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Артист: Henrik Freischlader Альбом: Henrik Freischlader - Recorded by Martin Meinschaefer, 2009 Издатель: Cable Car Records / CCR 0311-33 Жанр: Blues-Rock Формат файла: Сепаратные флаки,Technical Log,m3u, cue Ссылка 1: CD 1 Ссылка 2: CD 2 27 clicks Нахождение: Torrent Примечание: Спасибо релизеру aksman

TRACKLIST

1. I  2. Got It Made (Like This)  3. So Damn Cool  4. You Will Come  5. Breakout  6. In Your Arms  7. The Bridge  8. Cry Again  9. The Wrong Way 10. Never be True 11. Desert Love 12. Bad Dreams (Wolkenwinde) 13. Your Love of Mine

SPOILER (Technical Log)

RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 Adobe Audtion 3.0 recording software iZotope RX Advanced 1.21 for resampling and dithering Vacuum cleaning > TT > Brocksieper Phonomax > Laptop > Audition 3 (32/192) > manual click removal > analyze (no clipping, no DC Bias offset) > converted to 24/96 with iZotope RX Advanced 1.21 > split into individual Tracks > FLAC encoded (Vers. 1.21)

SPOILER (Cue)

REM GENRE Blues REM DATE 2009 REM COMMENT Cable Car Records 180g LP PERFORMER "Henrik Freischlader" TITLE "Recorded By Martin Meinschäfer" FILE "A1 - I.flac" WAVE TRACK 01 AUDIO TITLE "I" INDEX 01 00:00:00 FILE "A2 - Got It Made (Like This).flac" WAVE TRACK 02 AUDIO TITLE "Got It Made (Like This)" INDEX 01 00:00:00 FILE "A3 - So Damn Cool.flac" WAVE TRACK 03 AUDIO TITLE "So Damn Cool" INDEX 01 00:00:00 FILE "A4 - You Will Come.flac" WAVE TRACK 04 AUDIO TITLE "You Will Come" INDEX 01 00:00:00 FILE "B1 - Breakout.flac" WAVE TRACK 05 AUDIO TITLE "Breakout" INDEX 01 00:00:00 FILE "B2 - In Your Arms.flac" WAVE TRACK 06 AUDIO TITLE "In Your Arms" INDEX 01 00:00:00 FILE "B3 - The Bridge.flac" WAVE TRACK 07 AUDIO TITLE "The Bridge" INDEX 01 00:00:00 FILE "C1 - Cry Again.flac" WAVE TRACK 08 AUDIO TITLE "Cry Again" INDEX 01 00:00:00 FILE "C2 - The Wrong Way.flac" WAVE TRACK 09 AUDIO TITLE "The Wrong Way" INDEX 01 00:00:00 FILE "C3 - Never Be True.flac" WAVE TRACK 10 AUDIO TITLE "Never Be True" INDEX 01 00:00:00 FILE "D1 - Desert Love.flac" WAVE TRACK 11 AUDIO TITLE "Desert Love" INDEX 01 00:00:00 FILE "D2 - Bad Dreams.flac" WAVE TRACK 12 AUDIO TITLE "Bad Dreams" INDEX 01 00:00:00 FILE "D3 - Your Love Is Mine.flac" WAVE TRACK 13 AUDIO TITLE "Your Love Is Mine" INDEX 01 00:00:00

SPOILER (Info)

