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Tracklisting:Concerto Ripieno In C Major Rv 114:01. 1 Allegro (2:29)02. 2 Adagio (0:44)03. 3 Ciaccona (3:03)Cantata 'Cessate, Omai Cessate' Rv 684:04. 1 Cessate (1:59)05. 2 Ah Ch'infelische Sempre (5:16)06. 3 A Voi Dunque Ricorro (1:15)07. 4 Nell'orrido Albergo Ricetto Di Pene (3:41)Sonata 'Al Santo Sepolcro' Rv 130:08. 1 Largo Molto (2:23)09. 2 Allegro Ma Poco Andante (2:46)Introduzione Al Miserere 'Filia Maestae Jerusalem' Rv 638:10. 1 [Recitativo] Filia Maestae Jerusalem(1:54)11. 2 [Largo] Sileant zphyri (6:38)12. 3 [Recitativo] Sed tenebris diffusis(1:04)Stabat Mater Rv 621:13. 1 Stabat Mater Dolorosa. [Largo] (2:55)14. 2 Cujus Animam Gementem. [Adagio] (1:48)15. 3 O Quam Tristis. [Andante] (1:53)16. 4 Quis Est Homo. [Largo] (2:50)17. 5 Quis Non Posset. [Adagio] (2:04)18. 6 Pro Peccatis Suae Gentis. [Andante] (1:50)19. 7 Eja Mater, Fons Amoris. [Largo] (2:44)20. 8 Fac Ut Ardeat. [Lento] (1:39)21. 9 Amen. [Allegro] (1:08)Total Time: 00:52:02 Musicians: Performer: Andreas Scholl (countertenor) Orchestra: Ensemble 415 Conductor: Chiara Banchini | SPOILER (Andreas Scholl) | Андреас Шолль родился в Висбадене. В возрасте семи лет начал петь в церковном хоре мальчиков (Kiedricher Chorbuben). С 1987 по 1993 г. обучался в Базельской академии старинной музыки (Schola Cantorum Basiliensis) под руководством Рене Якобса (René Jacobs).
Появление Андреаса Шолля произвело фурор среди поклонников барочного пения. Он - ярчайший представитель этого вида вокального искусства. Помимо виртуозной техники и безупречной дикции, Шоль обладает голосом без "металла". В нем нет намека на истеричное сопрано или мальчиковый дискант. Его записи уже дважды удостаивались премий Gramophone Award. Раз в год Шолль выпускает по сольному диску. Успех первой же пластинки "Heroes" со шлягерными оперными ариями превзошел все ожидания. Шолль много и успешно записывался с такими знаменитыми дирижерами, как Тон Коопман (Ton Koopman), Филипп Херревех (Philippe Herreweghe), Поль Маккриш (Paul Mccreesh), Рене Якобс (Rene Jacobs), Уильям Кристи (William Christie). Им исполнены едва ли не все программные альтовые партии мирового репертуара музыки барокко, в частности во всех крупных формах и некоторых кантатах И.С.Баха, в "Stabat Mater" Вивальди и Перголези, в ораториях "Мессия" и "Соломон" Генделя и т. д. |
| SPOILER (Countertenor) | Контратенор - самый высокий из мужских оперных голосов, по высоте соответствующий женскому контральто, меццо-сопрано или сопрано. Встречается редко. Близкий по звучанию тенор-альтино не соответствует контртенору, поскольку является высоким регистром тенора, в то время как контртенор - это фактически мужской альт или мужское сопрано.
Диапазон контратеноров составляет от 2х а бывает и до 3х с половиной октав.
