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Артист: Genesis Альбом: Trespass, 1970 Издатель: Virgin/Charisma / CASCD 1020 UK Nimbus Жанр: Progressive rock Формат файла: EAC, WAV Pack, CUE, LOG, Covers, Embedded album art, ISO Ссылка 1: CD 1 184 clicks Ссылка 2: CD 2 Нахождение: eDonkey/Torrent Примечание: одна из лучших версий по звуку!

TRACKLIST

1. "Looking for Someone" – 7:06 (Lyrics: Gabriel) . . . . 2. "White Mountain" – . . . . . . . . . . . . . . . .6:45 3. "Visions of Angels" (Phillips) – . . . . . . . . .6:51 4. "Stagnation" (Gabriel, Phillips, Rutherford) – . .8:50 5. "Dusk" – . . . . . . . . . . . . . . . . . . . . .4:13 6. "The Knife" (Banks, Gabriel) – . . . . . . . . . .8:56

SPOILER (EAC Log)

EAC extraction logfile from 13. December 2007, 0:17 for CD Genesis / Trespass Used drive : _NEC DVD_RW ND-3550A Adapter: 1 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 48 Overread into Lead-In and Lead-Out : No Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder) 128 kBit/s Additional command line options : -V -8 -T "artist=%a" -T"title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Track 1 Filename K:\01 - Looking For Someone.wav Pre-gap length 0:00:02.06 Peak level 100.0 % Track quality 100.0 % Test CRC 3A214528 Copy CRC 3A214528 Copy OK Track 2 Filename K:\02 - White Mountain.wav Pre-gap length 0:00:00.93 Peak level 100.0 % Track quality 100.0 % Test CRC 8FC49890 Copy CRC 8FC49890 Copy OK Track 3 Filename K:\03 - Visions Of Angels.wav Pre-gap length 0:00:02.22 Peak level 100.0 % Track quality 100.0 % Test CRC 768FD802 Copy CRC 768FD802 Copy OK Track 4 Filename K:\04 - Stagnation.wav Pre-gap length 0:00:01.46 Peak level 100.0 % Track quality 100.0 % Test CRC 59B74FDC Copy CRC 59B74FDC Copy OK Track 5 Filename K:\05 - Dusk.wav Pre-gap length 0:00:01.33 Peak level 54.8 % Track quality 100.0 % Test CRC C763621C Copy CRC C763621C Copy OK Track 6 Filename K:\06 - The Knife.wav Peak level 100.0 % Track quality 100.0 % Test CRC 6E9241B6 Copy CRC 6E9241B6 Copy OK No errors occured End of status report

linked to: Topic Link: Лучшие На Сегодняшний День Версии Альбомов Genesis!

thanks to the original releaser!



Review (Wiki)
Trespass is the second studio album by Genesis and was recorded and released in 1970. The only album with drummer John Mayhew and the last with guitarist Anthony Phillips, Trespass had a folk-flavoured progressive rock sound that was a marked departure from their earlier work, and foreshadowed the path the band would follow through the 1970s.

The compositions were generally much longer and complex than before, featuring several different musical sections. The sound evokes a kind of 'pastoral English idyll' espoused by numerous progressive rock bands of the time. To this end, much use is made of multi-tracked 12-string acoustic guitars, blended with folky vocal harmonies, flute, acoustic piano, and gentle keyboard pads on Hammond organ and mellotron. The drum playing is generally fairly soft, which actually complements the atmosphere, although the band were unhappy with John Mayhew's skills and replaced him with Phil Collins following Trespass' completion and Anthony Phillips' departure.

Despite its generally muted, pastoral, folky feel, the album is not without dynamic moments. Peter Gabriel's vocals are soulful and angst-ridden throughout, particularly at the climax of "Stagnation", which also includes a prominent Hammond organ solo from Tony Banks. Closing track "The Knife" is aggressive and bombastic, featuring some biting lyrics from Gabriel, with Mike Rutherford playing fuzz bass. The song, which received great praise by The Nice's Keith Emerson,[citation needed] became a favourite closer to live shows and appeared - with lyrical changes - on Genesis' 1973 first live album Genesis Live.

QUOTE (SH forums)

There have been comments made about the MCA having shortened endings on all tracks. In fact, the Canadian MCA has longer reverb tails on all tracks than the V/C or the DE. The impression of being shortened is due to two reasons: (a) the reverb tails are abruptly cut off instead of smoothly faded out, and (b) there are shorter silent gaps between tracks compared to the V/C and DE. If you give the reverb tails on the Canadian MCA smooth fadeouts, you end up with endings very similar to the DE. It is actually the V/C that has the most shortened endings. The MCAs are generally agreed to be brighter-sounding than the V/Cs. Opinion is divided as to which version sounds better.