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Posted: 30-11-2005, 00:21
(post 1, #502781)
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риполов-любитель Group: News makers Posts: 12604 Warn:0% ![]() |
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Posted: 30-11-2005, 00:21
(post 2, #502782)
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риполов-любитель Group: News makers Posts: 12604 Warn:0% ![]() |
thanks to my friends ![]() ![]() ![]() Review by Lindsay Planer After circulating on a variety of budget-conscious packages, Live in Boston (2003) now includes nearly an hour of never-before-issued material spread over three CDs with faultless audio quality derived directly from the first-generation multi-track master tapes. Additionally, the discs have been configured to more accurately replicate a typical Fleetwood Mac set circa February 1970. The concerts captured them at the venerable Boston Tea Party in support of their concurrent effort Then Play On (1969). The lineup had expanded from Mick Fleetwood (drums), Jeremy Spencer (guitar/vocals), John McVie (bass), and Peter Green (guitar/vocals) to include the talents of Danny Kirwan (guitar/vocals). As these performances bear out, this quintet could produce extended and incendiary psychedelic jams that rivalled that of Quicksilver Messenger Service, or the bluesy-fused battles of the Allman Brothers' Duane Allman (guitar) and Dickey Betts (guitar/vocals). The languid and jazzy "Black Magic Woman" is without question among the finest available as the melody wafts through Green's shimmering runs. "Only You" is a dark and edgy boogie, notable as only one of two Kirwan compositions on this installment. Another focal point is the thoroughly harrowing 12-minute ride on "Green Manalishi." Here again is an example of an epochal reading that succumbs to the otherwise familiar studio version. At the center of Live in Boston, Vol. 1, is the double-barrel onslaught of the previously unreleased "Rattlesnake Shake," which clocks in at close to a half hour, yet remains criminally incomplete. However, before the dreaded fade-out are 26 of the most musically exhilarating minutes in the entire package. The blues-based improvisations tread consistently new territory as Green and Kirwan feed off of the other's respective inspiration. Taken on its own, these bright moments are truly and unequivocally worth the price of admission. The incorporation of High Definition Compact Disc (HDCD) playback technology further enhances the listening experience, undeniably revealing nuance after subtle nuance in the timbre of the instruments. Live in Boston, Vol. 1 is a suggested starting point for interested parties and an essential selection for serious enthusiasts. ![]() ![]() ![]() |
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Posted: 30-11-2005, 00:29
(post 3, #502783)
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риполов-любитель Group: News makers Posts: 12604 Warn:0% ![]() |
![]() информция к размышлению ![]() REM GENRE Blues REM DATE 1999 REM DISCID 74104408 REM COMMENT "ExactAudioCopy v0.95b2" PERFORMER "Fleetwood Mac" TITLE "Live In Boston Volume 1 [HDCD 2003]" FILE "_CDImage.wav" WAVE TRACK 01 AUDIO TITLE "Black Magic Woman" PERFORMER "Fleetwood Mac" INDEX 00 00:00:00 INDEX 01 00:00:32 TRACK 02 AUDIO TITLE "Jumping At Shadows" PERFORMER "Fleetwood Mac" INDEX 00 06:45:70 INDEX 01 06:54:45 TRACK 03 AUDIO TITLE "Like It This Way" PERFORMER "Fleetwood Mac" INDEX 01 11:43:32 TRACK 04 AUDIO TITLE "Only You" PERFORMER "Fleetwood Mac" INDEX 00 16:10:32 INDEX 01 16:17:50 TRACK 05 AUDIO TITLE "Rattlesnake Shake" PERFORMER "Fleetwood Mac" INDEX 00 20:41:70 INDEX 01 21:25:32 TRACK 06 AUDIO TITLE "I Can't Hold Out" PERFORMER "Fleetwood Mac" INDEX 01 46:04:32 TRACK 07 AUDIO TITLE "Got To Move" PERFORMER "Fleetwood Mac" INDEX 01 52:40:20 TRACK 08 AUDIO TITLE "The Green Manalishi" PERFORMER "Fleetwood Mac" INDEX 00 56:04:32 INDEX 01 56:28:45 |
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Posted: 30-11-2005, 00:54
(post 4, #502798)
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меломан Group: Prestige Posts: 18020 Warn:0% ![]() |
OlCh огромное спасибо!!! а vol2 тоже будет? |
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Posted: 30-11-2005, 10:26
(post 5, #503058)
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риполов-любитель Group: News makers Posts: 12604 Warn:0% ![]() |
и даже vol3 ![]() |
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Posted: 30-11-2005, 11:00
(post 6, #503065)
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Advanced Group: Members Posts: 420 Warn:0% ![]() |
Шпасибо! ![]() |
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