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Артист: Gaede Trio/Markus Schirmer piano Альбом: The Gaede Trio Series Vol. VIII, 2002 Издатель: Tacet / TACET116DVDA Жанр: Classics Формат файла: ISO Ссылка: CD 91 clicks Нахождение: eDonkey Примечание: DVD5, NOT watermarked

TRACKLIST

1. Allegro 10'47 2. Andante 7'49 3. Roudeau 8'13 4. Piano Quartet in E major KV 493 27'52 5. Allegro 10'23 6. Larghetto 8'56 7. Allegretto 8'32

MOZART: The Piano Quartets KV 478 and 493 (The Gaede Trio Series Vol. VIII) - Gaede Trio (Daniel Gaede, Thomas Selditz, Andreas Greger)/ Markus Schirmer piano - Tacet multichannel DVD-A DVD D116 (55 mins.):

These two wonderful quartets have been audiophile touchstones ever since the Amadeus Quartet (three of them, anyway) and Clifford Curzon recorded them for Decca in the 1950s. Those performances were full of personality, charm and fire, and the sound (at the time) seemed alive and rich in color (today, it sounds a little harsh and aggressive). Along the way there have been fine recordings by many illustrious ensembles, on both modern and original instruments, of which the best purely in terms of sound may have been the musically limpid RCA version with the Guarneri Quartet and Artur Rubinstein.
Now, from the German audiophile label Tacet, comes a version that banishes the competition, combining the musical sparkle and sparkle of the early Decca version with the sumptuous sonic radiance of the RCA. The sound, in fact, is so clear and natural that it is like being in the room with the musicians. Operating at moderate speeds, the way the young Austrian pianist Markus Schirmer rolls out phrases as if they were pearls, the way he illuminates the music with a luminous inner elegance, and the way he occasionally adorns the music with ornaments of exceptional originality and delight, leaves no doubt that, for this one release at least, here is a major talent.
This is not to say that the very excellent Gaede Trio takes a mere supporting role, for they play as gloriously as on their Tacet recordings of Mozart’s String Trio, KV 563, and their extremely gorgeous transcription of Bach’s Goldberg Variations.
I reviewed the 44.1 CD version (numbered just plain 116), but it is hard to imagine anything more musically and sonically satisfying than this CD. Thomas Seedorf’s curious liner notes are quite endearing, especially in an English translation that seems like a gentle parody of German syntax.
[Ed.: I’ve just auditioned the surround DVD-A, and whether a listener would consider it more musically and sonically satisfying depends on how open they are to the alternative use of the acoustic space made by producer Andreas Spreer. He works from the idea that any sound-carrier is a synthetic product and feels that using the surround field to place the listener in the middle of the performance is more interesting and involving. Thus on the first of these quartets we have the viola at the center speaker, the piano on the right side, the violin on the left speaker and the cello on the left rear surround speaker. For the second quartet the violin/cello and the piano change places. Personally I’m beginning to get used to this, find it much more involving, and in fact find the standard frontal placement of instruments on other recordings a bit boring. But I can imagine some listeners might be freaked out.]


Собственно выкладывать или нет? Весит счастье всего 1Gb. Никаких защит на нем нет. Могу даже пообещать сканы.

This post has been edited by OlCh on 09-12-2007, 05:41

MOZART: The Piano Quartets KV 478 and 493 (The Gaede Trio Series Vol. VIII) - Gaede Trio (Daniel Gaede, Thomas Selditz, Andreas Greger)/ Markus Schirmer piano - Tacet multichannel DVD-A DVD D116 (55 mins.):

These two wonderful quartets have been audiophile touchstones ever since the Amadeus Quartet (three of them, anyway) and Clifford Curzon recorded them for Decca in the 1950s. Those performances were full of personality, charm and fire, and the sound (at the time) seemed alive and rich in color (today, it sounds a little harsh and aggressive). Along the way there have been fine recordings by many illustrious ensembles, on both modern and original instruments, of which the best purely in terms of sound may have been the musically limpid RCA version with the Guarneri Quartet and Artur Rubinstein.
Now, from the German audiophile label Tacet, comes a version that banishes the competition, combining the musical sparkle and sparkle of the early Decca version with the sumptuous sonic radiance of the RCA. The sound, in fact, is so clear and natural that it is like being in the room with the musicians. Operating at moderate speeds, the way the young Austrian pianist Markus Schirmer rolls out phrases as if they were pearls, the way he illuminates the music with a luminous inner elegance, and the way he occasionally adorns the music with ornaments of exceptional originality and delight, leaves no doubt that, for this one release at least, here is a major talent.
This is not to say that the very excellent Gaede Trio takes a mere supporting role, for they play as gloriously as on their Tacet recordings of Mozart’s String Trio, KV 563, and their extremely gorgeous transcription of Bach’s Goldberg Variations.
I reviewed the 44.1 CD version (numbered just plain 116), but it is hard to imagine anything more musically and sonically satisfying than this CD. Thomas Seedorf’s curious liner notes are quite endearing, especially in an English translation that seems like a gentle parody of German syntax.
[Ed.: I’ve just auditioned the surround DVD-A, and whether a listener would consider it more musically and sonically satisfying depends on how open they are to the alternative use of the acoustic space made by producer Andreas Spreer. He works from the idea that any sound-carrier is a synthetic product and feels that using the surround field to place the listener in the middle of the performance is more interesting and involving. Thus on the first of these quartets we have the viola at the center speaker, the piano on the right side, the violin on the left speaker and the cello on the left rear surround speaker. For the second quartet the violin/cello and the piano change places. Personally I’m beginning to get used to this, find it much more involving, and in fact find the standard frontal placement of instruments on other recordings a bit boring. But I can imagine some listeners might be freaked out.]


Собственно выкладывать или нет? Весит счастье всего 1Gb. Никаких защит на нем нет. Могу даже пообещать сканы.

конечно, выкладывай
только по шаблону, плис

Эх.. там уже Donald Fagen три диска рздается... долго тянуть будете. Ну через недельку максимум выложу, а то совсем больной.

всё отлично, спасибо
не пойму только как 55мин 5.1 24/96 могут весить всего лишь 1ГБ

Ну видать такая вот фантастика:

При этом папка AUDIO_TS весит 811 Mb...

Все-таки выложил вам исошку MDS и сканы будут, когда выберусь из квартиры.

Вот, кстати, сайтик рекордингового лейбла:
http://www.tacet.de/main/seite1e.htm

Can we have the cover scans please?

I will release cover scans and MDS file later (maybe next week).

точно - фантастика, компрессия более чем в 5 раз ( а написано, что 84,12%)
посмотрим на другой ДВД-аудио, тоже классика:

написано компрессия 55,1% - так оно и есть
как говаривает Пират - сколько еще непонятного

eres un genio,ojala,subirias muchos trabajos asi,muchas gracias

acabo de oirlo,y suena maravilloso,es como estar dentro de la orquesta,es una magnifica forma,de grabar la musica,mis felicitaciones para los creadores