Giovanni Legrenzi - Dies Irae, Sonata a quattro viole, Motetti, Ricercar Consort, Philippe Pierlot - conductor (Ricercar, RIC236)
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Ricercar Consort, Philippe Pierlot - conductor - Giovanni Legrenzi - Dies Irae, Sonata a quattro viole, Motetti
Артист: Ricercar Consort, Philippe Pierlot - conductor
Альбом: Giovanni Legrenzi - Dies Irae, Sonata a quattro viole, Motetti, 2004
Издатель: Ricercar / RIC236
Жанр: Classical
Формат файла: EAC / FLAC / CUE / LOG
Ссылка: CD
Нахождение: Torrent

Giovanni Legrenzi (1626 - 1690)

Dies Irae, Sonata a quattro viole, Motetti



Label: Ricercar, RIC236
Year: 2004



Performers:

Susan Hamilton, Monika Mauch - sopranos
Carlos Mena, Marnix de Cat - contre-tenors
Herve Lamy, Stephan van Dyck - tenors
Arnaud Marzorati, Job Boswinkel - basses

Philippe Pierlot - dessus et basse de viole
Kaori Uemura - viole alto
Sophie Watillon, Emmanuel Balssa - basses de viole
Francis Jacobs, Kenneth Weiss - organ
Pascal Monteilhet - theorbe


Ricercar Consort

Philippe Pierlot - conductor



Tracklist:

Sonata sesta a quatro viole da gamba 6:11
Prosa pro mortuis (Dies Irae) 22:51
Alessandro Poglietti - Ricercar del secondo tono 6:07
Angelorum ad convivia 6:35
Sonata quinta a quatro viole da gamba 5:10
Suspiro Domine 7:37



Legrenzis career was indeed eventful; before becoming maestro di cappella of St. Marks in Venice, he had been approached for a position at the court of Louis XIV and had also hoped for a function at the Imperial court in Vienna. This recording echoes these events with a monumental Dies Irae and motets that were found in the library of Sbastien de Brossard, as well as the Sonate a quatro for viols that originate in a collection dedicated to the Emperor. The compositions recorded here show us a musician whose lyricism is very much operatic in style, but who nevertheless displays a complete knowledge of polyphony.

The 17th-century Venetian composer Legrenzi is still under-represented on disc. As well as serving as maestro di musica at one of the four Venetian orphanages, Legrenzi eventually followed in Monteverdi's footsteps as Prime maestro at the Basilica of St Mark's. And, in common with some other Italian composers, his sacred music found favour outside Italy and especially at the Habsburg court of Leopold I in Vienna.


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SPOILER (LOG FILE)


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