QUOTE Henrik Freischlader – A man with a Cap & a Plan (by John Hurd) Never mind ‚Can a white boy sing the Blues?’ how about ‘Can a German white boy do it? If anyone fits the bill right now it’s self confessed Autodidact Henrik Freischlader. Germany’s Nr 1 Blues icon was in town on Sunday so Bonn’s Nr1 Blues fan (me!) had to check him out out the Harmonie and see if he deserves the attention. Germany with a Blues Hero? Sounds unlikely. People like Herbert Grönemeyer have been more mainstream but still gone largely unnoticed away from the Fatherland. I was surprised then to hear from a journalist in England who was asking about info and pictures for an interview with Henrik Freischlader to be published in a British magazine. A bit of research of my own revealed that Freischlader is big news lately, having shared stages and supported the likes of BB King, Johnny Winter and Gary Moore in recent months as well as coming up with a corker of an album produced by Martin Meinschäfer that sounds like it’s got all those celebrated guitarists in as session men but is actually just Freischlader himself – right down to the drum solos. Not surprisingly then the Harmonie on Sunday was pretty well a sell out, as were both the opening shows in Wuppertal, and probably every show this Tour will be. Showtime and HF steps onstage with the minimum of fuss and his mild mannered voice says Guten Abend. As he smiles a Han Solo smile that suggests he (and we) are in for some fun. The smile doesn’t lie as Henrik Freischlader lets his fingers do the talking. There’s no doubting Fleischladers eloquence on six strings. Or thirty strings more appropriately. A guitar technician sits out the show in a dark stage corner. Which guitar is for which song is taped to a printed list on the corner wall and the appropriate ‘axe’ is freed from the long guitar stand as appropriate. A Peter Green number? It’s the Les Paul. Jimi’s ‘Foxy Lady’? got to be the 1963 Stratocaster. I later asked Freischlader if he’s considered doing say Hendrix on Gibson as a groundbreaking idea. Yes he did once, he recalls. It didn’t sound too bad. Onstage though ‘too bad’ clearly isn’t good enough so The guitars are switched around with Bonamassa-like speed (a new adverb?!) I have a mere second to glimpse a handwritten greeting on the Les Paul’s rear – "With love from Gary Moore" as Peter Green’s ‘I loved another woman’ is announced. Freischlader came to the Blues through Moore’s 1992 ‘After Hours’ platter which makes me, who saw Moore with Thin Lizzy in 1979, feel rather like a large, should be extinct, cold blooded reptile. Playing support for BB King must have been like having a kick around with Cro-Magnon man to HF! The sound quality on the new CD is wonderful but here at the Harmonie it’s rather less wonderful – which is odd since the Producer, Martin Meinschäfer, is also the Tour’s soundman. At one point Freischlader announces there are ear plugs available on the merchandise stand. I never found out if he was kidding but if they were available I saw none later. Maybe that’s not surprising given the shrill tone in the Hall they would have been instant best-sellers. The set, like the new CD, kicks off with ‘I’ and the shrill, muddy sound fits it nicely. Problem is that the sound doesn’t improve much afterwards. ‘I Got It Made’ is in similar vein soundwise. ‘So Damn Cool’ sounds a ringer for BB King on CD but here there’s no danger of thinking the big man is onstage as the sound system roughs up the smooth intentions. The best moments are inevitably quieter ones when the sound is more under control. ‘Cry Again’ lends more than a small nudge to Gary Moore’s ‘Still got the Blues’ with the added benefit that Freischlader is a better singer than Gazza. He reminds many people of John Mayer vocally but to me there’s a lot of Elvis Costello at his ‘Almost Blue’ best in Freischladers voice. Outside of referring to the plural of sheep as ‘sheeps’ in one of the texts he is undetectably German – a paradox really that his best chance of being Germany’s first Blues star lies in not sounding German. Star? Well consider this people – The Stetson Company, those fashionably ever in vogue people responsible for dressing the heads of George Custer and Wyatt Earp, are planning a Henrik Fleischlader signature Cap for their headwear range. Does it get bigger than that? Well possibly it does. And very possibly it will for Henrik Freischlader. The concert sound was disappointing and the band never really seemed to catch fire but the CD is one of the best I’ve heard in a long, long time. A white Boy CAN play the Blues – as long as he drops the German accent, you can bet your last sheeps on this man going places.

SPOILER (Images)

Henrik Freischlader - All instruments and vocals
Martin Meinschaefer - Recording

QUOTE (ArCanon @ 13-12-2012, 17:38)

Уже трое жаждущих-пропустивших. Налетайте...

я уже с обменников скачал и раздал. хеш совпал на 99.98%, только на куях не сошёлся. тебя не хватало до 100%. спасибо от лица жаждущих.

Главное-не хватало. А на сколько % - это уже для демагогов

так и есть. я тут ещё покопаюсь. хороший такой раздел. душевный, я бы сказал.