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список МузДВД - 3, что не нужно закачивать? |
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Posted: 09-05-2006, 20:47
(post 1, #598668)
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Superman Group: Members Posts: 1136 Warn:0% |
спасибо tatuk за очередную партию музДВД Фсе диски покупные, внешние аттрибуты лицензии присутствуют так шта и будем их шитать таковыми. Т.е. лицензионными. Ковры и скан диска не прилагаются - т.к. нет сканера. что уже было? А что в первую очередь? может кто планирует сам закачать? Если будут попадаться двд5 - то закачивать не буду. Если хотите чтобы всеже закачивалось - то на вам самим придется организовать все по правилам (опрос и все такое). Инфу буду предоставлять только о запрашиваемых дисках. ======== Deep Purple - Live Encounters What we get on the DVD is an almost complete show from The Spodek, Katowice, June 3rd 1996, recorded quite early on in the Purpendicular tour by Polish television. When I first saw a copy of the broadcast in 1996/97 (recorded from Czech television) I was a tad disappointed. Seeing it now with better picture and sound quality (though still not particularly good) has changed my mind, but just a bit. The cameras generally keep a distance from the stage, instead preferring spectacular swooping shots over the audience from cameras mounted on cranes (wheeeee!!!... ). Although the crowd are all partying their hearts out, the intensity which permeated the shows I'd attended a few months earlier is not captured, leaving a rather unengaging 100 minutes or so of video material. The show kicks off with a wonderfully fierce version of 'Fireball', the drums and keyboards punching cleanly through the mix, and emphasising great work from Messrs Paice and Lord. It's also immediately noticeable that the accompanying pictures are not up to scratch. Forget any comparisons with Total Abandon here, or Perihelion, or perhaps even Bombay Calling. The overhead cameras sweep around enjoying themselves and not being much use throughout, leaving it to cameras in the audience to try and show what's happening on stage, with zoom lenses pushed to their limit. The resulting visuals are often soft, murky, and grainy. Still, the music cuts through, and though the soundtrack is less than perfect it has an appealing rough edge, with the band on song despite big Ian sounding at bit hoarse. It all makes for a decent official bootleg in the same vain as Live At The Olympia '96, in fact I marginally prefer this one. The music is fresh and energetic, way above some of the uninspiring performances presented on the 2001 'Soundboard Series' shows. However, compared to some of the piledriving renditions of vintage material on the 2004 UK tour, tracks on 'Live Encounters' such as 'Black Night' seem a little polite. The one track from the original broadcast that's missing is 'No One Came', which even then lacked the explosive strobe sequence, so it's no big loss, especially as the track is on one of the CDs. Of real interest is that the set includes soon to be discarded Purpendicular tracks such as 'Rosa's Cantina', which inside a month had gone for good. Other notables are 'Cascades / I'm Not Your Lover', and 'Hey Cisco' (the latter complete with godawful backing vocals) which all receive their debut on DVD. 'Sometimes I Feel Like Screaming' features Morse and Glover's acoustic intro, which I admit I'd completely forgotten about! Unfortunately 'Somebody Stole My Guitar' was already history by the time Deep Purple reached Poland. A plus point for the DVD, and one which came as something of a surprise, is the interview material. It wasn't exactly pushed to the fore of the pre-publicity, but would make for a worthwhile bonus release on its own. The four interviews, with Gillan, Glover, Paice and Morse, all date from 2004 (which explains Lord's absence), and weigh in at 20-30 minutes each. All four give some interesting answers, even making something of the occasional mandatory "what's it like to be in Poland" types of enquiries. In the main each interviewee is kept on his toes with questions posed by knowledgable interviewers such as Roland Bury from the Polish DPAS. I particualrly enjoyed Ian Paice's very straightforward responses. It's certainly not the three or four minutes of standard TV questioning that I expected. The packaging has a very sparse merchandise release quality about it (with 2001 era Purple adorning the cover), and lacks details such as the sound options on the DVD, and if it is PAL or NTSC (mine turned out to be NTSC). The card