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Артист: Mississippi Fred McDowell Альбом: I Do Not Play No Rock & Roll, 1969 Издатель: Pure Pleasure / PPAN ST409 Жанр: Delta Blues Формат файла: Vinyl rip in 24-bit/96kHz | FLAC | cue, m3u +Log | Covers Ссылка: CD Нахождение: Torrent Примечание: Спасибо великому Аксману

Tracklisting


Side 1:

1. Baby Please Don’t Go
2. Good Morning Little School Girl
3. Kokomo Me Baby
4. That’s All Right Baby
5. Red Cross Store


Side 2:

1. Everybody’s Down On Me
2. 61 Highway
3. Glory Hallelujah
4. Jesus Is On The Mainline




Personnel:

Fred McDowell, vocal & guitar
Jerry Puckett, bass
Darin Lancaster, drums

Re-mastering by: Steve Hoffman & Kevin Gray
Producer: Tommy Couch
Recorded September 8 & 10 1969 in Jackson, Mississippi

SPOILER (И это все о нем)

QUOTE Фред МакДауэлл родился в Россвиле, штат Теннесси, близ Мемфиса. Его родители, которые были фермерами, погибли, когда МакДауэлл был подростком. Он начал играть на гитаре в возрасте 14 лет на танцах в городе. Страстно желая перемен, МакДауэлл переехал в Мемфис в 1926 году, где работал в ряде мест и играл на улице. Он окончательно обосновался в Комо, Миссисипи, около 40 миль к югу от Мемфиса, в 1940 или 1941 году, но, ведя фермерское хозяйство, продолжал играть на танцах и пикниках. Сначала Фред играл на слайд гитаре карманным ножом, затем перешел на слайд из реберных костей коровы. В конце концов он выбрал стеклянный слайд за его четкое звучание. Фред надевал слайд на безымянный палец как кольцо. Хотя обычно МакДауэлла причисляют к "Delta Blues Singers", он считается одним из первых блюзменов к северу от Миссисипи и несколько восточнее Дельты, достигшим широкого признания за свою деятельность. Близкий по структуре и звучанию к своим африканским корням (частое избегание смены аккордов) стиль "Северной Миссисипи" также представлен такими влиятельными фигурами блюза как Junior Kimbrough, R. L. Burnside, а также джем - команды The North Mississippi Allstars. Запись альбомов музыкантов происходила на студии Fat Possum record label в Оксфорде, штат Миссисипи. В 1950-х годах интерес к блюзу и народной музыки в США возрос, и к личности МакДауэлла было привлечено внимание широкой общественности после записей 1959 года произведенной в Комо Аланом Ломаксом и Ширли Коллинз. Фред стал популярен, и часто выступал на фестивалях и в клубах. Он продолжал играть блюз в стиле "Северной Миссисипи" на протяжении десятилетий, но иногда брал в руки электрическую гитару вместо акустической. Хотя Фред авторитетно заявлял: "Я не играю рок-н-ролл", он сотрудничал с большим количеством молодых рок-музыкантов: давал частные уроки слайд гитары Бонни Райту, и, как сообщается, был польщен, услышав довольно схожую с оригиналом версию его "You Gotta Move" с альбома Sticky Fingers The Rolling Stones в 1971. I Do Not Play No Rock ‘N’ Roll стал первым альбомом, в котором Фред в большей степени использует электрогитару. Отличительной чертой были части интервью, в котором он рассматривал происхождение блюза и природу любви. Заключительный альбом, "Live in New York", стал концертным, и Фред выступил в ряде городов, в том числе и в Нью-Йорке.

SPOILER (Да и это все о нем)

QUOTE " Blues purists were disappointed to hear McDowell pick up an electric guitar for the first time on this LP, as well as work with a young, white rhythm section. To the rest of the listeners, this session sounds pretty good, McDowell's vocals, guitar playing, and integrity coming through just as strongly as it had on his acoustic work. " Fred McDowell (January 12, 1904 - July 3, 1972), often known as Mississippi Fred McDowell, was a blues singer and guitar player in the North Mississippi style. McDowell was born in Rossville, Tennessee, near Memphis. His parents, who were farmers, died when McDowell was a youth. He started playing guitar at the age of 14 and played at dances around Rossville. Wanting a change from ploughing fields, he moved to Memphis in 1926 where he worked in a number of jobs and played music for tips. He settled in Como, Mississippi, about 40 miles south of Memphis, in 1940 or 1941, and worked steadily as a farmer, continuing to perform music at dances, and picnics. Initially he played slide guitar using a pocket knife and then a slide made from a beef rib bone, later switching to a glass slide for its clearer sound. He played with the slide on his ring finger. While commonly lumped together with "Delta Blues singers," McDowell actually may be considered the first of the bluesmen from the North Mississippi region - parallel to, but somewhat east of the Delta region - to achieve widespread recognition for his work. A version of the state’s signature musical form somewhat closer in structure to its African roots (often eschewing the chord change for the hypnotic effect of the droning, single chord vamp), the North Mississippi style (or at least its aesthetic) may be heard to have been carried on in the music of such figures as Junior Kimbrough and R. L. Burnside; as well as the jam band The North Mississippi Allstars, while serving as the original impetus behind creation of the Fat Possum record label out of Oxford, Mississippi. The 1950s brought a rising interest in blues music and folk music in the United States, and McDowell was brought to wider public attention, beginning when he was discovered and recorded in 1959 by Alan Lomax and Shirley Collins. McDowell's recordings were popular, and he performed often at festivals and clubs. McDowell continued to perform blues in the North Mississippi blues style much as he had for decades, but he sometimes performed on electric guitar rather than acoustic. While he famously declared "I do not play no rock and roll," McDowell was not averse to associating with many younger rock musicians: He coached Bonnie Raitt on slide guitar technique, and was reportedly flattered by The Rolling Stones' rather straightforward, authentic version of his "You Gotta Move" on their 1971 Sticky Fingers album. McDowell's 1969 album I Do Not Play No Rock 'N' Roll was his first featuring electric guitar. It features parts of an interview in which he discusses the origins of the blues and the nature of love. (This interview was sampled and mixed into a song, also titled "I Do Not Play No Rock 'N' Roll" by Dangerman in 1999.) Fred's final album, "Live in New York" (Oblivion Records), was a concert performance from November 1971 at the Village Gaslight, Greenwich Village, New York. McDowell died of cancer in 1972 and is buried at Hammond Hill Baptist Church, between Como and Senatobia. On August 6, 1993 a memorial was placed on his grave site by the Mt. Zion Memorial Fund. The ceremony was presided over by Dick Waterman, and the memorial with McDowell's portrait upon it was paid for by Bonnie Raitt, Dick Waterman (agent)and Chris Strachwitz (Arhoolie Records). The memorial stone was a replacement for an inaccurate and damaged marker (McDowell's name was misspelled) and the original stone was subsequently donated by McDowell's family to the Delta Blues Museum in Clarksdale, Mississippi.

SPOILER (Images)

QUOTE

Technical Log RCM Hannl 'limited' Music Hall MMF 5.1 Turntable Goldring 1042GX reference Cartridge Belari VP-129 Tube Phono PreAmp with Sylvania 12AX7WA Tascam US-144 external USB 2.0 Audiointerface Interconnections by "Goldkabel" Wavelab 5 recording software Vacuum cleaning > TT > Belari > Laptop > Wavelab 5.01 (24/96) > manual click removal > analyze (no clipping, no DC Bias offset) > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.

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