Большинство музыки, исполняемой контратенорами, написано в эпоху барокко - это духовная музыка и оперные партии, предназначавшиеся для певцов-кастратов (сопранистов и контральтистов). Это Гендель, Каччини, ранний Моцарт, Скарлатти, Бах. Но после того, как мальчиков ради певческой карьеры перестали массово кастрировать, этот репертуар перешел к контртенорам. По тесситуре и тембру превосходит женский. Звучит куда более полно и широко. |
| SPOILER (reviews from amazon) | By "hcf" Revelatory The critics are right: this recording is remarkable. This CD has won a Gramophone award, 4f Telerama, 10 Repertoire, and a Diapason d'Or. It has also made the list of the 50 Best Baroque Recordings (BBC Music). Listen: I'm not even a particular fan of Andreas Scholl, but this is one of my most favorite recordings (in a collection that numbers almost 1,000 CD's). Scholl is uniquely suited to the repertory such as this. His angelic voice may not always rise to the occasion in opera (although his performance in Solomon certainly challenges this assumption), but that same angelic voice is always at home in sacred music - blending calm reverence with a hint of emotion, in a manner that is both beautiful and heart-breaking. Listen to his Stabat Mater to know what I mean. Scholl's voice is also quite at home in the secular cantata Cessate Omai Cessate, a cry of unrequited love, albeit more elegaic than passionate. At the surface, this recording, featuring some of the world's most beautiful melodies, is an easy listening (is there a melody more ravishing than Larghetto from Cessate?). But the listening is also revelatory and rewarding because it leads to new layers of meaning and expression on each new listen. By "Jill Gunsell" Fireworks and sacred pathos Almost everything Ensemble 415 records is worth buying. With Andreas Scholl as soloist, this must be the star in their crown to date. The secular cantata Cessate, omai Cessate is a real bonus. It's said to be "popluar" although personally I cannot remember having seen it advertised in live performance, ever. It's a flashy show-off piece for countertenor, and Andreas Scholl has plenty to show off. You won't hear vocal fireworks like this very often. First time hearing it will take your breath away ... make your hair stand on end. The intro to the Stabat Mater - in full, not abbreviated as in some recordings - is the sacred mood music Filae Maestae Jerusalem. This piece brings the house down whenever it is performed live, too rarely, and Scholl gives it incredible depth. The steady, ominous rhythm is fabulously rendered by Chiara Banchini. The Stabat Mater itself continually builds and falls away again as the insights of the writer of the original poem are successively laid before us. Andreas Scholl gives each stanza its own full impact but never loses the flow of the narrative. The last sections, in which the witness (of the Mother's agony at her Son's execution) turns from spectator to pray-er, are a miracle of sensitivity and expression. Andreas Scholl is a master. http://www.amazon.com/Vivaldi-Stabat-Scholl-Ensemble-Banchini/dp/B0000007AM/ref=sr_1_1?ie=UTF8&s=music&qid=1271429910&sr=1-1 |
| SPOILER (EAC) | | CODE | Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 16. April 2010, 18:28