and case are less flimsy than some earlier efforts however. All in all 'Live Encounters' is a good 1996 era show, bulked out by two hours of enjoyable interview material. Good value for money as long as you don't expect much in the way of picture quality in particular. Tracklist 01. Fireball 02. Maybe I'm a Leo 03. Ted the Mechanic 04. Pictures of Home 05. Black Night 06. Cascades I'm Not Your Lover/Steve Morse's solo 07. Sometimes I Feel Like Screaming 08. Woman from Tokyo 09. Rosa's Cantina 10. Smoke on the Water 11. Jon Lord's solo 12. When a Blind Man Cries 13. Speed King 14. Perfect Strangers 15. Hey Cisco 16. Highway Star ========== Deep Purple - Machine Head Deep Purple - Machine Head (2002) A musical biography telling the incredible story of the making of the Deep Purple album "Machine Head". The album that prduced the rock masterpiece "Smoke On The Water" and in 1972 brought worldwide superstardom to Deep Purple putting them at the pinnacle of seventies hard rock. After the success of "In Rock" and "Fireball" the band decided on a European location to record their next album. They chose the Casino in Montreux in Switzerland only to see it burn down the night before recording was due to begin. Out of the ashes of the Casino however was to come their most memorable song and their most successful album ever. With smoke literally wafting over the water of Lake Geneva the band took up residence in the Grand Hotel and in the swiftly converted corridors and cupboards of the deserted hotel recorded the album that was to become their tour de force. In exclusive interviews with Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice we take a track by track look at the making of the album. Martin Birch the orginal engineer and Roger Glover lead us through the original multitrack tapes. Ritchie, Jon and Roger demonstrate riffs and licks form the songs and explain the genesis of the songwriting. The programme is illustrated by archive footage from Deep Purple in concert including very rare American footage of "Smoke On The Water" and "Space Truckin", TV performances and promotional videos, and provides a unique insight into the making of a record which is universally claimed as one of the most influential and successful hard rock masterpieces of the early seventies. A true Classic Album. Featuring cuts from: Highway Star - Smoke On The Water - Space Truckin - Never Before - Pictures of Home - When a Blind Man Cries - Black Night. ============ Toronto Rocks (2003) DVD Review In what was billed as the "largest ticketed single day event in history", the July 30, 2003 Toronto Rocks concert held in-brace yourself-Toronto was put together to help rejuvenate tourism there after the SARS outbreak became big news. The headliners were none other than The Rolling Stones, who have been know to sell out a concert or two, and a broad spectrum of 13 other bands and performers filled out the bill, including AC/DC, Rush, The Guess Who, The Isley Brothers, The Flaming Lips, Justin Timberlake, and a gaggle of homegrown Canadian groups. This single-disc release from Rhino tries to condense that long hot day into a two-hour "best of", so it features only two or three songs from each of the main supporting acts (except for Timberlake, who gets just one), with the headlining Stones represented by six tunes. Completists will want to know that there is also a two-disc Canadian version available that includes a second disc devoted to performances by the less well-known bands that opened the show, like Sam Roberts, Blue Rodeo (truly underrated, in my opinion), Kathleen Edwards, La Chicane, The Tea Party, and Sass Jordan. It's a shame we didn't get that two-disc version in the States, because the brief clips of these groups that show up in the extras are outstanding, and in some cases far more captivating and exciting than a couple of the so-called main acts. With that said, there's nary a bad performance to be found here, but it is The Flaming Lips who uncork probably the finest moment here with a joyously dead-on version of Do You Realize?, and who share the stage with an army of dancing costumed characters. Other standout moments include Ernie Isley doing a wild guitar solo behind his back during The Isley's Who's That Lady?, and Rush's take on Freewill is completely invigorating. The weakest links are Dan Ackroyd and Jim Belushi, here embarrassing themselves horribly as the in-between acts filler, performing under the banner of their oldies act The Have Love Will Travel Revue. Their own shining moment-yes, everyone has one-is a rendition of