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| Forums > Super Sound > Cannonball Adderley - 1961 Know What I Mean?, 1996 DCC Gold GZS-1090 Remastered by Steve Hoffman |
| Posted by: yury_usa on 05-11-2006, 03:23 | ||||||||||||||||
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| Posted by: yury_usa on 05-11-2006, 03:23 |
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thanks to my friends Cannonball Adderley - 1961 Know What I Mean? DCC Gold Disc. Remastered by Steve Hoffman   Details Contributing Artists: Connie Kay, Percy Heath Producer: Orrin Keepnews Distributor: Dunhill Compact Classics Recording Type: Studio Recording Mode: Stereo SPAR Code: n/a Album Notes Personnel: Cannonball Adderley (alto saxophone); Bill Evans (piano); Percy Heath (bass); Connie Kay (drums).  Review Recorded at Bell Sound Studios, New York, New York on January 27, February 21 and March 13, 1961. Originally released on Riverside (9433). Includes liner notes by Joe Goldberg and Orrin Keepnews. Possibly the best of Julian "Cannonball" Adderley's many releases, 1961's KNOW WHAT I MEAN? finds the alto saxophonist in a different setting. Usually found fronting hard-bop combos featuring his brother Nat on cornet, Adderley is here accompanied by pianist Bill Evans, bassist Percy Heath, and Modern Jazz Quartet drummer Connie Kay. In these more placid surroundings, Adderley showcases an entirely different side to his playing. Accompanied by Evans' impressionistic, watery piano and Kay's low-key drums, Adderley's lines are lighter and more peaceful than his usual bluesy tone. The opening "Waltz for Debby" and the moody "Who Cares" could pass for outtakes from Miles Davis' KIND OF BLUE, a record on which both Adderley and Evans had played. KNOW WHAT I MEAN? is something of an anomaly for Adderley, but it's a delightful one. This is an under-appreciated masterwork of modern jazz. The CD includes two alternate takes. This gold-disc reissue of 1961 sessions sounds brand new, with good balance and lifelike presence. Alto saxist Julian "Cannonball" Adderley is joined by pianist Evans (briefly his cohort in the Miles Davis Sextet) and the Modern Jazz Quartet rhythm section (bassist Percy Heath, drummer Connie Kay) in an interesting, mostly mellow program including Evans's title tune and "Waltz for Debby," the MJQ's "Venice," and standards (plus two alternate takes). In an appealing compromise, Adderley allows his romantic side freer expression than his hard-bop dates permitted, while Evans is a bit more assertive than his impressionist norm. The result is truly classic. 
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| Posted by: runo on 05-11-2006, 19:07 |
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А где же источники?!?!?! Ау!!! |
| Posted by: qwe123poi on 05-11-2006, 19:38 | ||
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| Posted by: OlCh on 05-11-2006, 21:40 |
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идёт раздача на местном трекере, как я понимаю, потом будет раздача в осле. а давать линки на посторонние трекера или другие источники считается некорректным
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| Posted by: runo on 05-11-2006, 21:45 |
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Уже появились! Ложная тревога! От избытка желания поскорее услышать! 
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| Posted by: yury_usa on 05-11-2006, 23:18 |
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runo ну да, сорри, не могу все сразу шарить 
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