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Артист: Various Artists Альбом: The Stockfisch DMM-CD/SACD Vol.1, 2013 Издатель: Stockfisch Records / SFR357.5900.2 Жанр: Folk Формат файла: SACD ISO--->WavPack 24-88.2 Ссылка 1: CD 1 Ссылка 2: CD 2 42 clicks Нахождение: Torrent Релиз-группа:

TRACKLIST

1. Chris Jones - No Sanctuary Here (3:52)  2. Steve Strauss - Closer (4:17)  3. Brooke Miller - What You Know (3:22)  4. The Greater Good - If I Could (2:38)  5. Ewen Carruthers - That Train (4:45)  6. Sara K. & Chris Jones - Stop Those Bells Live (3:41)  7. Paul O'brien - Sonny's Dream (4:14)  8. Carl Cleves & Parissa Bouas - Tough (3:33)  9. David Munyon - Four Wild Horses (4:43) 10. David Roth - The Greater Good Of All (3:31) 11. Mckinley Black - My Diamond Mine (4:16) 12. Allan Taylor - Like A Cloud (3:31) 13. Mary Macmaster & Donald Hay - No Sleep (3:39)

SPOILER!

CODE Various Artists - [2013] The Stockfisch Dmm-CD-Sacd [2.0] (SACD[PS3] - 24bit88.2kHz) ====================================================================================== SACD[PS3]ISO to flac conversion using SACD_Conversion_script version 0.5 Track list ----------         01 Chris Jones - No Sanctuary Here        03:52.21         02 Steve Strauss - Closer        04:16.79         03 Brooke Miller - What You Know        03:21.89         04 The Greater Good - If I Could        02:37.83         05 Ewen Carruthers - That Train        04:44.73         06 Sara K. And Chris Jones - Stop Those Bells Live        03:40.69         07 Paul O'brien - Sonny's Dream        04:13.79         08 Carl Cleves And Parissa Bouas - Tough        03:33.25         09 David Munyon - Four Wild Horses        04:42.87         10 David Roth - The Greater Good Of All        03:31.39         11 Mckinley Black - My Diamond Mine        04:16.21         12 Allan Taylor - Like A Cloud        03:31.01         13 Mary Macmaster And Donald Hay- No Sleep        03:38.96 Technical Details ----------------- 01) ISO image created using sacd-ripper for PS3 02) Edited Master Dff file extracted using SACD_Extract 03) Edited Master Dff file analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s) 04) Dff files for loudest tracks extracted from the ISO using SACD_Extract and converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with -6.00dB gain 05) Non-clipping gain calculated using SoX 06) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 6.92dB gain as calculated above 07) Final pass PCM file split into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract 08) Spikes at beginning of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length 09) Finalised tracks converted to flac [level 8] and tagged using tag.exe 10) Dynamic Range measured using Foobar DR Meter plugin foobar2000 1.1.11 / Dynamic Range Meter 1.1.1 log date: 2016-01-19 06:14:56 -------------------------------------------------------------------------------- Analyzed: Various Artists / The Stockfisch Dmm-CD-Sacd -------------------------------------------------------------------------------- DR        Peak        RMS    Duration Track -------------------------------------------------------------------------------- DR12      -0.01 dB  -13.70 dB      3:52 01-Chris Jones - No Sanctuary Here DR13      -1.00 dB  -15.74 dB      4:17 02-Steve Strauss - Closer DR9      -3.78 dB  -16.05 dB      3:22 03-Brooke Miller - What You Know DR10      -4.29 dB  -16.81 dB      2:38 04-The Greater Good - If I Could DR12      -2.20 dB  -17.13 dB      4:45 05-Ewen Carruthers - That Train DR12      -1.52 dB  -16.97 dB      3:41 06-Sara K. And Chris Jones - Stop Those Bells Live DR9      -2.63 dB  -14.46 dB      4:14 07-Paul O'brien - Sonny's Dream DR10      -2.86 dB  -14.94 dB      3:33 08-Carl Cleves And Parissa Bouas - Tough DR11      -0.27 dB  -15.90 dB      4:43 09-David Munyon - Four Wild Horses DR9      -2.88 dB  -14.47 dB      3:31 10-David Roth - The Greater Good Of All DR11      -1.51 dB  -14.75 dB      4:16 11-Mckinley Black - My Diamond Mine DR11      -1.15 dB  -14.94 dB      3:31 12-Allan Taylor - Like A Cloud DR11      -0.24 dB  -12.40 dB      3:39 13-Mary Macmaster And Donald Hay- No Sleep -------------------------------------------------------------------------------- Number of tracks:  13 Official DR value: DR11 Samplerate:        88200 Hz Channels:          2 Bits per sample:  24 Bitrate:          2879 kbps Codec:            FLAC ================================================================================

QUOTE

More and more music lovers are discovering the unique sound of a vinyl record. We have thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however has many artefacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artefacts that are detrimental to a good sound.Having said that, music lovers have already become accustomed to these disadvantages. We call our new production method "DMM-CD". With this solution, we can eradicate the aforementioned disadvantages of the pressed record - and yet still maintain the typical vinyl sound.

QUOTE

A new audio format: the „DMM-CD/SACD" Using the best possible components, we play back the signal from the freshly cut groove. The components used are: an EMT TSD-15 Pick-up, a factory built special version of EMT’s legendary Broadcast TONDOSE TSD-15 and incorporates a diamond made from a square natural rod. This diamond is refined with a highly sophisticated shape with multiple facets resulting in a frontal parabola measuring 17 x 25 µ. This diamond quality secures not only very little distortion, but also very low FIM (Frequency Intermodulation Distortion). Moreover we decided to use an EMT 997 pick up arm and a top of the range EMT JPA66 valve pre-amplifier. With critical listening tests, this combination has proven to us to be the optimal chain when it comes to obtaining a sound as close as possible to the master. The output of the JPA66 cutting curve equalizer transfers the analog signal to the A/D converter, a "Meitner EMM Labs adc 8 MK IV". This is still regarded as a reference for the best possible conversion to the 1-bit Direct Stream Digital format. The DSD signal is then recorded at a sampling rate of 2.8224 MHz on to our SADiE DSD8 mastering system. Later, on the finished Hybrid-SACD, you will find this true 1-bit DSD layer and also a generated CD format at 16-bit/44,1kHz. To enhance the tonal quality of the DMM transfer for the DMM-CD, we cut the music programme at 45 rpm, and basically only use the area between the two zero crossings of the cartridge arm. This is the area where the geometry of the pick-up arm is optimal. However, this decision costs a few copper blanks more, as it reduces the running time per side as opposed to the pressed vinyl LP. With this new sophisticated process, a new digital recording media (DMM-CD) has emerged retaining the original sound of a Vinyl-LP but without the unwanted side effects. The DMM-CD/SACD gives you the direct sound of the DMM Copper cut - without having to go through the stages of pressing a record. Depending on the quality of your D/A converter, you will experience a new listening pleasure when comparing our "DMM-CD/SACD" with a correspondingly pressed vinyl record. Certainly it will be an emotional decision!