Time Won't Let Me that somehow manages to make their flat karaoke vocals sound appealing, but they are buttressed by a very tight back up band that does the unimaginable and makes them almost sound decent for a few minutes. The Stones performance is full of typically well-crafted and methodical rock gyrating and strutting, and it is clear that they have the whole rock star thing down to a tee. Personally, I was never really a huge Stones fan, but there is something about hearing that opening guitar lick to Satisfaction-even for the umpteenth time-that just screams "I am rock and roll and you are my bitch." No one has ever come close to personifying the sheer essence of what a "rock star" is like the death-defying Keith Richards, and that is coming from someone who never really gave two hoots about the band. The guy is pure rock cool to the infinite-no doubt about it. Rhino has included a couple of Stones "duets", one featuring Justin Timberlake helping out on Miss You, and AC/DC sharing remanufactured blues riffs on Rock Me Baby. The slightly out of place Timberlake had an admittedly rough day all around, and during his solo set was repeatedly pelted by water bottles and boos, though on this disc's clip of his Señorita, where he channels the ghost of Stevie Wonder admirably, the editing has kept the verbal and physical harassing to a minimum. Yet during his appearance with the Stones, Timberlake still receives a surprising onslaught of trash from the crowd, enough so that at one point a pissed off Keith Richards can be seen furiously signaling bouncers who the upfront culprits were. This is a nicely assembled concert disc full of able-bodied strong rock and roll performances, but it begged to be much, much longer. Set List: The Have Love Will Travel Revue Intro The Flaming Lips Race For The Prize Do You Realize? The Have Love Will Travel Revue Dig Myself A Hole The Isley Brothers Who's That Lady? Shout Justin Timberlake Senorita The Have Love Will Travel Revue Time Won't Let Me The Guess Who American Woman No Time Rush Limelight Freewill Paint It Black/The Spirit of Radio AC/DC Back In Black Thunderstruck Rolling Stones Start Me Up Ruby Tuesday Miss You w/Justin Timberlake Rock Me Baby w/AC/DC Satisfaction Jumpin' Jack Flash ======== Aerosmith: The Making of Pump (1990) This Aerosmith release is a revealing record of the six-month creative process that resulted in their triple-platinum smash album, PUMP. Unedited conversations between the band and their production team, exclusive musical jams, and personal interviews accompany uncensored versions of "The Other Side" and "What It Takes." Tracks include: "The Other Side" "What It Takes" ========== Rolling Stones - At the Max The film, The Rolling Stones: Live at the Max comes to DVD with a standard full-frame transfer that does a decent job with the clarity of the original IMAX image, but obviously is not as imposing. The English soundtrack does a strong job of capturing the Stones sound. Although there are no supplemental materials of any consequence, fans of the band will enjoy the performances of "Paint it Black", "Mixed Emotions", "Ruby Tuesday", and many other classic tunes 1. Opening Logos [:00] 2. Continental Drift [2:09] 3. Start Me Up [4:00] 4. Sad Sad Sad [3:24] 5. Tumbling Dice [4:22] 6. Ruby Tuesday [3:46] 7. Rock And A Hard Place [4:57] 8. Honky Tonk Woman [5:01] 9. You Can't Always Get What You Want [7:17] 10. Happy [4:20] 11. Paint It Black [4:17] 12. 2,000 Light Years From Home [5:41] 13. Sympathy For the Devil [6:38] 14. Street Fighting Man [6:06] 15. It's Only Rock 'N' Roll [4:59] 16. Brown Sugar [5:12] 17. (I Can't Get No) Satisfaction [10:12] 18. End Credits [1:57] ========= GLENN HUGHES - Soulfully Live In The City Of Angels (DVD) Song Title 1. Can't Stop The Flood 2. Higher Places 3. Written All Over Your Face 4. First Step Of Love 5. seafull 6. Medusa 7. Mistreated 8. Getting' Tighter 9. You Keep On Moving 10. wherever you go 11. coast to coast With a strong musical background as the bassist and lead vocalist for the rock acts Trapeze, Deep Purple, and Black Sabbath, Glenn Hughes was already an experienced artist by the time he released his solo debut PLAY ME OUT in 1978. More than two decades later, with many successful solo efforts behind him, Hughes is back with SOULFULLY LIVE IN THE CITY OF THE ANGELS, a concert recorded in January 2004 in Los Angeles. Featuring tracks spanning his career, including songs from his Deep Purple days, SOULFULLY LIVE features 11 tracks, as well as an interview with the man himself. The concert also includes guest