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Артист: Howard Jones Альбом: Human's Lib, 1984 Издатель: WEA/ELEKTRA / 2292-40335-2 Жанр: synth pop, new wave, pop rock Формат файла: flac, cue, log, jpg, rar/326,88 MB Ссылка: CD 8 clicks Нахождение: eDonkey/Kademlia

Tracklist:
1. Conditioning 4:34
2. What Is Love? 6:33
3. Pearl in the Shell 4:01
4. Hide and Seek 5:39
5. Hunt the Self 3:43
6. New Song 4:15
7. Don't Always Look at the Rain 4:13
8. Equality 4:29
9. Natural 4:27
10. Human's Lib 4:04
11. China Dance 3:50

Line Up:
Howard Jones - Synthesizer, Keyboards, Vocals
Davey Payne - Saxophone
Stephen W. Tayler - Saxophone, Producer, Engineer
Rupert Hine - Producer
Ben Rogan - Engineer
Colin Thurston - Producer, Engineer

QUOTE

Biography by Stephen Thomas Erlewine (AMG) Howard Jones was one of the defining figures of mid-'80s synth-pop. Jones' music merged the technology-intensive sound of new wave with the cheery optimism of hippies and late-'60s pop. Jones racked up a string of hits in the mid- and late '80s before he retreated into being a cult figure in the '90s. A native of Southampton, England, Jones learned how to play piano at the age of seven. By the time he was a teenager, his family had relocated to Canada, which is where he joined his first band, a progressive-rock group called Warrior. Eventually, Jones moved back to England, where he played in a number of different groups. In the mid-'70s, he enrolled in the Royal Northern College of Music. After he dropped out of college, he played with a variety of local Southampton jazz and funk bands. Eventually, Jones began performing as a solo artist. At these solo shows, Jones performed only with synthesizers and drum machines. For these one-man concerts, Jones had a mime called Jed Hoile perform. After a few years of solo performing, Jones attracted the attention of John Peel, who offered the keyboardist a BBC session. Soon, Jones was opening for new wave synth-pop acts across England. By 1983, he had signed with WEA in England and Europe; in America, he signed to Elektra. Howard Jones released his first single, "New Song," in England in the fall of 1983 and it became a big hit, peaking at number three. His second single, "What Is Love," was released a few months later and it reached number two. Humans Lib, Jones' debut album, was released in the spring of 1984 and quickly rose to number one in England. Thanks to repeated exposure on MTV, the album became a moderate hit in the U.S. Later in 1984, "New Song" and "What Is Love" became American Top 40 hits, while "Pearl in the Shell" became his third British Top Ten single. In 1985, Jones phased Hoile out of his live show, formed a touring band, and released his second album, Dream into Action. The record became his most successful album, reaching number ten and going platinum in the U.S. and spawning the hit singles "Things Can Only Get Better," "Like to Get to Know You Well," "Life in One Day," and "Look Mama." In the spring of 1986, he released Action Replay, an EP of remixes that featured a new version of "No One Is to Blame" from Dream into Action. "No One Is to Blame" became Jones' biggest U.S. hit, peaking at number four. The relatively weaker chart placement of number 16 in the U.K. was indicative of his future in England -- his next single, "You Know I Love You...Don't You?," taken from his third album One to One, became his last British Top 40 hit. Jones released his fourth album, Cross That Line, in the spring of 1989. The first single from the album, "Everlasting Love," became a number one adult contemporary hit in America, reaching number 13 pop. However, the album stalled at number 65. Jones returned three years later with In the Running, a set that saw him abandoning synthesizers for piano. The album didn't make the charts. Following the release of The Best of Howard Jones in 1993, Elektra dropped him. Instead of seeking a new record contract with another major label, Jones hit the road in 1994, performing acoustic shows. At the 1994 shows, he sold Working in the Backroom -- an album he recorded at his home studio and released on his own label, Dtox Records -- at his concerts. For the next two years, Jones continually toured America and Europe. In 1996, he released Live Acoustic America on PLM Records; People followed two years later. Three live albums - 2000's Perform '00, 2001's Perform '01, and 2002's The Peaceful Tour - were released before 2005's Revolution of the Heart offered fans some new material. ----------------------------------------------------------- Review by Mike DeGagne (AMG) Human's Lib is fueled by the nonstop synth-pop hooks and brightly textured melodies that went on to be a trademark of Howard Jones. His brand of spirited keyboard-and-lyric exuberance lent itself to a large part of the mid-'80s, especially in Britain. The tracks on Human's Lib are energetic and colorful, coming to life the best on "New Song," a number 27 hit for Jones in the U.S., and on the finely structured "What Is Love?," which gave him the number 33 spot on the singles chart four months later. While both of these songs rested at the bottom end of Billboard's Top 40, they went to number three and number two, respectively, in the U.K., with the album going all the way to number one, proving that his techno-pop stylings were better-appreciated on his side of the Atlantic. Outside of the singles, the album still holds well, with efforts like "Hide and Seek," "Conditioning," and "Pearl in the Shell" following through with a buoyant but orderly techno-pop keenness mustered through his clean use of the synthesizer. Although 1985's Dream Into Action is tighter both musically and lyrically, Human's Lib acts as a well-grounded starting point for Jones' future success.

