Peter Gabriel - Peter Gabriel (1-Car) SAPGCD 1, Hibryd Stereo SACD
 OlCh Member is Offline
 Posted: 19-02-2006, 14:31 (post 1, #552714)

риполов-любитель

Group: News makers
Posts: 12604
Warn:0%-----
Peter Gabriel - Peter Gabriel (1-Car)
Артист: Peter Gabriel
Альбом: Peter Gabriel (1-Car), 2003
Жанр: Prog-Art-Rock....
Формат файла: eac-cue-log-flac-scans-rar
Ссылка: CD 145 clicks
Нахождение: eDonkey/Kademlia
:rolleyes:
PM Email Poster
Top Bottom
 OlCh Member is Offline
 Posted: 19-02-2006, 14:31 (post 2, #552715)

риполов-любитель

Group: News makers
Posts: 12604
Warn:0%-----
thanks to runo, thanks to other friends :)

user posted image

by server_alliance

Peter Gabriel - Peter Gabriel (1-Car)
Hibryd Stereo SACD SAPGCD 1 1


Review by Stephen Thomas Erlewine
Peter Gabriel tells why he left Genesis in "Solsbury Hill," the key track on his 1977 solo debut. Majestically opening with an acoustic guitar, the song finds Gabriel's talents gelling, as the words and music feed off each other, turning into true poetry. It stands out dramatically on this record, not because the music doesn't work, but because it brilliantly illustrates why Gabriel had to fly on his own. Though this is undeniably the work of the same man behind The Lamb Lies Down on Broadway, he's turned his artiness inward, making his music coiled, dense, vibrant. There is still some excess, naturally, yet it's the sound of a musician unleashed, finally able to bend the rules as he wishes. That means there are less atmospheric instrumental sections, as there were on his last few records with Genesis, but unhinged bizarreness in the arrangements, compositions, and productions, as the opener "Morbund the Burgermeister" vividly illustrates. He also has turned sleeker, sexier, capable of turning out a surging rocker of "Modern Love." If there is any problem with Peter Gabriel, it's that Gabriel is trying too hard to show the range of his talents, thereby stumbling occasionally with the doo wop-to-cabaret "Excuse Me" or the cocktail jazz of "Waiting for the Big One" (or, the lyric "you've got me cookin'/I'm a hard-boiled egg" on "Humdrum"). Still, much of the record teems with invigorating energy (as on "Slowburn," or the orchestral-disco pulse of "Down the Dolce Vita"), and the closer "Here Comes the Flood" burns with an anthemic intensity that would later become his signature in the '80s. Yes, it's an imperfect album, but that's a byproduct of Gabriel's welcome risk-taking -- the very thing that makes the album work, overall.


user posted image
PM Email Poster
Top Bottom
 Seventh Member is Offline
 Posted: 19-02-2006, 15:59 (post 3, #552748)

Pro Member

Group: Members
Posts: 817
Warn:0%-----
Большое спасибо!
PM Email Poster
Top Bottom
 runo Member is Offline
 Posted: 20-09-2007, 18:09 (post 4, #780375)

Pro Member

Group: Members
Posts: 763
Warn:0%-----
Послушал сегодня DSD слой... класс!
Басовый барабан на 2-м треке - прямо в комнате! Настолько реально!
Here Comes the Flood - просто шедевр! Прям-таки представляешь надвигающийся Потоп!... Стремно...! :-)
PM Email Poster
Top Bottom
 blade2k Member is Offline
 Posted: 19-12-2013, 11:38 (post 5, #1085598)

Юнга
Group: Netlab Soldier
Group: Netlab Soldier
Posts: 1749
Warn:0%-----
PM Email Poster
Top Bottom
Topic Options