performances by drummer Chad Smith of the Red Hot Chili Peppers, and vocalist Kevin DuBrow of Quiet Riot ======= Led Zeppelin - The Song Remains the Same (1976) Bombastic, pretentious and narcissistic, Led Zeppelin's The Song Remains the Same is also one of the best concert films of the 1970s, capturing the greatest rock band of the decade in full flight at Madison Square Gardens in 1973. The notorious "fantasy sequences" punctuate the musical action but don't, fortunately, interrupt it. Playing true to their self-indulgent rock & roll personas, each band member has his own segment, as does legendary larger-than-life manager Peter Grant. Only John Bonham's is reasonably down-to-earth: during his mammoth drum solo ("Moby Dick") he is seen driving his custom car, his Harley chopper, and a drag racer at Santa Pod, as well as inspecting bulls and doing a bit of building work. Well, what else would a working-class lad from Birmingham do with his millions? Elsewhere, John Paul Jones is a demented Phantom of the Opera with an unfeasibly large organ ("No Quarter"); Robert Plant is a quasi-Arthurian knight errant rescuing a suitable rock-chick damsel in distress ("The Song Remains the Same/Rain Song"); while Aleister Crowley acolyte Jimmy Page goes in for sorcery and mysticism as he encounters the wizard from the cover of Led Zep IV ("Dazed & Confused"). But the real magic is the onstage footage: Page wields his Gibson Les Paul as if he is indeed enchanted (the violin bow becomes his magician's wand in "Dazed & Confused"), while Plant preens and prowls his way around the stage, the very image of the rock idol; and quite how Jones and Bonham managed to be such a behemoth of a rhythm section is still a mystery. For all its many faults, this remains an essential document of an era when rock dinosaurs still walked the earth. On the DVD: No extra features to speak of at all, which is extremely disappointing given the wealth of archive material concerning the band and this movie that must be available. The picture and sound are respectable without being exceptional === U2: Rattle and Hum [Widescreen] This excellent documentary follows the Irish group U2 on their concert tour of the United States in support of their seventh album ^Joshua Tree. The politically involved rock quartet sets their sights on American musical influences, previously ignored. They quickly immerse themselves in the musical culture with a recording session at the legendary @Sun Studios in Memphis. Four tracks were recorded that ended up on their next record appropriately called ^Rattle And Hum. Blues Legend B.B.King adds his vocals and guitar work to &Love Comes To Town, and &Angel Of Harlem is a passionate tribute to the late Billie Holiday. In addition to their original material, the band covers gems from The Beatles, Bob Dylan, and Jimi Hendrix. Director Phil Joanou combines black-and-white with color photography to capture the band on and off the stage. Only the band's visit to Elvis Presley's Graceland seems out of context with the rest of the feature. Although the band's reverence for Elvis and his music is evident, they are merely tourists standing on the other side of a velvet rope. Spinal Tap had a more poignant visit to the king's palace, but Rattle And Hum is still one of the best musical documentaries of all time. Both the musical and political passion of U2 is evident in every frame. ~ Dan Pavlides, All Movie Guide Chapter Listing Side #1 -- 0. Scene Selection 1. Helter Skelter [3:10] 2. Van Diemen's Land [2:14] 3. Desire [4:51] 4. Exit [4:21] 5. I Still Haven't Found What I'm Looking For [4:39] 6. Freedom For My People/Silver And Gold [6:44] 7. Angel Of Harlem [3:41] 8. All Along the Watchtower [4:54] 9. In God's Country [2:43] 10. When Love Comes To Town [5:50] 11. Heartland [4:05] 12. Bad [8:14] 13. Where The Streets Have No Name [6:27] 14. Mlk [2:02] 15. With Or Without You [5:23] 16. Star Spangled Banner/Bullet The Blue Sky [5:51] 17. Running To Stand Still [4:20] 18. Sunday Bloody Sunday [7:48] 19. Pride (In The Name Of Love) [4:47] 20. All I Want Is You [6:34] This post has been edited by JohnnyM on 22-05-2006, 14:26 |
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Posted: 09-05-2006, 20:49
(post 2, #598670)
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Superman Group: Members Posts: 1136 Warn:0% |
