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NetLab -> Forums -> Music -> Classical music -> Topic: Heinrich Schutz - Lukas-Passion (Dacapo, 8.226019) Heinrich Schutz - Lukas-Passion (Dacapo, 8.226019), Ars Nova Copenhagen, Paul Hillier - conductor |
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Posted: 26-07-2012, 22:18
(post 1, #1057879)
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Heinrich Schutz (1585 - 1672) Lukas-Passion Recorded in St. Pauls Church, Copenhagen 10-11 April 2007 Label: Dacapo, 8.226019 Year: 2009 Performers: Jakob Bloch Jespersen - bass Johan Linderoth - tenor Ars Nova Copenhagen Paul Hillier - conductor Tracklist: 01. Das Leiden unsers Herren Jesu Christi 02. Es war aber nahe das Fest der sussen Brot 03. Und er ging hinaus nach seiner Gewohnheit 04. Die Manner aber, die da Jesum hielten 05. Und der ganze Haufe stund auf 06. Aber sie lagen ihm an mit grossen Geschrei 07. Da aber der Hauptmann sahe 08. Wer Gottes Marter in Ehren hat Ars Nova Copenhagen and Paul Hillier here present the first recording in a series devoted to the narrative works (Historia) of Heinrich Schutz (1585-1672). The Danish vocal ensemble thus celebrate Denmark's proud connection with this German master who was appointed Kapellmeister to King Christian IV and worked at the Danish court for two periods over the course of eleven years. The cover illustrations show reliefs in beaten metal by Karl Schmidt-Rottluff (1884-1976), a member of the Die Brucke group founded in 1905 in Dresden – a city with which Schutz himself was closely associated. Since moving on from the Hilliard Ensemble to pastures new in the late 1980s, Paul Hillier has continued to produce some outstanding discs of early music, most recently with the expert small choir Ars Nova Copenhagen (which he has directed since 2003). The 14 singers in this performance of Heinrich Schutz's St Luke Passion sing with superb diction, poise, intonation, blend and expressiveness. This is no mean feat because Schutz's solemn setting is entirely a cappella, in accordance with the Dresden court's tradition that during Holy Week all musical instruments were silenced. Apart from the short opening and concluding choruses, the music is a narration of the Passion as it is related in the Gospel of Luke, intoned by solo voices as narrative plainchant with occasional choral passages (such as the crowd of onlookers at the Crucifixion wondering if Christ will save himself). The excellent sound recording has an attractive amount of reverberation, which is shrewdly manipulated by Johan Linderoth and Jakob Block Jespersen, who never slip under pitch or lose lustre during their intoning, and are careful to remain sensitive and alive to the text. Half of the 12 chorus singers chip in with occasional solo turns (for example, lines for Peter, Pilate and the Centurion). Choral interjections, though few and far between, and the marvellous introductory and concluding choruses, are immaculately sung by Ars Nova Copenhagen. This is the first release in a projected series of four discs exploring Schutz's narrative works ("Historia") and, on this evidence, the series will be manna from heaven for admirers of the greatest German composer before Bach.  
This post has been edited by kgkk on 26-07-2012, 22:20 |
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