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Артист: Erich Kunzel - Cincinnati Symphony Orchestra Альбом: Tchaikovsky - 1812.etc.. (1979), 1990 Издатель: TELARC / 80041 Жанр: Classical, Orchestral Music Формат файла: eac-log-cue-wv-scans-iso Ссылка: CD 73 clicks Нахождение: eDonkey/Kademlia

thanks to original releaser
thanks to my friends

On this CD:

QUOTE

1. 1812 -- Festival Overture, for orchestra in E flat major, Op. 49 Composed by Pyotr Il'yich Tchaikovsky Performed by Cincinnati Symphony Orchestra Conducted by Erich Kunzel 2. Capriccio Italien, for orchestra (or piano, 4 hands), Op. 45 Composed by Pyotr Il'yich Tchaikovsky Performed by Cincinnati Symphony Orchestra Conducted by Erich Kunzel 3. Mazeppa, opera Cossack Dance Composed by Pyotr Il'yich Tchaikovsky Performed by Cincinnati Symphony Orchestra Conducted by Erich Kunzel

Explosive & Elegant reading., April 1, 2004
By Samhot (Star Land)
The infamous reading of the "1812" Overture from Erich Kunzel and the Cincinnati Symphony Orchestra is quite a treat for the lover of Tchaikovsky's famous piece. This overture is quite a grand and dramatic work, and given the nature of this piece, it was only appropriate to go to extreme lengths to incorporate spectacular effects, which would increase and accentuate the dramatic aspects of this work. Even as the gently pulsating stringed instruments issue in the Russian hymn, we already sense a dramatic and expressive intensity. Throughout the piece, you will hear bits of the French National Anthem, as that represents the French in the tale. For the explosive finale, we are treated to the first few canon shots, directly before a dramatic, beautifully overwrought descending-zigzagging progression on the Ionian. After this ends, we are treated to the second appearance of the Russian hymn: only this time, it is played much louder, and the grand, encircling striking of the bells appear as well, which add to the grandeur of the whole thing. This then gives way to the famous march. And what follows, are more explosive canon shots: before the final explosion of the canon, there is a beautiful, grandiose contrapuntal melody which takes place, and shortly after, the piece ends just as it began: on a dramatic note.

Heed the warnings listed in the sleeves: there were *real* canons used on this recording, and if this piece is played too loudly while these canon shots are fired, there is a good chance of ruining your stereo -- and your eardrums. (It's listed in the sleeve that the sound of the final round that was recorded was *so* powerful, it actually shattered some windows of the College from which the canons were recorded. It was 100-feet away.) Highly recommended.

Explosive & Elegant reading., April 1, 2004
By Samhot (Star Land)
The infamous reading of the "1812" Overture from Erich Kunzel and the Cincinnati Symphony Orchestra is quite a treat for the lover of Tchaikovsky's famous piece. This overture is quite a grand and dramatic work, and given the nature of this piece, it was only appropriate to go to extreme lengths to incorporate spectacular effects, which would increase and accentuate the dramatic aspects of this work. Even as the gently pulsating stringed instruments issue in the Russian hymn, we already sense a dramatic and expressive intensity. Throughout the piece, you will hear bits of the French National Anthem, as that represents the French in the tale. For the explosive finale, we are treated to the first few canon shots, directly before a dramatic, beautifully overwrought descending-zigzagging progression on the Ionian. After this ends, we are treated to the second appearance of the Russian hymn: only this time, it is played much louder, and the grand, encircling striking of the bells appear as well, which add to the grandeur of the whole thing. This then gives way to the famous march. And what follows, are more explosive canon shots: before the final explosion of the canon, there is a beautiful, grandiose contrapuntal melody which takes place, and shortly after, the piece ends just as it began: on a dramatic note.

Heed the warnings listed in the sleeves: there were *real* canons used on this recording, and if this piece is played too loudly while these canon shots are fired, there is a good chance of ruining your stereo -- and your eardrums. (It's listed in the sleeve that the sound of the final round that was recorded was *so* powerful, it actually shattered some windows of the College from which the canons were recorded. It was 100-feet away.) Highly recommended.

Čתάĉμþø İ

OlCh,чеж так лог скрючило-закраказябило? Наверно, релиз давал магрибскому другу слушать....

а вы чо, рыбьята, иероглифами не понимаете? а я запросто!
бамбарбия кергуну... секир башка... ну и всё остальное... ну и кирдык

Нехорошо ругаться на Петра Ильича

не путай себя с великими!

Надоел Петро! Хотим Мусоргского Модеста Петровича!

OlCh
а можно лог куданить выложить? Тот что здесь, кодировка попортила. Я когда-то с китайкого переводил:
Post Link: Bandari (10CDs)

неее, мы на это поитить не могём

неее, мы на это поитить не могём

Может передумаешь,Модест то наш непростой а золотой

тут у тебя не написано - хотим релизить
так что - наливай!

Нехорошо ругаться на Петра Ильича

На форуме высоких концов (http://dom.hi-fi.ru/forum/18/58055/1 ) улыбнула рецензия на 1812:

This post has been edited by OlCh on 29-09-2007, 23:13

ну в авторстве цитаты не приходится сомневаться

Я тут вижу ты главный по классике?! Сделай мне самый лучший, альбом из свой коллекции Чайковского! Мне нужны его Времена Года,желательно не откладывая, не люблю ждать... Глядишь и я тебе
тоже пригожусь. Ну удачи тебе а я пошел у меня каждая минута не вес.