Dream Theater - Live In Tokyo / 5 Years In A LIVETime With their progressive metal style and exceptional musicianship (learned at the Berklee School of Music) Dream Theater grew to prominence with their MTV hit "Pull Me Under" in 1992. During that time Dream Theater developed a rabid fan base that remains with them today-especially when it comes to their mind-blowing live shows. This 2 DVD set, Images And Words: Live In Tokyo/5 Years In A LIVEtime, is a must-own for any Dream Theater fan. The 2-DVD set is jam-packed with over 3 hours of footage: live performances along with 6 music videos and memorable behind-the-scenes interviews. Tracks: Disc 1: Live: 1. Under a Glass Moon 2. Wait For Sleep 3. Surrounded 4. Ytse Jam 5. To Live Forever 6. Take the Time 7. Pull Me Under 8. The Silent Man Video Clips: 1. Pull Me Under 2. Take The Time 3. Another Day Disc 2: Videos: 1. Lie 2. The Silent Man 3. Hollow Years Live Performances: 1. Burning My Soul 2. Cover My Eyes 3. Lie 4. 6:00 5. Voices 6. The Silent Man 7. Damage Inc. 8. Easter 9. Starship Trooper 10. Hollow Years 11. Puppies On Acid 12. Just Let Me Breathe 13. Perfect Strangers 14. Speak To Me 15. Lifting Shadows Off A Dream 16. Anna Lee 17. To Live Forever 18. Metropolis 19. Peruvian Skies 20. Learning To Live 21. A Change of Seasons VII 22. The Crimson Sunset 23. Have A Cigar 24. Enter Sandman 25. Siberean Khatru ========= Ozzy Osbourne - Live at Budokan (2002) Ozzy has made many great live DVD but I think this the best. This DVD captures the live power that Ozzy has. Many of the songs have been made in 80's and some even in 70's but they sound now as fresh as they sound then. Ozzy seems to enjoy the live concerts very much. Also Zakk Wylde and others are really well present in this concert. The solos and the songs are great. I was quite disappointment on "Live & Loud" but this DVD has a place in my metal heart. Great live concert! 1)I Don't Know 2)That I Never had 3)Believer 4)Junkie 5)Mr. Crowley 6)Gets Me Througfh 7)Suicide Solution 8)No More Tears 9)I Don't Want to Change the World 10)Road to Nowhere 11)Crazy Train 12)Mama, I'm Coming Home 13)Bark at the Moon 14)Paranoid ======== OZZY OSBOURNE "Bark At The Moon, Live At The Salt Palace, Salt Lake City, Utah, USA, 1984" DVD 1. Ozzy 2. I Don't Know 3. Mr. Crowley 4. Rock & Roll Rebel 5. Bark At The Moon 6. Revelation 7. Steal Away 8. Suicide Solution 9. Forever 10. Flying High Again 11. Iron Man 12. Crazy Train 13. Paranoid 14. So Tired ========= The Cure - Greatest Hits (2001) Renowned as *the* band that soundtracks the lives of black-clad gloom merchants the world over, The Cure's Greatest Hits could easily lead those less aware of the band's entire output to scratch their heads in wonderment about it all. Most of what's included here makes them appear like very happy chappies indeed, especially when compared to the likes of miserabilist extraordinaires The Smiths and many others who have come, and often gone, during The Cure's remarkable twenty-plus years together - even if the only common link throughout that time has been the band's fuhrer Robert 'Fat Bob' Smith. Mind you, this is a very selective compilation, with much of their best (and admittedly more melancholy) work, such as the likes of Primary, Killing An Arab and Charlotte Sometimes for example, disappointingly not making the cut for this release (and it isn’t like there wasn't enough space to include ALL their clips - tsk tsk). Mind you this is a video compilation, and to be honest the clip for the latter could possibly be one of the worst examples of the genre ever viewed by humankind. The turning point for the band in a visual sense came with their teaming up with director Tim Pope, who The Cure discovered via Soft Cell's Bedsitter clip (yes, they had more releases than their cover of '60s soul classic Tainted Love, not that many in Australia would be alert enough to know unfortunately). After a succession of rather drab and uninspired visual advertisements, Pope managed to coax something extra out of Smith and whatever company he was keeping at the time, and pretty much cemented the legendary power point-styled hairdo and piss-poor lippy application visage of Smith that most of us have into our collective consciousness. Early tracks aren’t the only omission here, with many mid-era classics such as Catch, Hot Hot Hot!!! and the fabulously bass-rumbly US single Fascination Street conspicuous by their absence, and later stuff like The 13th and Strange Attraction well - face it - they aren’t really missed that much, but a complete collection would have been nice. So what do we get? Boys Don't Cry: Three (imaginary?) boys pretend to be the band, but who's that hanging out in the shadows with the Cylon-like eyes? A Forest: Huh? Bob had normal hair once? Actually he looked kind of a spunk... A