Junior
Group: Members
Posts: 93
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Артист: |
KLAUS SCHULZE |
Альбом: |
Inter*Face, 2006 |
Издатель: |
Revisited Records / REV 059 |
Жанр: |
Electronic |
Формат файла: |
EAC 0.95 beta4 / Monkey's Audio 3.97 / 480 MiB / all scans |
Ссылка: |
CD |
Нахождение: |
eDonkey/Kademlia |
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TRACKLIST | 1. On The Edge 2. Colours In The Darkness 3. The Beat Planante 4. Inter*Face 5. The Real Colours In The Darkness 6. Nichtarische Arie
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SPOILER ("log") | EAC extraction logfile from 13. October 2009, 20:36 for CD KLAUS SCHULZE / Inter*Face
Used drive : TOSHIBA DVD-ROM SD-M1612 Adapter: 0 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : -472 Overread into Lead-In and Lead-Out : No
Used output format : F:\Kituri\utile\eac-0.95b4\MAC.EXE (Monkey's Audio Lossless Encoder) High Lossless Compression
Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface
Range status and errors Selected range Filename J:\KLAUS SCHULZE - Inter Face.wav
Peak level 100.0 % Range quality 100.0 % CRC F5D48C65 Copy OK
No errors occured
End of status report |
SPOILER ("review") | The Boss ist back! After his disappointing collaborations on his Inteam label, Schulze has returned to his old label, Metronome, and this advance tape indicates his loss of creativity was contemporary. Side one consist of three pieces, all moody and orchestral, with prominant synthetic string sections and electronic percussion. The frequent key changes and restrained dissonance give the orchestral elements a restless, romantic quality, reminiscent of Wagner and Mahler, while the electronic percussion, sequencers, and other "hard edges", provide a modern context. One piece, Le Beat Planante, suffers from electronic percussion, but side one bears up under repeated listening. The long title piece, on the other side, also bears up well, but it is much more in the Schulze space music tradition, and incorporates many riffs and instrumental voicings from earlier albums, while adding new wrinkles - such as tympany - to avoid redundancy. Side one probably points more to the future; side two is certainly a strong summary of Schulze's music perspective. |
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