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   Berlioz - Requiem (Op. 5) Boston Symmphony Orchestra Munch, Living Stereo RCA Read Seal (Original 3 track recording) 2СD
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 Djubei Member is Offline
 Posted: 09-08-2007, 20:51 (post 1, #770660)

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Boston Symphony Orchestra - Berlioz Requiem
Артист: Boston Symphony Orchestra
Альбом: Berlioz Requiem, 2005
Издатель: RCA Red Seal / 82876 66373 2
Жанр: Classical, chorus, tenor
Формат файла: EAC/WV/CUE/LOG/Covers/TAGS/ISO
Ссылка 1: CD 1 77 clicks
Ссылка 2: CD 2 61 clicks
Нахождение: eDonkey/Kademlia
Примечание: нате
TRACKLIST
 1. Requiem aeternam
 2. Kyrie
 3. Dies irae. Prosa
 4. Tuba mirum
 5. Quid sum miser
 6. Rex tremendae
 7. Quaerens me
 8. Lacrymosa
 9. Offertorium. Domine Jesu Christe
10. Hostias et preces
11. Sanctus / Hosanna in excelsis / Sanctus / Hosanna in excelsis
12. Agnus Dei


P.S. Самый большой буклет, который я встречал в серии. второй диск пойдет чуть позже


This post has been edited by Djubei on 16-08-2007, 18:26
Please take a second to encourage releaser for all his hard work, press 'Thanks' button
The following members said 'Спасибо!': alex27, nikanuf, OlCh, Гордый, desmes, Arzy, link96, doremi, sri2417, ronis, pablo_linx, minios
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 Djubei Member is Offline
 Posted: 09-08-2007, 20:53 (post 2, #770662)

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CODE
EAC extraction logfile from 9. August 2007, 21:32 for CD
Lйopold Simoneau, Boston Symphony Orchestra - Charles Munch / Berlioz, H. ~ OP5 Requiem

Used drive  : CREATIVEDVD-ROM DVD1610E  Adapter: 1  ID: 0
Read mode  : Secure with NO C2, accurate stream, disable cache
Read offset correction : 594
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
                    44.100 Hz; 16 Bit; Stereo

Other options      :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Installed external ASPI interface


Range status and errors
Selected range
    Filename C:\Documents and Settings\Пользователь\Рабочий стол\cow\Lйopold Simoneau, Boston Symphony Orchestra - Charles Munch - Berlioz, H. ~ OP5 Requiem.wav

    Peak level 91.4 %
    Range quality 100.0 %
    CRC AAB1C6A8
    Copy OK

No errors occured

End of status report


QUOTE
Composition Description by Blair Johnston

The instrumental forces alone demand that we step back and look at Hector Berlioz Grand Messe des morts, Op. 5 (Requiem) a little differently than we might look at another composition - even another large-scale, theatrical composition - from the 1830s: in addition to the usual large orchestra and chorus, Berlioz calls for no fewer than 16 timpani and four extra brass choirs! When the French ministry of the interior commissioned a requiem mass from Berlioz in 1837 and decreed that the conservative conductor Francois-Antoine Habeneck would lead the December 5 first performance of the work, they can hardly have had such a thing in mind (nobody had yet ever even conceived of an instrumentation like that before, certainly not for indoor use); but Berlioz, through all his many ups and downs as a composer, was never one to suppress his fiery sense of the dramatic (as fiery as his bright red hair, so the stories go), and, in the end, even Habeneck - who, according to a not impartial Berlioz, tried his best to ruin the Requiem's premiere - had to admire the spark of genius and the sheer spunk that it took to put that thing on paper. Today the Requiem is Berlioz's second-most famous work, behind the Symphony Fantastique, though, as one might imagine from its performance requirements, it is not his second-most frequent visitor to the concerthall (or the cathedral, as the case might be).

