> [found] PJ Harvey, DRY
 eShiva Member is Offline
 Posted: 09-07-2004, 00:55 (post 1, #279866)

Addicted

Group: Members
Posts: 845
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Артист:PJ Harvey
Альбом:DRY, 1992
Жанр:Rock (Singer/Songwriter, Alternative Pop/Rock, Indie Rock)
Формат файла:eac.ape
Ссылка:CD 0 clicks
Нахождение:eDonkey
Примечание:ripped by mazucca; reliesed by elsz from shareconnector int. forum

Amazon.com essential recording
Dry is the cornerstone of the 1990s "women in rock" movement. To paraphrase what Lou Reed said about the Velvet Underground: Not many people bought the album, but those who did formed a band. The attraction is unmistakable: bluesy riffs played with punk-rock energy suddenly crash to a hush, while Harvey's desperate wails become fatigued moans. What is she so hung up about? Well, in the spirit of the Stones, love and hope and dirty dreams and sex and sex and sex. Through the raucous "Oh My Lover" and "Joe," Harvey airs her laundry quite loudly but never loses her wit, as "Sheela-Na-Gig," which features the mantra "I'm gonna wash that man right outta my hair / I'm gonna take my hips to a man who cares," attest. --Bill Crandall

1. Oh My Lover
2. O Stella
3. Dress
4. Victory
5. Happy and Bleeding
6. Sheela-Na-Gig
7. Hair
8. Joe
9. Plants and Rags
10. Fountain
11. Water

Topic Link: Polly Jean Harvey & John Parish

-- thanks to mazucca who responded to our request

AMG:
Polly Jean Harvey arrives fully formed as a songwriter on PJ Harvey's debut album, Dry. Borrowing its primitive attack from post-punk guitar-rock and its form from the blues, Dry is a forceful collection of brutally emotional songs, highlighted by Harvey's deft lyricism and startling voice, as well as her trio's muscular sound. Her voice makes each song sound like it was an exposed nerve, but her lyrics aren't quite that simple. Shaded with metaphors and the occasional Biblical allusion, Dry is essentially an assault on feminine conventions and expectations, and while there are layers of dark humor, they aren't particularly evident, since Harvey's singing is shockingly raw. Her vocals are perfectly complemented by the trio's ferocious pounding, which makes even the slow ballads sound like exercises is controlled fury. And that's the key to Dry: the songs, which are often surprisingly catchy — "Dress" and "Sheela-Na-Gig" both have strong hooks — are as muscular and forceful as the band's delivery, making the album a vibrant and fully realized debut. — Stephen Thomas Erlewine

будем надеяться на продолжение: Rid Of Me; Is This Desire.


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