Close Topic Options

Артист: Badfinger Альбом: Day After day (live), 1990 Издатель: Ryko Analogue Limited edition / VACK-1294 Жанр: Power pop/pop/rock Формат файла: eac.cue.wv.tags.scans.iso Ссылка: CD 4 clicks Нахождение: eDonkey/Kademlia Примечание: супер саунд

TRACKLIST

1. Sometimes. . . . . .2:59  2. I Don't Mind . . . .3:13  3. Blind Owl. . . . . .5:40  4. Give It Up . . . . .7:22  5. Constitution . . . .4:13  6. Baby Blue. . . . . .3:49  7. Name of the Game . .5:17  8. Day After Day. . . .3:04  9. Timeless . . . . . .7:56 10. I Can't Take It. . .4:58

The only officially available live Badfinger release (not counting shoddy '90s recordings by Joey Molland's tacky cash-in project), 1990's Day After Day: Live compiles circa-1974 live tapes, modified in a way guaranteed to enrage purists. Because the original tapes were poorly recorded and unsalvageable, Molland took the soundboard tapes into a studio and re-recorded his own guitar and vocal parts, and, even worse, added a sampled snare drum, mixed far, far too loudly, to all of Mike Gibbins' drum tracks. These alterations are added with little subtlety and less grace, and they stick out like the proverbial sore thumb. In a further bit of self-serving idiocy, Molland re-sequenced the original tape (long a favorite on the bootleg circuit) to move all of his own songs to more prominent placements in the track list, putting all of Pete Ham and Tom Evans' songs at the end, utterly disrupting the flow of the original concert. A tacky, poorly done botch, Day After Day: Live should be avoided by all but the most die-hard Joey Molland worshipers.

This post has been edited by Djubei on 29-06-2007, 22:55

The only officially available live Badfinger release (not counting shoddy '90s recordings by Joey Molland's tacky cash-in project), 1990's Day After Day: Live compiles circa-1974 live tapes, modified in a way guaranteed to enrage purists. Because the original tapes were poorly recorded and unsalvageable, Molland took the soundboard tapes into a studio and re-recorded his own guitar and vocal parts, and, even worse, added a sampled snare drum, mixed far, far too loudly, to all of Mike Gibbins' drum tracks. These alterations are added with little subtlety and less grace, and they stick out like the proverbial sore thumb. In a further bit of self-serving idiocy, Molland re-sequenced the original tape (long a favorite on the bootleg circuit) to move all of his own songs to more prominent placements in the track list, putting all of Pete Ham and Tom Evans' songs at the end, utterly disrupting the flow of the original concert. A tacky, poorly done botch, Day After Day: Live should be avoided by all but the most die-hard Joey Molland worshipers.

LOG

А теперь linear notes (немного)

[B][B]A previously unreleased concert recording at Badfinger at the peak of their potency captured live in 1974 at the Cleveland Agora.
Mixed from the original 16-track masters by founding Badfinger member Joey Molland with Mark Healy[/B][/B]




P.S. Я вот в релизе приобщился к server.alliance.
Надеюсь бить не будут

This post has been edited by Djubei on 29-06-2007, 23:06

будут на каком-нибудь, тэк сказать, "дружественом" хэшарном форуме

По лицу?

Djubei
у Сектантов могут забанить, не любят Флог с Сектой наш альянс

и ниже... гораздо ниже

ВайВайВай

а если я за динамо киев болею то меня то же бить будут

Словесно будут глумиться наверно

Спасибо, а чего таги в ИСО не прошиты?

My mistake
Так получилось. Когда спохватился поздно было.