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Артист: Dinah Washington Альбом: What a Diff'rence a Day Makes!, 1959 Издатель: MFSL / UDCD 698 Жанр: Vocal Jazz, Classic Female Blues Формат файла: iso.wv, covers Ссылка 1: CD 1 107 clicks Ссылка 2: CD 2 Нахождение: eDonkey/Torrent Примечание: thanks to my friends!

TRACKLIST

1. I Remember You . . . . . . . . .2:48  2. I Thought About You. . . . . . .2:35  3. That's All There Is To That. . .2:20  4. I Won't Cry Anymore. . . . . . .2:22  5. I'm Thru With love . . . . . . .2:30  6. Cry Me a River . . . . . . . . .2:31  7. What a Diff'rence a Day Made . .2:33  8. Nothing In the World . . . . . .3:19  9. Manhattan. . . . . . . . . . . .4:19 10. Time After Time. . . . . . . . .2:32 11. It's Magic . . . . . . . . . . .2:35 12. A Sunday Kind of Love. . . . . .2:30

SPOILER (EAC Log)

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 4. March 2009, 15:46 Washington, Dinah 1959 - What A Diff'rence A Day M / What a Diff'rence a Day Makes! Used drive : SONY BD-ROM BDU-X10S Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 79 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : No Used interface : Native Win32 interface for Win NT & 2000 Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:48.17 | 0 | 12616 2 | 2:48.17 | 2:34.70 | 12617 | 24236 3 | 5:23.12 | 2:19.63 | 24237 | 34724 4 | 7:43.00 | 2:22.02 | 34725 | 45376 5 | 10:05.02 | 2:29.68 | 45377 | 56619 6 | 12:34.70 | 2:30.65 | 56620 | 67934 7 | 15:05.60 | 2:32.65 | 67935 | 79399 8 | 17:38.50 | 3:19.32 | 79400 | 94356 9 | 20:58.07 | 4:19.25 | 94357 | 113806 10 | 25:17.32 | 2:32.23 | 113807 | 125229 11 | 27:49.55 | 2:34.40 | 125230 | 136819 12 | 30:24.20 | 2:30.17 | 136820 | 148086 Range status and errors Selected range Filename C:\Users\Bill\Desktop\New MFSL\Dyna Washington\dwwddm.wav Peak level 99.0 % Range quality 100.0 % Copy CRC 9A382C4E Copy OK No errors occurred AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database Track 9 not present in database Track 10 not present in database Track 11 not present in database Track 12 not present in database None of the tracks are present in the AccurateRip database End of status report

thanks to my friends!

SPOILER (back cover)

Review (AMG)
One of the more notorious albums in the history of vocal music, What a Diff'rence a Day Makes! is the lush session that bumped up Dinah Washington from the Queen of the Blues to a middle-of-the-road vocal wondress -- and subsequently disenfranchised quite a few jazz purists. Washington had been praised in the same breath as Holiday and Fitzgerald for more than a decade, but Mercury nevertheless decided to back her with mainstream arrangements (by Belford Hendricks), heavy strings, and wordless vocal choruses similar to the radio hits of the day. Apparently, the mainstream backings didn't faze Washington at all; she proves herself with a voice as individual and evocative as ever. To be honest, the arrangements are quite solid for what they're worth; though it's a bit jarring to hear Washington's voice wrapped in sweet strings, the effect works well more frequently than not. Most of the songs here are familiar standards ("I Remember You," "I Thought About You," "Cry Me a River," "Manhattan," "Time After Time"), but they've been transformed by Washington as though they'd never been sung before. The Top Ten title track is by no means the best song on the album, but its title proved prophetic for Washington's career. Though her vocal style hadn't changed at all, one day she was a respected blues singer; the next, according to most of the jazz cognoscenti, she had become a lowbrow pop singer. Thankfully, the evidence against Washington's "transformation" is provided right here.

Thanks, I have chasing this one for ages.

You're welcome...

thanks