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Артист: Vienna Symphony Orchestra, Akademie Kammerchor (Hermann Scherchen) Альбом: J. S. Bach: Mass in B minor, BVW232 (1950), 1950 Издатель: Pristine Classical / PACO010 Жанр: Classical Формат файла: iso.wv, covers Ссылка 1: CD 1 Ссылка 2: CD 2 59 clicks Нахождение: Torrent Примечание: спасибо доброму человеку в ньюсах. Замечательное качество звука (50й год!)

Emmy Loose (soprano)
Hilde Ceska (soprano)
Gertrud Burgstaler-Schuster (contralto)
Anton Dermota (tenor)
Alfred Poell (bass)
Vienna Akademie Kammerchor
Vienna Symphony Orchestra
conductor: Hermann Scherchen
Recorded in 1950

Part 1

TRACKLIST

1. 01. Kyrie eleison  2. 02. Christe eleison  3. 03. Kyrie eleison  4. 04. Gloria  5. 05. Laudamus  6. 06. Gratias agimus  7. 07. Domine Deus  8. 08. Qui tollis  9. 09. Qui sedes 10. 10. Quoniam tu solus 11. 11. Cum sancto spirito

Part 1

TRACKLIST

1. 12. Credo in unum Deum  2. 13. Patrem omnipotentum  3. 14. Et in unum Dominem  4. 15. Et incarnatus est  5. 16. Crucifixus  6. 17. Et resurrexit  7. 18. Et in spiritum  8. 19. Confiteor unum baptisma  9. 20. Sanctus 10. 21. Osanna 11. 22. Benedictus 12. 23. Osanna (Da Capo) 13. 24. Agnus Dei 14. 25. Dona nobis pacem

QUOTE (Uploader's notes)

NO EAC FILES. Original FLAC files, with good sound restauration from LP original.

More information and samples here

"I have collected many B Minor Masses, many much more finely recorded than the Scherchen. But none, for me, has ever touched the infinite the way his does..." - Bill Rosen

SPOILER (cover)

Restorer's Notes
When Bill's LPs arrived it was with some trepidation that I began the restoration. Bill had generously offered to start a sponsorship scheme with a recording which is perhaps the most dear to him. I took the first LP out of its polythene sleeve, carefully cleaned it and placed it on the turntable, apprehensive of the six sides I had promised to work on.

The stylus lowers gently onto the treasured vinyl and the opening Kyrie eleison begins. I am horrified. The sound is dreadful - as if the master tape had been thoroughly mangled, chewed and spat out by a particularly unruly tape machine (which I suspect it had). The prospect of two hours of this is terrifying.

And then, after about 36 seconds, a silence - a pause - and the orchestra comes in perfectly, and I breathe a sigh of relief. Although the condition is to be revisited more mildly for a couple of seconds later in the same side, there is otherwise no repeat of it.

It took me five days of work, on and off, to correct those opening few bars to the degree you can now hear. Had the entire recording been in a similar condition I'd either be working on it still, or more likely locked up!

I decided therefore to make the full 15'50" of this opening available as our sample movement - I hope you'll enjoy it as much as both Bill and now I do. - Andrew Rose

И как оно вам? / How did you like the performance?