Dinah Washington - What a Diff'rence a Day Makes! (1959), MFSL UDCD 698. Vocal Jazz, Classic Female Blues
 yury_usa Member is Offline
 Posted: 25-03-2009, 02:03 (post 1, #887010)

меломан

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Dinah Washington - What a Diff'rence a Day Makes!
Артист: Dinah Washington
Альбом: What a Diff'rence a Day Makes!, 1959
Издатель: MFSL / UDCD 698
Жанр: Vocal Jazz, Classic Female Blues
Формат файла: iso.wv, covers
Ссылка 1: CD 1 107 clicks
Ссылка 2: CD 2
Нахождение: eDonkey/Torrent
Примечание: thanks to my friends!
TRACKLIST
 1. I Remember You . . . . . . . . .2:48
 2. I Thought About You. . . . . . .2:35
 3. That's All There Is To That. . .2:20
 4. I Won't Cry Anymore. . . . . . .2:22
 5. I'm Thru With love . . . . . . .2:30
 6. Cry Me a River . . . . . . . . .2:31
 7. What a Diff'rence a Day Made . .2:33
 8. Nothing In the World . . . . . .3:19
 9. Manhattan. . . . . . . . . . . .4:19
10. Time After Time. . . . . . . . .2:32
11. It's Magic . . . . . . . . . . .2:35
12. A Sunday Kind of Love. . . . . .2:30

SPOILER (EAC Log)
Please take a second to encourage releaser for all his hard work, press 'Thanks' button
The following members said 'Спасибо!': drobovik, rix, nikanuf, Amaz0ne, koopca, desito, jktu_p, achilless, vler, Cervantes, BioS, Berk, isaakvon, ns38, me-laman, Gebemnot, Vp36nl, Gwelgoth, kokiku, audiomar, chrismot, i_demidov, sri2417, paniq, relo_san, Poru4ik278, Mordenkainen, roybaty, illario, bertox, LF_, worand, cyxogpuct4eb
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 yury_usa Member is Offline
 Posted: 25-03-2009, 02:05 (post 2, #887011)

меломан

Group: Prestige
Posts: 18022
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thanks to my friends! :wub: :music:

SPOILER (back cover)

Review (AMG)
One of the more notorious albums in the history of vocal music, What a Diff'rence a Day Makes! is the lush session that bumped up Dinah Washington from the Queen of the Blues to a middle-of-the-road vocal wondress -- and subsequently disenfranchised quite a few jazz purists. Washington had been praised in the same breath as Holiday and Fitzgerald for more than a decade, but Mercury nevertheless decided to back her with mainstream arrangements (by Belford Hendricks), heavy strings, and wordless vocal choruses similar to the radio hits of the day. Apparently, the mainstream backings didn't faze Washington at all; she proves herself with a voice as individual and evocative as ever. To be honest, the arrangements are quite solid for what they're worth; though it's a bit jarring to hear Washington's voice wrapped in sweet strings, the effect works well more frequently than not. Most of the songs here are familiar standards ("I Remember You," "I Thought About You," "Cry Me a River," "Manhattan," "Time After Time"), but they've been transformed by Washington as though they'd never been sung before. The Top Ten title track is by no means the best song on the album, but its title proved prophetic for Washington's career. Though her vocal style hadn't changed at all, one day she was a respected blues singer; the next, according to most of the jazz cognoscenti, she had become a lowbrow pop singer. Thankfully, the evidence against Washington's "transformation" is provided right here.
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 link96 Member is Offline
 Posted: 25-03-2009, 11:06 (post 3, #887034)

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Thanks, I have chasing this one for ages.
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 satori Member is Offline
 Posted: 25-03-2009, 11:40 (post 4, #887037)

Jazz Soul

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You're welcome... :punk:
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 chrismot Member is Offline
 Posted: 27-03-2009, 15:00 (post 5, #887389)

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:) thanks
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