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Forums > Jazz > Hank Mobley - The Turnaround, Blue Note 84186 | 1965


Posted by: meszrum on 28-09-2005, 14:52
Артист:Hank Mobley
Альбом:"The Turnaround", (1965) Blue Note
Жанр:Jazz
Формат файла:eac.ape.covers
Ссылка:CD (ed2k://|file|Hank.Mobley.-.The.Turnaround.{APE_COV}{motley.crew}.rar|247095663|C737371EBBC4B0772875425AF35B8470|/
Нахождение:eDonkey



QUOTE:
]The Hank Mobley of the Turnaround album was a markedly different one from a few years earlier. This session issued in early 1965 was the product of two different sessions. The first was in March of 1963, immediately after Mobley left the Miles Davis band. Those recordings produced "East of the Village," possibly the greatest example of Mobley's "round tone" on record, and the other was "The Good Life," a ballad. The rest was recorded nearly two years later in February of 1965. The title cut was produced here -- an Alfred Lion answer to Lee Morgan's "Sidewinder," which was burning up the charts -- as well as the beautiful "Pat 'n' Chat," with "Straight Ahead" and "My Sin" rounding out the program. On the earlier material, Donald Byrd, Herbie Hancock, Butch Warren, and Philly Jo Jones helped Mobley out, and on the latter it was Freddie Hubbard, Barry Harris, Paul Chambers, and Billy Higgins. In each case, there were alumnus members of the Miles band Mobley had played in. The main thing about "East of the Village" is the striking difference between the gorgeous melding of Latin and post-bop, straight-ahead rhythms, and the easy, loping blues feel that is cheered on by Jones. This track contains one of Mobley's most memorable solos. On the title track and "Pat 'n' Chat," there are elongated blues structures; in the former -- it is an unusual 18 bar figure -- and in the latter, there is the major 44 bar pattern that sounds like a blues with a bridge when the AABA pattern is invoked. Here is the evolution of Mobley's tone in full flower, all but gone is the rounded, warm sound, and in its place is a shorter, declarative, bluesier tone with real bite that is perfect for pianists like Harris, who were used to the deeper funk of the Detroit sound. In all this is a solid date, despite its time lapse, and one that gives us a solid picture of the two Mobleys.

Hank Mobley tenor sax
Freddie Hubbard trumpet (#1,4,5,6)
Donald Byrd trumpet (#2,3)
Barry Harris piano (#1,4,5,6)
Herbie Hancock piano (#2,3)
Paul Chambers bass (#1,4,5,6)
Butch Warren bass (#2,3)
Billy Higgins drums (#1,4,5,6)
Philly Joe Jones drums (#2,3)


Tracks

The Turnaround
East Of The Village
The Good Life
Straight Ahead
My Sin
Pat 'N' Chat

EAC
Monkey's Audio
full covers



CODE

EAC extraction logfile from 27. April 2005, 11:48 for CD
Hank Mobley / The Turnaround

Used drive  : LITE-ON DVDRW LDW-451S   Adapter: 1  ID: 1
Read mode   : Secure with NO C2, accurate stream, disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
                    44.100 Hz; 16 Bit; Stereo

Other options      :
   Fill up missing offset samples with silence : Yes
   Delete leading and trailing silent blocks : No
   Installed external ASPI interface


Range status and errors
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    Filename C:\Converted Music\CDImage.wav

    Peak level 97.9 %
    Range quality 99.9 %
    CRC 9C343B67
    Copy OK

No errors occured

End of status report

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