Rip info:

QUOTE

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007 EAC extraction logfile from 14. November 2007, 18:48 Howard Jones / Human's Lib Used drive : _NEC DVD_RW ND-3540A Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.32 | 4:34.18 | 32 | 20599 2 | 4:34.50 | 6:32.65 | 20600 | 50064 3 | 11:07.40 | 4:01.30 | 50065 | 68169 4 | 15:08.70 | 5:38.55 | 68170 | 93574 5 | 20:47.50 | 3:42.72 | 93575 | 110296 6 | 24:30.47 | 4:15.30 | 110297 | 129451 7 | 28:46.02 | 4:12.63 | 129452 | 148414 8 | 32:58.65 | 4:28.52 | 148415 | 168566 9 | 37:27.42 | 4:27.08 | 168567 | 188599 10 | 41:54.50 | 4:04.27 | 188600 | 206926 11 | 45:59.02 | 3:49.65 | 206927 | 224166 Range status and errors Selected range Filename D:\Howard Jones\1984 - Human's Lib\Howard Jones - Human's Lib.wav Peak level 100.0 % Range quality 99.9 % Copy CRC 6F007078 Copy OK No errors occurred AccurateRip summary Track 1 cannot be verified as accurate (confidence 4) [7A42F8A3], AccurateRip returned [3F2A2583] Track 2 cannot be verified as accurate (confidence 4) [C13D1377], AccurateRip returned [6CF1B9FA] Track 3 cannot be verified as accurate (confidence 4) [2355636E], AccurateRip returned [49B01081] Track 4 cannot be verified as accurate (confidence 4) [1D33A28E], AccurateRip returned [3758B7AB] Track 5 cannot be verified as accurate (confidence 4) [6A21969E], AccurateRip returned [60A04113] Track 6 cannot be verified as accurate (confidence 4) [803486AF], AccurateRip returned [0FE3447F] Track 7 cannot be verified as accurate (confidence 4) [4A3CC1E8], AccurateRip returned [51FEED31] Track 8 cannot be verified as accurate (confidence 4) [0E7BFA75], AccurateRip returned [02106C3C] Track 9 cannot be verified as accurate (confidence 4) [C2216540], AccurateRip returned [20466669] Track 10 cannot be verified as accurate (confidence 4) [5A456BD6], AccurateRip returned [4E178BB1] Track 11 cannot be verified as accurate (confidence 4) [050960EE], AccurateRip returned [AB58651A] No tracks could be verified as accurate You may have a different pressing from the one(s) in the database End of status report

This post has been edited by fozzie on 17-11-2007, 23:24

Rip info: