ECM Records wrote: ..."Delightful new project, assembled by Tunisian oud master Brahem with producer Manfred Eicher. Combination of bass clarinet with oud suggests a link to Anouar’s "Thimar" trio, but this East/West line-up often feels closer to the more traditionally-inclined sounds of "Barzakh" or "Conte de l’Incroyable Amour". Klaus Gesing, from Norma Winstone’s Trio, and Bjorn Meyer, from Nik Bartsch’s Ronin, are both players with an affinity for musical sources beyond jazz, and they interact persuasively inside Brahem’s music. A dance of dark, warm sounds, urged onward by the darbouka and frame drum of Lebanaese percussionist Khaled Yassine. The album is dedicated to the memory of Palestinian poet Mahmoud Darwish."...
Review: Stereophile Recording of the Month, December 2009! Four stars for Performance and Five stars for Sonics!
Another gorgeous, evocative musical journey from oud master Anouar Brahem who delivers an album of warm, dark sounds and dancing, organic pulses. The music modulates between eastern and western cultures and disciplines – yet the compositions are unmistakably Brahem’s.
Anouar Brahem has developed into one of ECM’s most popular and commercially-successful artists.
"(Brahem) creates music that floats in space, evocatively calling up references to classical music, jazz, Arabic modes and the indefinable beauties of spontaneous improvisation." - Don Heckman, Los Angeles Times
"From the very first cut here, "The Lover of Beirut", Brahem's fascinating blend of traditional Eastern-flavored tonalities and his very jazz-like sense of free rhythms mix, in an astonishingly instinctual and intimate way, with Gesing's moody clarinet, their melodic lines at times doubling before breaking free to bend and swerve off into a melodic maze before slowly returning to their intricate Byzantine dance. The timbre of the clarinet is a perfect match for the oud's sonorities." - Robert Baird, Stereophile Magazine, Vol. 32, No. 12, pg 119 |