Andreas Scholl, Ensemble 415 / Stabat Mater
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Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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Filename Z:\NetLab\Andreas Scholl, Ensemble 415 (Chiara Banchini) - Stabat Mater-Antonio Vivaldi {1995,2001.Harmonia Mundi}\Andreas Scholl, Ensemble 415 - Stabat Mater.wav
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| SPOILER (CUE) | | CODE | REM GENRE Classical
REM DATE 1995
REM DISCID 370C3415
REM COMMENT ExactAudioCopy v0.99pb4
PERFORMER "Andreas Scholl, Ensemble 415"
TITLE "Stabat Mater"
FILE "Andreas Scholl, Ensemble 415 - Stabat Mater.wv" WAVE
TRACK 01 AUDIO
TITLE "Concerto Ripieno In C Major Rv 114: 1 Allegro"
INDEX 00 00:00:00
INDEX 01 00:00:32
TRACK 02 AUDIO
TITLE "Concerto Ripieno In C Major Rv 114: 2 Adagio"
INDEX 00 02:28:25
INDEX 01 02:29:45
TRACK 03 AUDIO
TITLE "Concerto Ripieno In C Major Rv 114: 3 Ciaccona"
INDEX 01 03:13:32
TRACK 04 AUDIO
TITLE "Cantata 'Cessate, Omai Cessate' Rv 684: 1 Cessate"
INDEX 01 06:16:32
TRACK 05 AUDIO
TITLE "Cantata 'Cessate, Omai Cessate' Rv 684: 2 Ah Ch'infelische Sempre"
INDEX 01 08:15:55
TRACK 06 AUDIO
TITLE "Cantata 'Cessate, Omai Cessate' Rv 684: 3 A Voi Dunque Ricorro"
INDEX 01 13:31:62
TRACK 07 AUDIO
TITLE "Cantata 'Cessate, Omai Cessate' Rv 684: 4 Nell'orrido Albergo Ricetto Di Pene"
INDEX 01 14:47:20
TRACK 08 AUDIO
TITLE "Sonata 'Al Santo Sepolcro' Rv 130: 1 Largo Molto"
INDEX 00 18:23:67
INDEX 01 18:28:50
TRACK 09 AUDIO
TITLE "Sonata 'Al Santo Sepolcro' Rv 130: 2 Allegro Ma Poco Andante"
INDEX 01 20:51:57
TRACK 10 AUDIO
TITLE "Introduzione Al Miserere 'Filia Maestae Jerusalem' Rv 638: 1 [Recitativo] Fil..."
INDEX 00 23:34:27
INDEX 01 23:38:00
TRACK 11 AUDIO
TITLE "Introduzione Al Miserere 'Filia Maestae Jerusalem' Rv 638: 2 [Largo] Sileant ..."
INDEX 01 25:31:72
TRACK 12 AUDIO
TITLE "Introduzione Al Miserere 'Filia Maestae Jerusalem' Rv 638: 3 [Recitativo] Sed..."
INDEX 01 32:09:55
TRACK 13 AUDIO
TITLE "Stabat Mater Rv 621: 1 Stabat Mater Dolorosa. [Largo]"
INDEX 00 33:07:47
INDEX 01 33:14:00
TRACK 14 AUDIO
TITLE "Stabat Mater Rv 621: 2 Cujus Animam Gementem. [Adagio]"
INDEX 01 36:08:57
TRACK 15 AUDIO
TITLE "Stabat Mater Rv 621: 3 O Quam Tristis. [Andante]"
INDEX 01 37:56:22
TRACK 16 AUDIO
TITLE "Stabat Mater Rv 621: 4 Quis Est Homo. [Largo]"
INDEX 00 39:47:40
INDEX 01 39:49:47
TRACK 17 AUDIO
TITLE "Stabat Mater Rv 621: 5 Quis Non Posset. [Adagio]"
INDEX 00 42:38:65
INDEX 01 42:40:00
TRACK 18 AUDIO
TITLE "Stabat Mater Rv 621: 6 Pro Peccatis Suae Gentis. [Andante]"
INDEX 01 44:44:35
TRACK 19 AUDIO
TITLE "Stabat Mater Rv 621: 7 Eja Mater, Fons Amoris. [Largo]"
INDEX 01 46:34:45
TRACK 20 AUDIO
TITLE "Stabat Mater Rv 621: 8 Fac Ut Ardeat. [Lento]"
INDEX 01 49:18:32
TRACK 21 AUDIO
TITLE "Stabat Mater Rv 621: 9 Amen. [Allegro]"
INDEX 01 50:57:07 |
|
Спасибо за знакомство с диском Александру К.  ну а после я его уже купил |
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NetLab -> Forums -> Music -> Classical music -> Topic: Andreas Scholl, Ensemble 415, Chiara Banchini - Stabat Mater-Antonio Vivaldi (1995)
Andreas Scholl, Ensemble 415, Chiara Banchini - Stabat Mater-Antonio Vivaldi (1995), 2001.Harmonia Mundi
