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Артист: Luigi Tagliavini, Liuwe Tamminga Альбом: Andrea and Giovanni Gabrieli. Organ Works, 2000 Издатель: Tactus Жанр: Classicical, Organ Формат файла: eac-wv-cue-log-tags-scans embedded album art-iso Ссылка: CD 77 clicks Нахождение: eDonkey/Kademlia

открываем для себя новых композиторов и исполнителей
а друзъям - спасибо

TRACKLIST

1. Canzon Primo Tono a 8 - Giovanni Gabrieli (1557-1612) . . . . . . . . . .05:05  2. Intonazione del Primo Tono - Andrea Gabrieli (1510-1586). . . . . . . . .01:18  3. Ricercare del Primo Tono - Andrea Gabrieli (1510-1586). . . . . . . . . .06:51  4. Intonazione del Sesto Tono - Andrea Gabrieli (1510-1586). . . . . . . . .01:28  5. Ricercar arioso - Andrea Gabrieli (1510-1586) . . . . . . . . . . . . . .03:15  6. Mottetto 'Egredimini & videte' a 8 - Andrea Gabrieli (1510-1586). . . . .04:20  7. Fuga del Nono Tono - Giovanni Gabrieli (1557-1612). . . . . . . . . . . .03:02  8. Toccata del Secondo Tono - Giovanni Gabrieli (1557-1612). . . . . . . . .02:36  9. Canzon 'La Spiritata' - Giovanni Gabrieli (1557-1612) . . . . . . . . . .04:09 10. Canzon 'Sol Sol La Sol Fa Mi' a 8 - Giovanni Gabrieli (1557-1612) . . . .02:24 11. Toccata del Quinto Tono - Andrea Gabrieli (1510-1586) . . . . . . . . . .01:46 12. Canzon ariosa - Andrea Gabrieli (1510-1586) . . . . . . . . . . . . . . .03:14 13. Fantasia allegra - Andrea Gabrieli (1510-1586). . . . . . . . . . . . . .03:18 14. 'Io mi son giovinetta' a 4, intavolato - Andrea Gabrieli (1510-1586). . .03:58 15. Canzon francese detta Petit Jacquet a 4 - Andrea Gabrieli (1510-1586) . .02:17 16. 'Lieto godea' a 8 - Giovanni Gabrieli (1557-1612) . . . . . . . . . . . .03:26 17. Toccata del Primo Tono - Giovanni Gabrieli (1557-1612). . . . . . . . . .03:16 18. Ricercar del Primo Tono - Giovanni Gabrieli (1557-1612) . . . . . . . . .02:27 19. Canzon del Secondo Tono - Giovanni Gabrieli (1557-1612) . . . . . . . . .03:09 20. Canzon del Duodecimo Tono - Giovanni Gabrieli (1557-1612) . . . . . . . .02:54 21. Canzon XII. Tono a 10 - Giovanni Gabrieli (1557-1612) . . . . . . . . . .04:37

SPOILER!

EAC extraction logfile from 28. March 2008, 10:12 for CD Luigi Tagliavini - Liuwe Tamminga / Andrea and Giovanni Gabrieli Used drive : _NEC DVD_RW ND-3520A Adapter: 3 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 48 Overread into Lead-In and Lead-Out : No Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000 Range status and errors Selected range Filename F:\Andrea and Giovanni Gabrieli\Luigi Tagliavini - Liuwe Tamminga - Andrea and Giovanni Gabrieli.wav Peak level 86.1 % Range quality 100.0 % CRC B346854B Copy OK No errors occured End of status report

QUOTE

открываем для себя новых композиторов и исполнителей

Открыть что-то новое для себя - это прекрасно!
Спасибо, друзьям OlCha!

А можно немного инфы по диску? AAD/DDD, отзывы какие-нить. Органа много не бывает, но все же

QUOTE

EAC extraction logfile from 28. March 2008, 10:12 for CD

гааааа... на компе, оказывается, часы сбилисъ

QUOTE (yury_usa @ 27-03-2008, 23:19)

А можно немного инфы по диску? AAD/DDD, отзывы какие-нить. Органа много не бывает, но все же

я не гордый и с 300МБ не сделал 3ГБ, можно просто скачать и составить своё мнение

QUOTE

In the list of celebrated organs" which appeared in the theoretical work Conclusioni nel suono dell'Organo (1609) the Bolognese musician Adriano Banchieri included the pair of in struments which at that time graced two important basilicas: the organs of utmost sweetness at St. Mark's in Venice, and the rare organs at S. Petronio in his native city Only these latter instruments have survived splendidly restored in 1982 to that original rarity referred to by Banchieri and maintaining the characteristic sonorities essential to the repertoire for which they were conceived. The affinity between these two pairs of instruments, both in terms of their sound and their analogous spatial disposition (in both cases the organs were placed in opposite galleries framed by the dividing arches between the central and side naves), extends to the musical repertoire which flourished at the two institutions. The provosts of the vestry board (Fabbriceri) of S. Petronio in 1596 commissioned the organ builder Baldassarre Ma lamini of Cento (in the province of Ferrara) to provide the basilica with a second instrument which would accompany the organ built between 1471 and 75 by Lorenzo da Prato. The two instruments show a remarkable resemblance in their sound spectrum. The contrabbasso Principal of the older organ is rich and full-bodied, with a double rank treble, and corresponds to the 16-foot Principal of the 16th-century organ, equipped with analogous doubling Similarly, the Principal of the first organ and the Ottava of the second are tripled in the treble. Finally, the usual pair of Flauti in VIII and in XII of both instruments, of extraordinary lightness and brilliance, complete the sonorous resources of the "concerto stops. A particular attribute of Lorenzo's gothic organ is the above-mentioned Contrabbasso Principal, a stop which gives to this instrument an absolutely exceptional character: it is, in fact, both the oldest 20 foot organ known to us, and the largest instrument to have independent stops. Gabrieli was quite a versatile and prolific composer, and he found himself in Venice the recipient of important musical commissions, despite his unimpressive social and economic standing as organist an occupation comparable to simple artisans. He was thus given the opportunity to try his hand at cerimonial music such as that for multiple choirs and these pieces comprise the greater part of his collection of Concerti prepared for publication in 1587 by his nephew Giovanni, and including works by both composers. To this collection belongs the double-choir motet Egredimini et videte, in which the two choirs alternate phrases of various lengths ln such a way as to blend final cadences with initial chords in a single homogeneous flow. The performance, here entrusted to the two organs, encapsulates the complex contrapuntal interweaving of the eight voices in a keyboard tablature.

http://www.tactus.biz/store/product_info.php?currency=EUR&manufacturers_id=154&products_id=134&osCsid=d7

QUOTE (OlCh @ 27-03-2008, 23:50)

EAC extraction logfile from 28. March 2008, 10:12 for CD

Да ты оказывается земляк, то же во Владивостоке живёшь!