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Stomu Yamashta - Go, Vinyl Rip - Ape_Cue |
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Posted: 17-05-2005, 18:07
(post 1, #420297)
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Advanced Group: Members Posts: 331 Warn:0% |
Sound not too good, single for collectors. Rating * * * * Cool Edit, EAC compression. Mac 3.9.7 Covers from LP Ape_Cue Tenia este disco ripeado hace tiempo, pero no me decidia a lanzarlo ya q el sonido no es todo lo bueno q quisiera, no es q sea malo, pero no es el idoneo. Hace poco salio una edicion en CD doble, es de importacion y dificil de conseguir si no es sobre pedido, si alguien viaja a EEUU q me avise Go (1976) is a concept album in the truest sense of the term, fusing pop/rock with tinges of jazz and elements of classical all connected by a central motif of space travel. More specifically, according to Robin Denselow's liner essay, the theme deals with "change and polarity-fantasy and reality, death and re-birth, things changing to their opposites." Stomu Yamashta, Steve Winwood and Michael Shrieve lead an impressive ensemble through soundscapes, unveiled in a variety of perspectives. Perhaps it is the international cast of performers that allows for such an unfettered consortium of ideas that brought together former Spencer Davis Group, Traffic and Blind Faith member Steve Winwood, as well as Santana co-founder Michael Shrieve and mid-'70s era Santana percussionist Yamashta — the latter of whom were key benefactors to the criminally underrated Santana long-player Borboletta (1974). Ably assisting the festivities are Return to Forever's Al DiMeola (guitar), Klaus Schulze (synthesizer) whose contributions to Tangerine Dream and Ash Ra Tempel remain unequaled, and Winwood's one-time Traffic accomplice Rosko Gee (bass), who also had a fruitful run with Can. Each side of the original LP contains a complete suite of interconnected and continuous music. The haunting and brooding "Crossing the Line" is reminiscent of prog-rockers Alan Parsons Project or pretentious Pink Floyd [read: anything past Meddle (1971)]. Winwood's echo-laden vocals give him an almost palpable and uncomfortable quality, perfectly suited for the austere setting that is light years away from the likes of "Sea of Joy" or "Gimmie Some Lovin'," yet is remarkably akin to "No Time to Live" from Traffic's self-titled platter. Exceedingly soulful is the propellant "Ghost Machine," with DiMeola's fiery fretwork at its best. The funky "Time Is Here" gives Winwood a perfect outlet for his R&B roots, while "Winner/Loser" — boasting the project's only lyrics penned by Winwood — concludes with what is arguably the most accessible pop excursion. Robin Denselow's aforementioned essay goes into great detail regarding a rather involved story line aimed at further unifying the otherwise disparate pieces. While the plot won't be ruined here for potential consumers, if your non-musical interests include Dungeons & Dragons, Star Wars and other Brainiac-related activities, the two song cycles that comprise Go will definitely be right up your alley. It scored considerably well with audiences in 1976, reaching number 60 on the Pop Album chart. In 2004, Hip-O Select compiled both Go and the companion concert. Go Live From Paris (1977). on to a limited-edition (of 2,500) two-CD package with audio remastered by Gavin Lurssen of the illustrious Mastering Lab. Brother James Percussion, Conga Paul Buckmaster Arranger, Director Al DiMeola Guitar Karen Friedman Vocals Rosko Gee Bass Bernie Holland Guitar Lennox Laington Percussion Dari Lalou Vocals Julian Marvin Guitar Michael Quartermain Lyricist Barry Sage Assistant Engineer Klaus Schulze Synthesizer, Keyboards, Moog Synthesizer Michael Shrieve Drums Casey Synge Vocals Pat Thrall Guitar Thunderthighs Vocals Chris West Guitar Steve Winwood Organ, Piano, Arranger, Composer, Keyboards, Vocals Hisako Yamashta Violin, Vocals Stomu Yamash'ta Percussion, Arranger, Composer, Keyboards 1.SOLITUDE 2.NATURE 3.AIR OVER 4.CROSSING THE LINE 5.MAN OF LEO 6.STELLAR 7.SPACE THEME 8.SPACE REQUIEM 9.SPACE SONG 10.CARNIVAL 11.GHOST MACHINE 12.SURFSPIN 13.TIME IS HERE 14.WINNER/LOSER |
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Posted: 17-05-2005, 20:21
(post 2, #420356)
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