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прав наш коллега bubamara:
...этот незаслуженно забытый посмертный альбом Doors будет хорошим дополнением к этой коллекции (http://netlab.e2k.ru/forum/index.php?showtopic=56799.
thanks to my friends
by server alliance
Editorial Reviews
Amazon.com
The Doors recorded six studio albums with Jim Morrison as their singer from 1967 to 1971, hitting the charts with a series of pop songs that were at least as good as Tommy James and the Shondells. On their albums, they indulged in Morrison's pretentious obsessions that included extended pieces about Oedipal complexes and the end of the world. Those obsessions have been exaggerated by The Doors myth that continues to this day. This is a collection of Morrison's poetry, embellished by the surviving Doors several years after the fact. That the live rendition of "Roadhouse Blues" is the only noteworthy selection should tell you what you need to know about the poetry. --Rob O'Connor
The panultimate Doors experience., July 30, 2001
Reviewer: Brent A. Anthonisen "Johnny Sideburns" (Alpharetta, GA, USA)
I'll admit, I don't really listen to my other Doors CD's that much anymore...but "An American Prayer" is an exception. Jim Morrison will be recognized as one of the most important (and certainly the most imitated) frontmen in the history of rock/pop music, and deservedly so...but as most knowledgeable music afficianados (Rob O'Connor need not apply) will tell you, Morrison was a great deal more. As compelling (and disturbing) as his lyrics were, it was with the medium of poetry that Morrison truly felt his place to be; his desire was to use popular music as a means of presenting his writing to a greater audience. Having three of the most talented and versatile musicians of the 1960's in his band certainly didn't hurt, and this as much as Morrison's own talents as a lyricist and indominitable charisma as a frontman helped to achieve this end. The reading that he gives on this CD (recorded on Morrison's birthday in 1970, I believe) is first rate. And though it must be allowed that Morrison probably never intended for musical accompanyment to be added to his words (this was done by the surviving Doors members years after his death), it was likely Schiller probably felt the same way at the time he wrote his "Ode to Joy"...and Beethoven's use of Schiller's piece in his 9th Symphony finale certainly can't be seen as a dilution of that work by any stretch of the imagination. Nor is the subsequent Doors instrumentation (as well as the addition of previously released music) to be seen as a lessening of the experience of "An American Prayer". This is an extremely well-conceived production; the music compliments Morrison's reading perfectly. Morrison himself reads in a soothing, engaging, and intimate manner (similar to Charles Bukowski's "Run With The Hunted" expanded CD session), and, if indeed he was "Stoned Immaculate" at the time of the recording, the clarity of his voice lays more to inspiration rather than inebriation. This CD finds all participants in finest form, and the result is an extremely natural progression of sound. This recording may be considered "spoken word" due to its vocal delivery (and as such is unsurpassed by Bukowski, Henry Rollins, William Burroughs, or anyone else to whom I've compared it), but as with the work released by the Doors as a band, the music here is not to be underestimated. This recording was well ahead of its time, and in my opinion represents the Doors as Morrison had intended them to become through an evolution he was unfortunately unable to see through; I believe he would have approved of this work, and I can't recommend it enough, either to fans of poetry, music, and of life itself.
- я пасс 
