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Review by Ed Rivadavia
One of Deep Purple's three essential albums, 1971's Fireball finds the band taking the no-holds-barred, hard-rock direction of the previous year's In Rock to new creative heights. Metal machine noises introduce the sizzling title track, which is an explosively tight group effort with Jon Lord's organ truly shining. The somewhat repetitive "No No No" threatens to drop the ball, but the fantastic "Strange Kind of Woman" picks things up again. The innuendo-encrusted hilarity of "Anyone's Daughter" features one of singer Ian Gillan's best lyrics, and guitarist Ritchie Blackmore shows his range with one of his most uncharacteristic, bluesier performances. "The Mule" is perhaps the band's finest instrumental and they flirt with progressive rock on "Fools," which probably could have been done without the rather boring, drawn-out middle section. Closing the album is the exceptional "No One Came," which sounds so fresh that its plausible that the band improvised it on the spot. Their intertwining instrumental lines lock together beautifully, and Gillan weaves a comic, semi-autobiographical story that is equal parts rooted in fact and Monty Python.
Резил taurus66, ето его релиз, все спасибки ему!
OBI приклеяна на обложке P.S. Mini LP с Американской LP, потому что третий трек не Demon's Eye а Strange Kind OF Woman 
One of Deep Purple's three essential albums, 1971's Fireball finds the band taking the no-holds-barred, hard-rock direction of the previous year's In Rock to new creative heights. Metal machine noises introduce the sizzling title track, which is an explosively tight group effort with Jon Lord's organ truly shining. The somewhat repetitive "No No No" threatens to drop the ball, but the fantastic "Strange Kind of Woman" picks things up again. The innuendo-encrusted hilarity of "Anyone's Daughter" features one of singer Ian Gillan's best lyrics, and guitarist Ritchie Blackmore shows his range with one of his most uncharacteristic, bluesier performances. "The Mule" is perhaps the band's finest instrumental and they flirt with progressive rock on "Fools," which probably could have been done without the rather boring, drawn-out middle section. Closing the album is the exceptional "No One Came," which sounds so fresh that its plausible that the band improvised it on the spot. Their intertwining instrumental lines lock together beautifully, and Gillan weaves a comic, semi-autobiographical story that is equal parts rooted in fact and Monty Python.
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| EAC extraction logfile from 25. May 2006, 7:47 for CD DEEP PURPLE / Fireball Used drive : HL-DT-STDVDRAM GSA-4163B Adapter: 0 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Combined read/write offset correction : 0 Overread into Lead-In and Lead-Out : No Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename D:\Program Files\eMule\Incoming\trs66.dpurp.firebll.1971.japrls.eac-ape-covers\CDImage.wav Peak level 100.0 % Range quality 100.0 % CRC 74ADE0C3 Copy OK No errors occured End of status report |
Резил taurus66, ето его релиз, все спасибки ему!
OBI приклеяна на обложке P.S. Mini LP с Американской LP, потому что третий трек не Demon's Eye а Strange Kind OF Woman
Японский бантик на сканах с обложки снял-уже на Burn он отдельно....... 
но эт, как грится, не вина или в другом случае и не заслуга нас релизаторов 
пришлось проверить всех твоих Перплов и могу сказать, что только глупец, слепо верующий ТАУ-анализатору заподозрит в них потерный источник 
а вот с Гиланом, да - там сливай воду - так четко обрезать частоты в районе 16килогерц и мп3-кодек не умеет пожалуй 
