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Forums > Jazz > Taj Mahal - Taj Mahal (1967 / 2000 Remaster), BLUES


Posted by: DrSpengler on 17-04-2004, 11:41

Артист:Taj Mahal
(http://www.allmusic.com/cg/amg.dll?p=amg&uid=UIDCASS80402111344293319&sql=Amlaqoalabijp
Альбом:Taj Mahal, 1968
Жанр:Blues
Формат файла:• Exact Audio Copy (Secure mode)• Monkey's Audio 3.97
Ссылка:CD (ed2k://|file|Taj.Mahal.[EAC.APE.CUE.COVERS].rar|202514174|D8E4FFBFAE8C0AA5A07AD9D5FBECFFFD|/
Нахождение:eDonkey
Примечание:Enjoy! Greetings Doc


Posted by: sastre on 17-04-2004, 12:24
Tracks:
1. Leaving Trunk (Estes) - 4:51
2. Statesboro Blues (McTell) - 2:59
3. Checkin' up on My Baby (Williamson) - 4:55
4. Everybody's Got to Change Sometime (Estes) - 2:57
5. EZ Rider (Mahal) - 3:04
6. Dust My Broom (Johnson) - 2:39
7. Diving Duck Blues (Estes) - 2:42
8. The Celebrated Walkin' Blues - 8:52
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Taj Mahal's debut album was a startling statement in its time and has held up remarkably well. Recorded in August of 1967, it was as hard and exciting a mix of old and new blues sounds as surfaced on record in a year when even a lot of veteran blues artists (mostly at the insistence of their record labels) started turning toward psychedelia. The guitar virtuosity, embodied in Taj Mahal's slide work (which had the subtlety of a classical performance), Jesse Ed Davis's lead playing, and rhythm work by Ry Cooder and Bill Boatman, is of the neatly stripped-down variety that was alien to most records aiming for popular appeal, and the singer himself approached the music with a startling mix of authenticity and youthful enthusiasm. The whole record is a strange and compelling amalgam of stylistic and technical achievements — filled with blues influences of the 1930s and 1940s, but also making use of stereo sound separation and the best recording technology. The result was numbers like Sleepy John Estes' "Diving Duck Blues," with textures resembling the mix on the early Cream albums, while "The Celebrated Walkin' Blues" (even with Cooder's animated mandolin weaving its spell on one side of the stereo mix) has the sound of a late '40s Chess release by Muddy Waters. Blind Willie McTell ("Statesboro Blues") and Robert Johnson ("Dust My Broom") are also represented, in what had to be one of the most quietly, defiantly iconoclastic records of 1968. — Bruce Eder

Posted by: sastre on 17-04-2004, 12:30
Great Work. Thnx Doc !

Posted by: dibbler on 17-04-2004, 13:11
Заждались, спасибо!
newest/punk.gif Thanks! Can't wait for more... wink.gif

Posted by: Baton on 17-04-2004, 14:15
Great!!! Thanks a lot Doc! biggrin.gif



Posted by: kokiku on 18-04-2004, 11:18
запишу знакомцу - он порадуется!
Thanks !

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