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>  NetLab -> Forums -> Music -> Other Styles -> Topic: The Segovia Collection (Vol. 1) : Johann Sebastian Bach

 

> The Segovia Collection (Vol. 1) : Johann Sebastian Bach, Classic Guitar
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 Alien Member is Offline
 Posted: 05-07-2004, 13:24 (post 1, #278994)

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Артист:Andres Segovia
Альбом:The Segovia Collection (Vol. 1) : Johann Sebastian Bach, 1990
Жанр:Classic
Формат файла:APE
Ссылка:CD 5 clicks
Нахождение:eDonkey
Примечание:This collection of Baroque music consists of works by a composer that Segovia ceaselessly promoted throughout his career: J.S. Bach. As his compatriot Pablo Casals's performances of the Bach cello suites added so much to the great composer's reputation, Segovia's performances of Bach's lute suites and other works greatly enhanced the public's perception of the Leipzig master as the most "universal" of composers. His playing imbues Bach's music with a very special warmth and humanity. This disc is one of the most important and rewarding in the Segovia discography.

Великая музыка в исполнении великого музыканта!

P.S.: Все спасибы отправляются в адрес Xiasar


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 papulya Member is Offline
 Posted: 05-07-2004, 22:11 (post 2, #279179)

зеленый лист

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ну наконец-то увидел релиз от Alienда еще какой!!!
спасибо!!

PS. а я думал , что кроме "спасибов" ты ничего не умеешь rolleyes.gif
(это я так подкалываю biggrin.gif ,не обижайся newest/thumbsup.gif
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 Alien Member is Offline
 Posted: 05-07-2004, 23:49 (post 3, #279233)

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QUOTE (papulya @ 05-07-2004, 20:11)
PS. а я думал , что кроме "спасибов" ты ничего не умеешь rolleyes.gif

Я ешё крестиком вышивать умею... rolleyes.gif

wink.gif
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 LF_ Member is Offline
 Posted: 15-08-2004, 05:18 (post 4, #291161)

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Used drive : PHILIPS CDRWDVD1610 Adapter: 2 ID: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

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 piligrim Member is Offline
 Posted: 15-08-2004, 05:29 (post 5, #291162)

Иной

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а почему на гитаре? Бах же вроде для органа писал музыку
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 millo Member is Offline
 Posted: 17-08-2004, 22:07 (post 6, #292120)

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Уважаемые господа! Скачал файл, но почему-то моя Monkey's Audio 3.99 отказывается открыть трэки. В чём может быть проблема?
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 prohojiy Member is Offline
 Posted: 17-08-2004, 23:04 (post 7, #292141)

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millo
Нужно укоротить имя файла.
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 prohojiy Member is Offline
 Posted: 17-08-2004, 23:16 (post 8, #292146)

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Кстати, еще немного интересной информации, относящейся к релизу.

QUOTE
Andres Segovia - The Segovia Collection  
The story of Andres Segovia really begins with Fernando Sor. Sor (born 1778, died 1839) was a composer who dabbled in all the classical genres, but is now remembered soley for his compositions for the guitar.  The guitar has always had a bad reputation in the classical music world. For most of history, it was not even regarded as a classical musical instrument. While compositions for the lute were popular in the renaissance and early baroque, the landscape dried up soon after Bach's Suites for Lute. The guitar was a peasant's instrument simply strummed as an accompaniment to popular songs.  Fernando Sor went part of the way to rectify this. He managed to combine his knowledge of classical forms with his love of the guitar to produce dozens of works for classical guitar. He was the first to write guitar music that was not simply strummed as chords, but music with separate voices, and even contrapuntal music.  Even so, the guitar languished throughout the 18th and 19th centuries.  
Andres Segovia was born in 1893, and took to the guitar as a child. His parents objected and sent him away for cello and piano lessons. Little Andres persisted with the guitar and his parents became even more opposed.  Finding no teacher of guitar at the Granada Institute of Music, Andres Segovia became self-taught. His parents' opposition only strengthened his resolve and he became determined to elevate the guitar to the concert stage and promote it as a respectable classical instrument.  He made his debut age 15 and gave his first professional performance in 1924 in Paris. He was an instant success. His playing attracted praise from even those who went to his concerts as sceptics.  In the space of a few years, he travelled to London, New York, Europe and Asia giving concerts to packed halls. Very soon, composers were writing works for Segovia and his guitar. The most famous was Hector Villa-Lobos, his melancholic melodies and cello-like sonorities suited the guitar perfectly.  Joachim Rodrigo wrote his very famous Fantasia para un gentilhombre specifically for Andres Segovia.  A large part of Segovia's success was from his arrangements of Rennaissance, Baroque and Classical works for the guitar. He arranged a huge amount of Bach's music, including the Lute Suites, Cello Suites and Violin Sonatas and Partitas. His rendition of Bach's Chaconne from the Partita for solo violin No. 2 in D minor is a masterpiece - none of the power or complexity is lost and it is written so sympathetically that it is as if Bach had intended it for the guitar all along.  What Segovia found was that the sound of the guitar had trouble filling an entire concert hall. He experimented with new materials, woods, finishes and building techniques to design the modern classical guitar with a fuller, richer sound.  By the 1940's and 50's, Segovia had established the guitar as a respectable classical instrument. His aim was to do even more. He wanted to pass on the legacy to future generations.  Segovia established schools of guitar throughout several universities and music schools around the world. He took on students of his own. The current crop of classical guitarists, Christopher Parkening, John Williams, Elliot Fisk and Oscar Ghiglia are all Segovia protogés.  Andres Segovia continued to perform well into his nineties. He was celebrated by the King of Spain, received honorary degrees from around the world, established the Andres Segovia International Guitar Competition and had the rare privilege of performing at his own 75th anniversary of his debut concert.  This set of 4 CD's was issued to commemorate the 15th anniversary of Segovia's death. It includes a very comprehensive set of Segovia recordings from 1952 to 1969. The sound, some mono but most stereo, has been beautifully remastered to reveal the beautiful tone of Segovia's playing.  The real treasure of this set is the huge variety within the music. We get Segovia-transcribed versions of Renaissance music and Bach, much of the original Fernando Sor, the celebrated Rodrigo Fantasia and much, much more, music of every form.  This wonderful set demonstrates why Andres Segovia is called the father of the classical guitar.  
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 millo Member is Offline
 Posted: 18-08-2004, 04:15 (post 9, #292212)

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QUOTE (prohojiy @ 17-08-2004, 22:04)
millo
Нужно укоротить имя файла.

Спасибо! Но всё оказалось проще: сменил в имени исполнителя é на e, и всё пошло.
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