performance vid, shots of - you guessed it - a forest, and lots of tacky early '80s video effects. Let's Go to Bed: And then there were two - Bob'n'Lol play the fool with plenty of silly dancing, balls, eggs, silver apples and Rolf-like daubings. A typical '80s clip then... The Walk: Hmm, doesn’t sound like Blue Monday much... The Cure go electro, as they play with dollies in paddling pools and paint their faces. It comes with some signing for the hearing-challenged who will no doubt be rather pissed off that this disc features no subtitles whatsoever. The Love Cats: The third in the "we're really not that dour, honest" trilogy, not surprisingly there are cats and lots of 'em - real ones, stuffed ones, humans in suits ones playing trumpets... In-between Days: He's got a dawg on his head!!! Another one to make New Order's lawyers prick up their ears, keep the seasick pills close by for this fret-cam and vision from a bungee rope spectacular... Close To Me: A claustrophobic's nightmare, with the entire band at the time stuffed into a wardrobe that's sitting atop a cliff. If that isn’t bad enough it topples and lands underwater... Why Can't I Be You? : The Cure raid the costume box, complete with weird stuck to the screen effects and seizure-inducing strobes. They even hired Mick Jagger's lips to play with for the day! Just Like Heaven: THE ultimate New Order "tribute" - but at least it was done well. Clip-wise it's rather dull, with some often squishy faces and yet another cliff... Lullaby: Bob settles down for a bit of a kip, gets covered in cobwebs and - ooh - I spy with my little eye, something beginning with 'S' - EWWY! A big fat hairy spider! (Amy presses the 'next' button...) Love Song: Smith's ode to his wife (awww!) - so why's it shot in a cave full of stalagmites and stalactites then? Weird... Never Enough: Rock out! Yeah! A bit of freak show action, with all manner of funny shaped rooms and weirdo mirrors - and a dwarfish ringmaster... High: Lots of grainy processing does not a boring clip hide... Friday I'm In Love: Bubbles, love hearts, a jaunty song - are you sure this is The Cure? Comes complete with enough dodgy looking backdrops to have Alfred Hitchcock green with envy - erm, if unfortunately he wasn't rather green already for other reasons... Mint Car: Egyptian chic meets cowboy chic, plus a drive in the country - makes about as much sense as any other modern day clip... Wrong Number: Slithery things like worms, caterpillars, tadpoles/spermatozoa - oh shit there's a snake - NEXT!!! Cut Here: Newly recorded for this release, this ode to the late Billy Mackenzie of The Associates is a welcome return to catchy form. Oh, the clip? Widescreen with lots of dropped frames - and oh dear, Bob's finally looking his age... Just Say Yes: Who's that blonde chick? Oh goodness, it's Saffron from Republica without the red hair! A boring song with a boring video - but if something nice has to be said then it is all rather colourful. ========= Creed - Greatest Hits (only Bonus DVD) http://www.fretplay.com/review/c/creed/discography-CD-B00...-Hits-W-Bonus-DVD.shtml DVD (Videos): 01. My Own Prison 02. What's This Life For 03. Higher 04. What If 05. With Arms Wide Open 06. Bullets 07. My Sacrifice 08. One Last Breath 09. Don't Stop Dancing 10. Torn (Live) 11. Higher (Live) 12. Weathered (Live) ========= Apocalyptica - Live 2001 concert of the Finnish cellists who have defied definition of what a rock instrument is and pursued their fame as a serious Rock N Roll act. Feel the thunder on a host of Metallica classics like "One", "Creeping Death", "For Whom The Bell Tolls", "The Unforgiven", "Master Of Puppets" as well as Grieg's "Hall Of The Mountain King" thrown in for good measure! After the show, enjoy the promotional videos of "Path", "Harmageddon", "Nothing Else Matters", "The Unforgiven" and "Enter Sandman". This post has been edited by JohnnyM on 11-05-2006, 20:11 |
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Posted: 16-05-2006, 20:54
(post 3, #601771)
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Superman Group: Members Posts: 1136 Warn:0% |
Никому ничего???? Фсе по барабану???? |
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Posted: 16-05-2006, 21:25
(post 4, #601788)
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Добрый личер Group: Members Posts: 4169 Warn:40% |
Hughes & Aerosmith + Toronto Rocks This post has been edited by KREMEN5400 on 16-05-2006, 21:27 |
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Posted: 17-05-2006, 20:41
(post 5, #602171)
