Based on the principles of balance, MFM is half produced by David Lord, half by Rhett Davies. American and European editions benefit from a better track list, which opens with the Davies-produced "No Promises." A little too close to Bowie and Metheny's "This Is Not America," perhaps, but very nice all the same. "Cross the Border" resembles and continues the close relationship with Simple Minds, and features a strong Brian Eno back vocal motif. Another of the RD-produced pieces, "The Flame," although about the struggles in South Africa, opens with a watery, orient-like synth treatment before a strong beat, courtesy of Steve Jansen, and a Talk Talk-sounding synth take charge. Newer realms are visited by Spanish guitar on "Angel Street," but the Bowie references can't be shaken, with much of the later part relying on squally glam rock ("Regular Boys" and the career reviving "Baby You're So Strange"). Had the color of bonus CD cuts "Too Late Now" (a definitive Icehouse sound) and "Into the Wild" been included, how different things might have been. A few blocks up from the bland Sidewalk but a few buildings short of Man of Colours.
Track List:

EAC extraction logfile from 16. March 2006, 8:43 for CD
Icehouse / measure for measure -1986

Used drive : SAMSUNG CD-R/RW SW-248F Adapter: 0 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 97
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Range status and errors
Selected range
Filename E:\Documents and Settings\rat.TR-G50KCK082Q78\My Documents\Icehouse - measure for measure -1986.wav

Peak level 100.0 %
Range quality 100.0 %
CRC BC3C49FB
Copy OK

No errors occured

End of status report