Franz Liszt - Organ Works (Brilliant Classics, 93789), Hans-Jurgen Kaiser - Ladegast organ of Dom in Schwerin, Germany
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 Posted: 24-02-2012, 22:19 (post 1, #1046798)

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Hans-Jurgen Kaiser - Franz Liszt - Organ Works
Артист: Hans-Jurgen Kaiser
Альбом: Franz Liszt - Organ Works, 2009
Издатель: Brilliant Classics / 93789
Жанр: Classical
Формат файла: EAC / FLAC / CUE / LOG
Ссылка: CD
Нахождение: Torrent

Franz Liszt (1811 - 1886)

Organ Works



Label: Brilliant Classics, 93789
Year: 2009


Performer:

Hans-Jurgen Kaiser - Ladegast organ of Dom in Schwerin, Germany


Tracklist:

01. Prelude And Fugue On The Name Of Bach: Prelude 04:40
02. Prelude And Fugue On The Name Of Bach: Fugue 11:40
03. Variations On 'Weinen, Klagen, Sorgen, Zagen' 24:00
04. Fantasia And Fugue: 'Ad Nos, Ad Salutarem Undam': Fantasia 25:36
05. Fantasia And Fugue: 'Ad Nos, Ad Salutarem Undam': Fugue 11:45



Liszt composed only a small number of works for the organ, but among them are two of the most impressive
works in the instrument's repertoire. These works are contained on this CD, performed on an organ that has a direct link to Liszt. In 1855 his pupil Alexander Winterberger played the Fantasia and Fugue 'Ad nos, ad salutarum undam' which Liszt had dedicated to Meyerbeer on the Friederich Ladegast organ at Merseburg Cathedral. The organ in Schwerin is almost identical to the instrument at Merseburg. The other major work Liszt composed for organ is the Prelude and Fugue on the name BACH. This was dedicated to Winterberger. The Fantasia and Fugue is a huge work lasting over half an hour, with a brilliant fantasia on a theme from Meyerbeer's 'La Prophete'. The meditative adagio is shattered by a violent fortissimo which leads into the fugue, and the heroic conclusion. The Prelude and Fugue on BACH also opens brilliantly with the four notes that make up the name Bach undergoing endless ingenious variations. The fugue begins with a strange section where tonality is suspended for a time, with the four note 'name' appearing as an ostinato under staccato chords. The variations on 'Weinen, Klagen' from Bach's Cantata no 12 was written for piano in 1860, and is remarkable for its use of chromaticism -- again, tonality is under great strain.



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SPOILER (LOG FILE)


This post has been edited by kgkk on 24-02-2012, 22:20
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 Posted: 24-02-2012, 23:34 (post 2, #1046803)

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