Bob Seger & The Silver Bullet Band - Night Moves (1976), DCC Gold Disc GZS-1028. Steve Hoffman Mastering
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 Posted: 24-01-2009, 20:54 (post 1, #876421)

меломан

Group: Prestige
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Bob Seger & The Silver Bullet Band - Night Moves
Артист: Bob Seger & The Silver Bullet Band
Альбом: Night Moves, 1976
Издатель: DCC Gold / GZS-1028
Жанр: Album Rock, Rock'n'Roll
Формат файла: NL+0802
Ссылка 1: CD 1 87 clicks
Ссылка 2: CD 2
Нахождение: eDonkey/Torrent
Примечание: found and repacked. Thanks to the original releaser
TRACKLIST
1. Rock And Roll Never Forgets . .3:53
2. Night Moves . . . . . . . . . .5:28
3. The Fire Down Below . . . . . .4:30
4. Sunburst. . . . . . . . . . . .5:13
5. Sunspot Baby. . . . . . . . . .4:39
6. Mainstreet. . . . . . . . . . .3:45
7. Come To Poppa . . . . . . . . .3:11
8. Ship Of Fools . . . . . . . . .3:25
9. Mary Lou. . . . . . . . . . . .2:58

SPOILER (EAC Log)

SPOILER (AccurateRip)
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 yury_usa Member is Offline
 Posted: 24-01-2009, 20:54 (post 2, #876422)

меломан

Group: Prestige
Posts: 18022
Warn:0%-----
thanks to my friends! :music: :wub:

SPOILER (back cover)

Review (AMG)
Bob Seger recorded the bulk of Night Moves before Live Bullet brought him his first genuine success, so it shouldn't come as a surprise that it's similar in spirit to the introspective Beautiful Loser, even if it rocks harder and longer. Throughout much of the album, he's coming to grips with being on the other side of 30 and still rocking. He floats back in time, turning in high-school memories, remembering when wandering down "Mainstreet" was the highlight of an evening, covering a rockabilly favorite in "Mary Lou." Stylistically, there's not much change since Beautiful Loser, but the difference is that Seger and his Silver Bullet Band -- who turn in their first studio album here -- sound intense and ferocious, and the songs are subtly varied. Yes, this is all hard rock, but the acoustic ballads reveal the influence of Dylan and Van Morrison, filtered through a Midwestern sensibility, and the rockers reveal more of Seger's personality than ever. Seger may have been this consistent before (on Seven, for example), but the mood had never been as successfully varied, nor had his songwriting been as consistent, intimate, and personal. Thankfully, this was delivered to a mass audience eager for Seger, and it not only became a hit, but one of the universally acknowledged high points of late-'70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later.

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