Berlioz's Grand Messe des morts, scored for orchestra, tenor soloist, and SSTTBB chorus plus the extra forces listed above, is in ten sections and runs in excess of an hour and a quarter. Not all of its music is massive (the extra forces explode onto the scene in the Tuba mirum portion of the Dies irae sequence in No. 2 and then disappear), and indeed much of it is quite intimate - for example the slender No. 3 Quid sum miser, which immediately follows the outburst in No. 2, or the opening of No. 9 Sanctus, which features the solo tenor. And the Requiem ends in absolute tenderness, the Lamb of God (No. 10 Agnus Dei) having taken away the sins of the world and accepted the dead into a new world, of which we mortals can hear only vague echoes - timpani strokes left over from the explosive Last Judgment held earlier in the mass, now distant and gentle.
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 Djubei Member is Offline
 Posted: 11-08-2007, 11:23 (post 3, #771036)

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хотелось бы мнение скачавших узнать. о музыке, о записи...вроде не оффтоп
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 OlCh Member is Offline
 Posted: 11-08-2007, 15:47 (post 4, #771071)

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вот тебе моё мнение - пусть подольше в наших дома не звучит такая музыка :w00t:
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 ns38 Member is Offline
 Posted: 11-08-2007, 15:50 (post 5, #771073)

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QUOTE (OlCh @ 11-08-2007, 16:47)
вот тебе моё мнение - пусть подольше в наших дома не звучит такая музыка :w00t:
Что, не понравилось? :p:
Только собрался качать :lol:
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 Djubei Member is Offline
 Posted: 11-08-2007, 17:58 (post 6, #771102)

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ну второй диск я все таки выложу.
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 night-jar Member is Offline
 Posted: 11-08-2007, 18:25 (post 7, #771108)

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Я как спец по страдальной музыке, OlCh в курсе :D:
Первый диск утянул,послушал, нудно в плане звуковоой сцены,хор поет как - будто его ватой закутали... :drag: :hi:
Спасибо,но 2 качать не стану....
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 OlCh Member is Offline
 Posted: 11-08-2007, 19:45 (post 8, #771132)

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QUOTE (night-jar @ 11-08-2007, 16:25)
Я как спец по страдальной музыке, OlCh в курсе :D:
я так думаю, что кое-кто с тещей проживает :crazy:
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 OlCh Member is Offline
 Posted: 11-08-2007, 19:49 (post 9, #771133)

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QUOTE (night-jar @ 11-08-2007, 16:25)
нудно в плане звуковоой сцены,хор поет как - будто его ватой закутали...
всё правильно там - хор как бы в заоблачной высоте. а весёлого что может быть в реквиемах? :actu:
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 night-jar Member is Offline
 Posted: 11-08-2007, 21:32 (post 10, #771153)

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QUOTE (OlCh @ 11-08-2007, 19:49)
QUOTE (night-jar @ 11-08-2007, 16:25)
нудно в плане звуковоой сцены,хор поет как - будто его ватой закутали...
всё правильно там - хор как бы в заоблачной высоте. а весёлого что может быть в реквиемах? :actu:
Аааа.. Скачал все -таки послушал. :laugh: Точно,тема раскрыта! Ты более точно,передал словами атмосферу,чем я.... :D: Это не вата а облака. :p:
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 Гордый Member is Offline
   Posted: 12-08-2007, 07:17 (post 11, #771223)

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Я смотрю мало кто из писавших здесь дослушали диск до конца... :actu:
Послушайте вторую часть Dies Irae и полностью Rex Tremendae и вы будете ещё сильно удивлены - чего вы там написали? :diablo:
А в Quaerens me женская часть хора так затягивали душевно - что я аж прослезился... :blash: :music2: :angel2:

Вещь! Даёшь вторую часть, Djubei! :mol:
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 OlCh Member is Offline
 Posted: 12-08-2007, 10:05 (post 12, #771231)

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QUOTE (OlCh @ 11-08-2007, 13:47)
...пусть подольше в наших дома не звучит такая музыка :w00t:
для самых сообразительных - повтор :laugh:
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 night-jar Member is Offline
 Posted: 12-08-2007, 10:40 (post 13, #771233)

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QUOTE (OlCh @ 12-08-2007, 10:05)
QUOTE (OlCh @ 11-08-2007, 13:47)
...пусть подольше в наших дома не звучит такая музыка :w00t:
для самых сообразительных - повтор :laugh:
Лучше в соборе орган послушать! :hand:
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 Djubei Member is Offline
 Posted: 16-08-2007, 18:27 (post 14, #772299)

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Раз уж начал выкладывать, то и закончу. Ибо произведение должно быть цельное. а народ уж сам решит....

ссылка в шапке

This post has been edited by Djubei on 16-08-2007, 18:29
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 Arzy Member is Offline
 Posted: 28-10-2011, 00:51 (post 15, #1033218)

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первый еле вытянул, второй вообще без источника, :(
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