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Артист: Deep Purple Альбом: Deep Purple, 1969 Жанр: Rock Формат файла: EAC/FLAC/CUE/LOG обложки Ссылка: CD 15 clicks Нахождение: eDonkey/Kademlia Примечание: Remaster 2000 EMI

Возвращаемся в который раз к Deep Purple.
Cпасибо друзьям за файл.
Добыто в мулосети, не в "американском" торренте.

EAC extraction logfile from 00. 00 0000, 00:00 for CD
Deep Purple / Deep Purple (Remastered 2000)

Used drive : 00 Adapter: 3 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Range status and errors
Selected range
Filename _CDImage.wav

Peak level 99.3 %
Range quality 100.0 %
CRC 47FAAEFB
Copy OK

No errors occured

End of status report

Спасибо! Интересно будет послушать, помнится простенький такой был альбомчик, мелодичный, очень мало от привычных DP

Наконец-то эта дырка будет закрыта!

retro, трудно его простеньким назвать... Но Lalena и April - ну очень мелодичные!

простен#кий - не простенький, но класснейший альбом, один april чего стоит.
дальше они пошли уже в другом составе прямейшей дорой хард-рока



Review by Bruce Eder
This is a record that this reviewer can listen to two or three times in one sitting, and he's not even much of a Deep Purple fan — but then, Deep Purple wasn't much like any other album that the group ever issued. Actually, Deep Purple was highly prized for many years by fans of progressive rock, and for good reason. The group was going through a transition — original lead singer Rod Evans and bassist Nick Simper would be voted out of the lineup soon after the album was finished (although they weren't told about it until three months later), organist Jon Lord and guitarist Ritchie Blackmore having perceived limitations in their work in terms of where each wanted to take the band. And between Lord's ever-greater ambitions toward fusing classical and rock and Blackmore's ever-bolder guitar attack, both of which began to coalesce with the session for Deep Purple in early 1969, the group managed to create an LP that combined heavy metal's early, raw excitement, intensity, and boldness with progressive rock's complexity and intellectual scope, and virtuosity on both levels. On "The Painter," "Why Didn't Rosemary," and, especially, "Bird Has Blown," they strike a spellbinding balance between all of those elements, and Evans' work on the latter is one of the landmark vocal performances in progressive rock. "April," a three-part suite with orchestral accompaniment, is overall a match for such similar efforts by the Nice as the "Five Bridges Suite," and gets extra points for crediting its audience with the patience for a relatively long, moody developmental section and for including a serious orchestral interlude that does more than feature a pretty tune, exploiting the timbre of various instruments as well as the characteristics of the full ensemble. Additionally, the band turns in a very successful stripped-down, hard rock version of Donovan's "Lalena," with an organ break that shows Lord's debt to modern jazz as well as classical training. In all, amid all of those elements — the orchestral accompaniment, harpsichord embellishments, and backward organ and drum tracks — Deep Purple holds together astonishingly well as a great body of music; this is one of the most bracing progressive rock albums ever — and a successful vision of a musical path that the group might have taken but didn't. Ironically, the group's American label, Tetragrammaton Records, which was rapidly approaching bankruptcy, released this album a lot sooner than EMI did in England, but ran into trouble over the use of the Heironymus Bosch painting "The Garden of Earthly Delights" on the cover; though it has been on display at the Vatican, the work was wrongly perceived as containing profane images and never stocked as widely in stores as it might've been. The 2000 remastered edition on the Spitfire label, by way of EMI, sounds magnificent and offers five bonus tracks: a killer hard rock B-side, "Emmaretta," showcasing a slashing Ritchie Blackmore guitar break, and a looser, more flowing BBC-recorded version of the latter song, plus "Lalena" and "The Painter" and a harder alternate take of "The Bird Has Flown."

Вопрос возник... от чего зависит "Peak Level" так как в моём логе другое значение?

Или всё-таки кто-то написал в логе заместо нуля - девятку? А может весь лог "подправил"

This post has been edited by Гордый on 11-08-2006, 19:26

если бы я "подправлял", то наоборот - уменьшил бы, не люблю когда громко
а в принципе эт не имеет никакого значения, но ясное дело, если человек рипнул свой диск, то у него кое-где свербит очень и будет приколупываться как милиционер к столбу

Ясное дело, значения почти не имеет какой лог кто нарисует имелось в виду насколько можно доверять что рип правильный?

This post has been edited by Гордый on 12-08-2006, 07:09

неее, имелось в виду, что никто цифровых значений не подправлял, может издание другое, потому и уровень разный, а так как CRC сходится, значит рип правильный

ты бы лучше опрос устроил, народ проголосует чего хочет. может три первых альбома с полными картинками, пр. и не помешает

Очень даже не помешают!!! Особенно с полными картинками!!!

This post has been edited by vvt on 14-08-2006, 13:13