During the 18th century, one of the most common types of oratorio was the Austria sepolcro, usually meant to be produced between Good Friday and Easter Sunday. While it competed with more normal oratorios, this genre was meant to conform to a more esoteric style, with principal figures often expounding reflections on the crucifixion rather than, say, those that contain the action and real plots found in normal Italian oratorios or Passions from Lutheran areas. These are probably the true descendants of the 17th-century Roman oratorios by Carissimi and others, in that they retain a didactic function and were truly seasonal. For Jan Dismas Zelenka, the opportunity to compose in this genre was relatively rare, but following the marriage of his patron, August the Strong of Saxony, to Hapsburg princess Maria Josepha in 1719, the composer gained access to the Bohemian Estates, which meant that commissions for sepolcri were forthcoming from time to time and even began to be appreciated in Dresden after 1724. By the time he reached the zenith of his own career in the 1730s, Zelenka was happily able to write all manner of Catholic church music for a variety of patrons in both Bohemia and Saxony, of which several sepolcri are not only fully representative of his mature style, they are exemplars of some of the best written during the entire period.
SPOILER (EAC)
SPOILER (EAC WV)
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Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 7. November 2012, 23:18
Collegium 1704, Vaclav Luks / Zelenka - I Penitenti al Sepolchro del Redentore ZWV 63
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo
Filename Z:\NetLab\Zelenka - I Penitenti al Sepolchro del Redentore ZWV 63 (Collegium 1704, Vaclav Luks) (2009) {Zig Zag Territoires, ZZT090803}\Zelenka - I Penitenti al Sepolchro del Redentore ZWV 63.wav
Peak level 94.7 % Extraction speed 5.1 X Range quality 99.9 % Test CRC ED0FB22D Copy CRC ED0FB22D Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [2D2B46E8] (AR v2) Track 2 accurately ripped (confidence 3) [B1D00027] (AR v2) Track 3 accurately ripped (confidence 3) [CA190499] (AR v2) Track 4 accurately ripped (confidence 3) [F50DBEFA] (AR v2) Track 5 accurately ripped (confidence 3) [36C2C331] (AR v2) Track 6 accurately ripped (confidence 3) [62A83D42] (AR v2) Track 7 accurately ripped (confidence 3) [4A932020] (AR v2) Track 8 accurately ripped (confidence 3) [F4E65C3B] (AR v2) Track 9 accurately ripped (confidence 3) [E5C97448] (AR v2) Track 10 accurately ripped (confidence 3) [54809E4B] (AR v2) Track 11 accurately ripped (confidence 3) [55A4FC29] (AR v2) Track 12 accurately ripped (confidence 3) [36348C0C] (AR v2) Track 13 accurately ripped (confidence 3) [A7B97FA1] (AR v2)
EAC extraction logfile from 7. November 2012, 22:00
Collegium 1704, Vaclav Luks / Zelenka - I Penitenti al Sepolchro del Redentore (ZWV 63)
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track
Used output format : User Defined Encoder Selected bitrate : 896 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
REM GENRE "Classical" REM DATE 2009 REM DISCID AF10CC0D REM COMMENT "ExactAudioCopy v1.0b2" PERFORMER "Collegium 1704, Vaclav Luks" TITLE "Zelenka - I Penitenti al Sepolchro del Redentore ZWV 63" FILE "Collegium 1704, Vaclav Luks - Zelenka - I Penitenti al Sepolchro del Redentore ZWV 63.wv" WAVE TRACK 01 AUDIO TITLE "Adagio - Andante - Adagio (Sinfonia)" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Aria Davidde - Squarcia le chiome" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 07:33:19 TRACK 03 AUDIO TITLE "Recitativo secco Davidde - Tramontata è la Stella" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 17:40:32 TRACK 04 AUDIO TITLE "Recitativo accompagnato Maddalena - Oime, quasi nel campo" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 18:48:17 TRACK 05 AUDIO TITLE "Aria Maddalena - Del mio amor, divini sguardi" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 20:07:72 TRACK 06 AUDIO TITLE "Recitativo secco Pietro - Quai la dispersa greggia" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 31:06:42 TRACK 07 AUDIO TITLE "Aria Pietro - Lingua perfida" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 32:44:22 TRACK 08 AUDIO TITLE "Recitativo secco Maddalena - Per la traccia del sangue" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 38:58:51 TRACK 09 AUDIO TITLE "Aria Maddalena - Da vivo tronco aperto" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 39:53:66 TRACK 10 AUDIO TITLE "Recitativo accompagnato Davidde - Questa che fu possente" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 51:50:14 TRACK 11 AUDIO TITLE "Aria Davidde - Le tue corde, arpe sonora" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 53:14:39 TRACK 12 AUDIO TITLE "Recitativo. Tributo accetto più, più grato dono, Al divin nostro amante, Qual io soleva un tempo" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 61:45:17 TRACK 13 AUDIO TITLE "Coro e Aria Davidde - Miserere mio Dio" PERFORMER "Collegium 1704, Vaclav Luks" INDEX 01 64:18:31
Pr3ss, композитор Этилен де Сент-Экстази внёс, прямо скажем, заметную лепту в мировое наследие современного классического искусства звкоизвлечения, если исходить из удельного количества пользы, экстрактированного в пропорции 1:100 на дущу населения здравомыслящего и нездравослышащего конгломерата переселённых душ в наше такое неоднозначное время крепких и даже великих свершений задним умом эээээммм, я понятно излагаю? 0_О))
This post has been edited by Kocegub on 14-11-2012, 10:59
arizonadream мнение Вашего чрезмерно психотерапевтического мышления, отягчённое приверженностью к медикаментозным способам решения проблем высосанных из пальца, вряд ли занитересует настоящего Чебурашку, коим, я искренне на это надеюсь, и явлется глубокоуважаемый Pr3ss а посему падите вон кто - я? да - вИ
ну иииииии...шо я этим собственно хател сказать? О_о) забыл
This post has been edited by Kocegub on 14-11-2012, 00:14
Pr3ss этот мифический автор приходит далеко не ко всем, но и даже к тем, кому к немногим, не всякий раз, уже не говорю о капризах временного континиуума, в котром он не то обретает, не то обитает ___________________________________________________________________
arizonadream ЗВЕЗДУ..Аризоне_Дримычу_Колесникову и пусть каждый здесь задастся непростым вопросом - "а почему, собственно, Колесников"? может колЁсников? или даже колесОв?