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| Forums > Super Sound > Creedence Clearwater Revival - 1969 Bayou Country., DCC Gold Disc. Steve Hoffman's remaster |
| Posted by: OlCh on 07-01-2006, 07:25 | ||||||||||||||
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| Posted by: OlCh on 07-01-2006, 07:25 |
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Gold CD In place of the aluminum commonly used as the reflective coating on regular CDs, gold is sometimes used, which coats more evenly and reacts with oxygen slower, providing greater longevity. The higher fidelity associated with gold CDs is actually a result of the remastering process and not of the gold coating itself. Gold CDs can be played in any CD player. thanks to my friends   Creedence Clearwater Revival - 1969 Bayou Country. DCC Gold Disc. Steve Hoffman's Remaster by server_alliance Product Description Amazon.com Bayou Country is the CCR record that slips under the radar. The group's 1969 sophomore release birthed two classic-rock staples--"Born on the Bayou" and "Proud Mary." Then there's the characteristically savvy cover ("Good Golly Miss Molly"), the stretch-out jams ("Graveyard Train" and "Keep on Chooglin"), and a couple of seldom-remarked-upon album tracks ("Bootleg" and "Penthouse Pauper"). And that's it--a little more than a half-hour of the Revival gaining speed but still not firing on all cylinders. For a lesser band, it'd be an impressive achievement; for Creedence, Bayou Country is a mere stepping stone to greater heights. DCC's gold disc provides superior sound reproduction than the Fantasy original for a higher price. --Steven Stolder Product Description: 24 bit digitally remastered reissue of their 1969 album. Seven tracks, including 'Born On The Bayou' & 'Proud Mary'. Also features the original cover art...  One of the best rockabilly albums ever, March 23, 2004 Reviewer: Christ J. Zaffary "czaffary" The first time I heard Bayou Country right after it's release in January 1969, it blew me away. This was truly a unique sound that captured the imagination of practically every kid who had a guitar or even the slightest interest in starting a garage rock band. From the haunting, opening E7th chord salvos in "Born on the Bayou" to one of the staples of 60's/70's pop, "Proud Mary" and ending with the catchy, rhythmic "Keep on Chooglin' ", this album continues to amaze me how it still grabs the musical psyche. Creedence took the San Fran. rock style of the late 60's and made it a little more palatable to the main stream. The grooves side one of my original vinyl have worn through to side two. This album still remains close to my heart as a favorite, and one that helps recapture a long-squandered youth.  Review by Stephen Thomas Erlewine Opening slowly with the dark, swampy "Born on the Bayou," Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound -- it reveals the extent of John Fogerty's myth-making. With this song, he sketches out his persona; it makes him sound as if he crawled out of the backwoods of Louisiana instead of being a native San Franciscan. He carries this illusion throughout the record, through the ominous meanderings of "Graveyard Train" through the stoked cover of "Good Golly Miss Molly" to "Keep on Chooglin'," which rides out a southern-fried groove for nearly eight minutes. At the heart of Bayou Country, as well as Fogerty's myth and Creedence's entire career, is "Proud Mary." A riverboat tale where the narrator leaves a good job in the city for a life rolling down the river, the song is filled with details that ring so true that it feels autobiographical. The lyric is married to music that is utterly unique yet curiously timeless, blending rockabilly, country, and Stax R&B into something utterly distinctive and addictive. "Proud Mary" is the emotional fulcrum at the center of Fogerty's seductive imaginary Americana, and while it's the best song here, his other songs are no slouch, either. "Born on the Bayou" is a magnificent piece of swamp-rock, "Penthouse Pauper" is a first-rate rocker with the angry undertow apparent on "Porterville" and "Bootleg" is a minor masterpiece, thanks to its tough acoustic foundation, sterling guitar work, and clever story. All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival's muscular, spare, deceptively simple sound as an evocative portrait of America. |
| Posted by: yury_usa on 07-01-2006, 07:27 |
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OlCh спасибо! почему-то переименовали в "69CCR1.rar", враги? 
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| Posted by: OlCh on 07-01-2006, 07:43 | ||
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| Posted by: yury_usa on 07-01-2006, 07:45 |
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кстати, а мож залить мне на фтп этот альбом? я пока следующий cсr раздам типа "CCR-1969.Willy.And.The.Poorboys.Hybrid.SACD.eac.flac.scans.by.server_alliance.rar" 
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| Posted by: OlCh on 07-01-2006, 09:25 | ||
но видать твой серверок не разрешает больше одного соединения с одним IP, мой аплоад стоит в очереди
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| Posted by: yury_usa on 07-01-2006, 10:04 |
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Собираюсь выложить вот такую вещь: Japanese 'Black Triangle' - Wings - Wings Greatest [CP35-3114] инфо тут: http://www.stevehoffman.tv/forums/archive/index.php/t-54928.html (http://www.stevehoffman.tv/forums/archive/index.php/t-54928.html на диске есть небольшое шипение, но видимо он так специально был сделан... рип с оригинала треками.., цена где-то $80-100  в принципе могу попросить чела сделать cdimage.. |
| Posted by: OlCh on 07-01-2006, 10:17 | ||
дык попроси плисссссссссс (hiss  )
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| Posted by: yury_usa on 07-01-2006, 10:32 | ||
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