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Артист: Howard Hanson - Eastman-Rochester Orchestra Альбом: Bloch - Concertos Grosso 1 & 2, Schelomo, 1991 Издатель: Mercury Living Presence / 432718 Жанр: Classical, Orchestral Music Формат файла: eac-cue-log-wv-scan-iso Ссылка: CD 33 clicks Нахождение: eDonkey/Kademlia

thanks to original releaser and my friends

On this CD:

QUOTE

1. Concerto Grosso No.1, for string orchestra & piano Composed by Ernest Bloch Performed by Eastman-Rochester Pops Orchestra Conducted by Harold Lawrence, Howard Hanson 2. Concerto Grosso No.2, for string quartet & strings Composed by Ernest Bloch Performed by Eastman-Rochester Pops Orchestra Conducted by Howard Hanson 3. Schelomo, rhapsody for cello & orchestra (or piano) Composed by Ernest Bloch Performed by Eastman-Rochester Pops Orchestra with Georges Miquelle Conducted by Howard Hanson

Wings across the years, July 6, 2000
By A Customer
These extraordinary performances recorded at the Eastman Theatre, Rochester, in the late 50s, show no sign of fading. In aesthetic, presentation and sound, they are as fresh and vital as when they first came out...and I remember when they did, about 1960.
The greater part of the accolades, of course, go to Howard Hanson, whose tenacity and talent changed how the USA and the world looked at and listened to American music. Here he is in top form before the outstanding ensemble he built. In the concerti, the point and attack so necessary in Bloch is there, the virtusoity is there, the songfulness and emotion most definitely there. What's remarkable is that Hanson doesn't make a point of it...his Bloch aesthetic is by now so ingrained in our collective conscience that imagining a slack performance of any Bloch piece is brainwork, indeed.
The outstanding Miquelle works into the scheme very well, too. His Schelomo is the meditative king that eschews the rhetoric, bluster, bounce and noise we often get in the work. His Gallic tone is intimate, pure, on point, and even diminuitive at times without in any way being retiring or pusilanimous. He and Hanson stick very close to the music and by doing less, they express more. Miquelle and Hanson's way won't appeal to those who seek "virtuosismo", but will reward those who seek Bloch's creative thought and compositional process. In that way, it's a unique and extraordinary performance.
If you don't know Bloch, this is a superlative way to start (my third grade music teacher played these performances on a Magnavox console for us kids and we immediately loved the music). Thanks to Wilma Cozart for refurbing her own sessions so effectively, and Mercury for bringing back these historic performances for more generations to experience.

Wings across the years, July 6, 2000
By A Customer
These extraordinary performances recorded at the Eastman Theatre, Rochester, in the late 50s, show no sign of fading. In aesthetic, presentation and sound, they are as fresh and vital as when they first came out...and I remember when they did, about 1960.
The greater part of the accolades, of course, go to Howard Hanson, whose tenacity and talent changed how the USA and the world looked at and listened to American music. Here he is in top form before the outstanding ensemble he built. In the concerti, the point and attack so necessary in Bloch is there, the virtusoity is there, the songfulness and emotion most definitely there. What's remarkable is that Hanson doesn't make a point of it...his Bloch aesthetic is by now so ingrained in our collective conscience that imagining a slack performance of any Bloch piece is brainwork, indeed.
The outstanding Miquelle works into the scheme very well, too. His Schelomo is the meditative king that eschews the rhetoric, bluster, bounce and noise we often get in the work. His Gallic tone is intimate, pure, on point, and even diminuitive at times without in any way being retiring or pusilanimous. He and Hanson stick very close to the music and by doing less, they express more. Miquelle and Hanson's way won't appeal to those who seek "virtuosismo", but will reward those who seek Bloch's creative thought and compositional process. In that way, it's a unique and extraordinary performance.
If you don't know Bloch, this is a superlative way to start (my third grade music teacher played these performances on a Magnavox console for us kids and we immediately loved the music). Thanks to Wilma Cozart for refurbing her own sessions so effectively, and Mercury for bringing back these historic performances for more generations to experience.