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Артист: Eri Sugai Альбом: Stella Mirus II, 2006 Издатель: Pacific Garden / CHCB-30015 Жанр: New Age, Classical Формат файла: WavPack - CUE, LOG, Covers embedded Ссылка: CD 74 clicks Нахождение: eDonkey/Kademlia Примечание: To extract CUE, LOG and/or covers from this file, open it in ZIP or RAR. For playback in separate tracks, open it in foobar2000.

TRACKLIST

1. Komorebi (Sunshine Filtering Through Foliage) . .6:05  2. Adagio. . . . . . . . . . . . . . . . . . . . . .6:31  3. Cuckoo. . . . . . . . . . . . . . . . . . . . . .3:35  4. Menuett - BWV Anh.114 - BWV115. . . . . . . . . .6:13  5. Pray. . . . . . . . . . . . . . . . . . . . . . .4:25  6. Die Moldau. . . . . . . . . . . . . . . . . . . .6:02  7. Tukiyo No Shizuku (A Drop Of A Moonlit Night) . .5:12  8. Kanon . . . . . . . . . . . . . . . . . . . . . .5:30  9. Toy's Night . . . . . . . . . . . . . . . . . . .4:03 10. HoshiDokei (A Star Clock) . . . . . . . . . . . .5:04 11. Pure. . . . . . . . . . . . . . . . . . . . . . .4:19

This is the follow up to AIR, performed by ERI SUGAI under STELLA MIRUS pseudonym. She has already produced two stunning albums, MAI and KAORI, and this latest delight is a continuation of AIR.
There have pieces by Albinoni, Bach, Smetana and Pachelbel and those written by ERI (seven of them).
Some tracks are performed unaccompanied, others with keyboards, all with beauty and grace. ERI uses her voice like another instrument and the phonetic sounds she makes in accompanying the music send each track to another, much higher, plane. She adds lustre to everything here and the total is just so wonderful that it gets better each time you hear it.
ERI deserves to have the attention and backing of a major record company to give her the fame, fortune and exposure. Perhaps then, the whole world will get to hear all her wonderful, heavenly music.

This is the follow up to AIR, performed by ERI SUGAI under STELLA MIRUS pseudonym. She has already produced two stunning albums, MAI and KAORI, and this latest delight is a continuation of AIR.
There have pieces by Albinoni, Bach, Smetana and Pachelbel and those written by ERI (seven of them).
Some tracks are performed unaccompanied, others with keyboards, all with beauty and grace. ERI uses her voice like another instrument and the phonetic sounds she makes in accompanying the music send each track to another, much higher, plane. She adds lustre to everything here and the total is just so wonderful that it gets better each time you hear it.
ERI deserves to have the attention and backing of a major record company to give her the fame, fortune and exposure. Perhaps then, the whole world will get to hear all her wonderful, heavenly music.