Junior
Group: Members
Posts: 93
Warn:0%
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Артист: |
ASPHYX |
Альбом: |
On The Wings Of Inferno, 2000 |
Издатель: |
Century Media / CM 1073-2 |
Жанр: |
Death Metal |
Формат файла: |
EAC 0.95 beta4 / Monkey's Audio 3.97 / 223 MiB / all scans |
Ссылка: |
CD |
Нахождение: |
eDonkey/Kademlia |
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TRACKLIST | 1. Summoning The Storm 2. The Scent Of Obscurity 3. For They Ascend... 4. On The Wings Of Inferno 5. 06.06.2006 6. Waves Of Fire 7. Indulge In Frenzy 8. Chaos In The Flesh 9. Marching Toward The Styx
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SPOILER ("log") | EAC extraction logfile from 29. April 2007, 22:43 for CD ASPHYX / On The Wings Of Inferno
Used drive : TOSHIBA DVD-ROM SD-M1612 Adapter: 0 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : -472 Overread into Lead-In and Lead-Out : No
Used output format : F:\Kituri\utile\eac-0.95b4\MAC.EXE (Monkey's Audio Lossless Encoder) High Lossless Compression
Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000
Range status and errors Selected range Filename K:\ASPHYX [2000] [CD] On The Wings Of Inferno [EAC-APE] by Metalistu' [MeTaLMaDNeSS.TeaM]\ASPHYX - On The Wings Of Inferno.wav
Peak level 100.0 % Range quality 99.9 % CRC 9F0AF548 Copy OK
No errors occured
End of status report |
SPOILER ("review") | This is the best Asphyx album since "Last One On Earth," maybe even since "The Rack." They've regained some focus - the old dark, doom-infused sound - and added a major new player in Wannes Gubbels, who also sings for Pentacle and contributed greatly to the success of their excellent "Under The Black Cross" album. His voice is as excellent here as it is for Pentacle, a growling crossbreed of John Tardy and previous Asphyx singer Martin van Drunen.
There's no need to single out a lot of individual tracks here, as 1. there aren't that many, and 2. they are all of very high caliber. I will say though that the opener "Summoning The Storm" reveals all the album's strengths right up front. It's fast at times - not blasting fast, but old school freight-train fast - with a heavy, doomy middle section that bludgeons you with one of the album's most memorable riffs and thunderous drums. Here and throughout the album, the percussion is loud and bass-heavy, the guitar is grinding and nasty, and Gubbels growls dementedly over the top of it all in a cavernous (but not overdone) reverb. It's a decidedly 1990-ish sound, and it really works.
Add some terrific cover art, and this is a release you shouldn't miss - even if you did when it first came out. |
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