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Newbie Group: Members Posts: 35 Warn:0% |
U2: Rattle and Hum |
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Posted: 18-05-2006, 17:11
(post 6, #602583)
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Superman Group: Members Posts: 1136 Warn:0% |
В связи с тем что для меня установлены персональные правила касательно двд5 (а у меня к сожалению нет возможности им следовать) - то если среди указанных двд будут попадаться двд5 - то я не буду их закачивать. Приношу свои извинения за причиненные неудобства. |
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Posted: 19-05-2006, 08:53
(post 7, #602881)
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Member Group: Members Posts: 168 Warn:0% |
учитывая, что я был один из тех, кто был не доволен качеством, в частости Meat Loaf'a, и в то же время c удовольствием скачал бы The Cure - Greatest Hits (2001) и Apocalyptica - Live, то готов предложить некий компромис по созданию опросов. Я бы мог создавать эти опросы пачками. если бы у меня была тоная инфа по диску, размеры, видео, аудио. есть масса прог. при помощи которых эти данные c диска можно считать. лично я использую для этого CloneDVD. если ты согласен. то давай спишемся и создадим некое подобие релиз группы, я буду создавать опросы, ты будешь смотреть на обсуждение и принимать решение, выкладывать или не выкладывать. а? This post has been edited by Ilich on 19-05-2006, 08:54 |
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Posted: 19-05-2006, 19:43
(post 8, #603169)
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Superman Group: Members Posts: 1136 Warn:0% |
Согласен. Если там есть двд5 - то сообшу параметры. Единственное - не обешаю быстро. Пока шли непонятки с муздвд я перешел на более милые моему сердцу мультики и фильмы. Плюс по выходным пробую раздавать мультики в ави. Кстати - может tatuk напишет где он надыбал указанные в данном топике музДВД. И что он думает о их качестве и поддельности. А то может он уже все проверил - так зачем нам делать лишнюю работу. tatuk - ау-у-у-у-у |
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Posted: 19-05-2006, 19:48
(post 9, #603172)
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Superman Group: Members Posts: 1136 Warn:0% |
а какие деиствия надо делать шоб получить нужную тебе инфу? - расскажи плизз шаг-за-шагом. у меня есть шринк CloneDVD2 |
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Posted: 19-05-2006, 20:42
(post 10, #603199)
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Always with metal Group: News makers Posts: 8154 Warn:0% |
Вставлю своих 5 копеек : самый простой вариант-Nero Show Time(Загружаешь диск и в процессе просмотра видешь всю нужную инфу:бит-рейт,разрешение,аудио) |
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Posted: 22-05-2006, 06:06
(post 11, #604314)
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Superman Group: Members Posts: 1136 Warn:0% |
2 Ilich Toronto Rocks 4.35gb Video: MPEG2 Video 720x480 (4:3) 29.97fps 7816Kbps Audio: PCM 48000Hz stereo 1536Kbps |
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Posted: 22-05-2006, 08:56
(post 12, #604346)
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Добрый личер Group: Members Posts: 4169 Warn:40% |
Кста, только ща увидел подзаголовок "Что не нужно закачивать ?". Так вот я написал что мне нужно
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Posted: 22-05-2006, 14:23
(post 13, #604457)
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Superman Group: Members Posts: 1136 Warn:0% |
Правила изменились с тех пор как я это писал Topic Link: Suzanne Vega / Retrospective... Suzanne Vega) Если будут попадаться двд5 - то закачивать не буду. Если хотите чтобы всеже закачивалось - то на вам самим придется организовать все по правилам (опрос и все такое). Инфу буду предоставлять только о запрашиваемых дисках. Начнем с Toronto Rocks This post has been edited by JohnnyM on 22-05-2006, 14:27 |
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Posted: 22-05-2006, 15:07
(post 14, #604469)
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Member Group: Members Posts: 168 Warn:0% |
понял, сейчас будет опрос есть опрос а давай на будущее через личку. ок? или аську) This post has been edited by Ilich on 22-05-2006, 15:18 |
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Posted: 22-05-2006, 15:56
(post 15, #604495)
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Superman Group: Members Posts: 1136 Warn:0% |
This post has been edited by JohnnyM on 22-05-2006, 21:28 |
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