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Ну и как обычно море благодарности друзьям и всем ,всем,всем
Disc: 1
| TRACKLIST |
| 1. Best Years 2. Can You Hear The Wind Blow 3. Call On Me 4. All I Want All I Need 5. Good To Be Bad 6. All For Love 7. Summer Rain 8. Lay Down Your Love 9. A Fool In Love 10. Got What You Need 11. `Til The End Of Time |
| TRACKLIST |
| 1. Burn-Stormbringer (live version) 2. Give Me all Your Love Tonight (live version) 3. Walking In The Shadow.... (live version) 4. The Deeper The Love (live version) 5. Ready & Willing (live version) 6. Don t Break My Heart Again (live version) 7. Take Me with You (live version) 8. Ready To Rock (enhanced video) |
Review by Thom Jurek
Good to Be Bad marks Whitesnake's 30th anniversary as a band (though frontman and chief songwriter David Coverdale is the only original member), and their first studio album since 1998's Restless Heart, which was never released in the United States. While it's true that, even at the height of their popularity, Whitesnake were never a prolific band, Coverdale was able to keep their sound rooted in the bluesy hard rock of Led Zeppelin, Deep Purple (who Coverdale recorded three albums with), and late-'70s Brit metal. The current incarnation of Whitesnake is made up of guitarist and co-songwriter Doug Aldrich, second guitarist Reb Beach, bassist Uriah Duffy, keyboardist Timothy Drury, and drummer Chris Frazier. Frazier is the band's newest member; the others all appeared on 2006's Live... In the Shadow of the Blues, and all but Duffy and Frazier were on the Live in the Still of the Night CD/DVD set that same year. Given that this is a seasoned road group, it remained to be heard if the bandmembers could pull it off in the studio, and whether it was worth pulling off at all. The answer, in brief, is hell yes! -- beginning with the single "All for Love," dead center on the album, with classic power chords as a majestic intro to the big bad crunch of a four-chord riff that the tune hinges on. Rough and rowdy, it's still got a killer hook in the refrain that is pure trademark Whitesnake. Guitars don't sound like this on records anymore, and it's too bad because that solid wall of big fat distorted roar still sounds like a Les Paul. Music aside, Coverdale's voice is a bit lower in the 21st century, but he's still better than 90 percent of the frontmen out there. He can emote, growl, and get up above that dense mix. ... Read More... (http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:kxfpxzljldae~T1
| SPOILER! |
