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Артист: Larry Young Альбом: "Unity", 1965 (RVG Edition) Жанр: Jazz Формат файла: eac.ape.cue.covers Ссылка: CD 11 clicks Нахождение: eDonkey

QUOTE

Unity Larry Young | Blue Note         On his sophomore date as a leader, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the groove jazz of Jimmy Smith as you could get, Young hadn't made the complete leap into freeform jazz-rock either. Here he finds himself in very distinguished company: drummer Elvin Jones, trumpeter Woody Shaw, and saxman Joe Henderson. Young was clearly taken by the explorations of saxophonists Coleman and Coltrane, as well as the tonal expressionism put in place by Sonny Rollins and the hard-edged modal music of Miles Davis and his young quintet. But the sound here is all Young: the rhythmic thrusting pulses shoved up against Henderson and Shaw as the framework for a melody that never actually emerges ("Zoltan" -- one of three Shaw tunes here), the skipping chords he uses to supplant the harmony in "Monk's Dream," and also the reiterating of front-line phrases a half step behind the beat to create an echo effect and leave a tonal trace on the soloists as they emerge into the tunes (Henderson's "If" and Shaw's "The Moontrane"). All of these are Young trademarks, displayed when he was still very young, yet enough of a wiseacre to try to drive a group of musicians as seasoned as this -- and he succeeded each and every time. As a soloist, Young is at his best on Shaw's "Beyond All Limits" and the classic nugget "Softly as in a Morning Sunrise." In his breaks, Young uses the middle register as a place of departure, staggering arpeggios against chords against harmonic inversions that swing plenty and still comes out at all angles. Unity proved that Young's debut, Into Somethin', was no fluke, and that he could play with the lions. And as an album, it holds up even better than some of the work by his sidemen here. - Thom Jurek

Woody Shaw, trumpet
Joe Henderson, tenor sax
Larry Young, organs
Elvin Jones, drums


Zoltan
Monk's Dream
If
The Moontrane
Softly As In A Morning Sunrise
Beyond All Limits


Recorded on November 1965
Blue Note



*EAC (secure mode / offset correction)
*Monkey's Audio 3.99 / extra high compression
*272 MB
*high quality covers
*another chapter of my exceptional life

CODE

EAC extraction logfile from 24. June 2005, 21:29 for CD Larry Young / Unity Used drive  : HL-DT-STCD-RW GCE-8320B   Adapter: 1  ID: 1 Read mode   : Secure with NO C2, accurate stream, NO disable cache Read offset correction : 12 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Exact Audio Copy\Plugins\wapet.exe   (User Defined Encoder)                     320 kBit/s                     Additional command line options : %d -t "Artist=%a" -t "Title=%t" -t "Album=%g" -t "Year=%y" -t "Track=%n" -t "Genre=%m" -t "Comment=EAC / Monkey's Audio 3.99" mac.exe %s %d -c4000 Other options      :    Fill up missing offset samples with silence : Yes    Delete leading and trailing silent blocks : No    Native Win32 interface for Win NT & 2000 Range status and errors Selected range     Filename F:\Audio\Larry Young - Unity (1965).wav     Peak level 97.9 %     Range quality 99.9 %     CRC D4020D8B     Copy OK No errors occured End of status report

enjoy!
Damn, I'm sweet like shit.

Woody Shaw, trumpet
Joe Henderson, tenor sax
Larry Young, organs
Elvin Jones, drums


Zoltan
Monk's Dream
If
The Moontrane
Softly As In A Morning Sunrise
Beyond All Limits


Recorded on November 1965
Blue Note



*EAC (secure mode / offset correction)
*Monkey's Audio 3.99 / extra high compression
*272 MB
*high quality covers
*another chapter of my exceptional life

enjoy!
Damn, I'm sweet like shit.

Thank you