31] (AR v1)
Track 10 accurately ripped (confidence 4) [2301095B] (AR v1)
Track 11 accurately ripped (confidence 4) [AAA0746C] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum 002165132AB2331F2626E69D6292F57B3DCDC4CDB902FFBC00BB06C7A705671F ==== |
Review
by William Ruhlmann
With the Vietnam War winding down, Joan Baez, who had devoted one side of her last album to her trip to Hanoi, delivered the kind of commercial album A&M Records must have wanted when it signed her three years earlier. But she did it on her own terms, putting together a session band of contemporary jazz veterans like Larry Carlton, Wilton Felder, and Joe Sample, and mixing a wise selection from the work of current singer-songwriters like Jackson Browne and John Prine with pop covers of Stevie Wonder and the Allman Brothers Band, and an unusually high complement of her own writing. A&M, no doubt recalling the success of her cover of the Band's "The Night They Drove Old Dixie Down," released her version of the Allmans' "Blue Sky" as a single, and it got halfway up the charts. But the real hit was the title track, a self-penned masterpiece on the singer's favorite subject, her relationship with Bob Dylan. Outdoing the current crop of confessional singer/songwriters at soul baring, Baez sang to Dylan, reminiscing about her '60s love affair with him intensely, affectionately, and unsentimentally. It was her finest moment as a songwriter and one of her finest performances, period, and when A&M finally released it on 45, it made the Top 40, propelling the album to gold status. But those who bought the disc for "Diamonds & Rust" also got to hear "Winds of the Old Days," in which Baez forgave Dylan for abandoning the protest movement, as well as the jazzy "Children and All That Jazz," a delightful song about motherhood, and the wordless vocals of "Dida," a duet with Joni Mitchell accompanied by Mitchell's backup band, Tom Scott and the L.A. Express. The cover songs were typically accomplished, making this the strongest album of Baez's post-folk career.
у меня 
