Содержание диска

• op. 9 No. 1 b-moll / in B flat minor 5.23
• op. 9 No. 2 Es-Dur / in E flat major 4.36
• op. 9 No. 3 H-Dur / in B major 6.40
• op. 15 No. 1 F-Dur / in F major 4.00
• op. 15 No. 2 Fis-Dur / in F sharp major 3.18
• op. 15 No. 3 g-moll / in G minor 4.52
• op. 27 No. 1 ci-moll / in C sharp minor 4.41
• op. 27 No. 2 Des-Dur / i D flat major 5.29
• op. 32 No. 1 H-Dur / in B major 5.26
• op. 32 No. 2 As-Dur / in A flat major 4.53

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The Nocturne is generally credited to the Irish composer/pianist John Field, who published his first three Nocturnes in 1814. These romantic character pieces are written in a somewhat melancholy style, with an expressive, dreamy melody over broken-chord accompaniment. The majority of Chopin's nocturnes adopt a simple A-B-A form. The A-part is usually in a dreamy bel-canto style, whereas the B part is of a more dramatic content. In distinction of melody, wealth of harmony and originality of piano style, Chopin's nocturnes leave Field's far behind. The similarity of Chopin's nocturnes to Bellini's cavatinas (such as `Casta diva' from Norma) has often been noticed, though there is little evidence of direct influence in either direction.

Fransz Liszt: "We have seen the shy, serenely tender emotions which Field charged them to interpret, supplanted by strange and foreign effects. Only one genius possessed himself of this style, lending to it all the movement and ardour of which it was susceptible. Chopin, in his poetic Nocturnes, sang not only the harmonies which are the source of our most ineffable delights, but likewise the restless, agitating bewilderment to which they often give rise."


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