John Coltrane Quartet - Ballads (1962), MFSL Gold UDCD 731
 yury_usa Member is Offline
 Posted: 17-10-2008, 01:06 (post 1, #860982)

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John Coltrane Quartet - Ballads
Артист: John Coltrane Quartet
Альбом: Ballads, 1962
Издатель: MFSL Gold / UDCD 731
Жанр: Jazz, Hard Bop
Формат файла: wv.iso.wv (NL+0801)
Ссылка 1: CD 1 178 clicks
Ссылка 2: CD 2
Нахождение: eDonkey/Torrent
Примечание: золотой нафталин :)
TRACKLIST
1. Say It (Over And Over Again)
2. You Don't Know What Love Is
3. Too Young To Go Steady
4. All Or Nothing At All
5. I Wish I Knew
6. What's New
7. It's Easy To Remember
8. Nancy (With The Laughing Face)

SPOILER (EAC Log)

SPOILER (AccurateRip)
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 yury_usa Member is Offline
 Posted: 17-10-2008, 01:06 (post 2, #860983)

меломан

Group: Prestige
Posts: 18020
Warn:0%-----
SPOILER (back cover)

Review (AMG)
Throughout John Coltrane's discography there are a handful of decisive and controversial albums that split his listening camp into factions. Generally, these occur in his later-period works such as Om and Ascension, which push into some pretty heady blowing. As a contrast, Ballads is often criticized as too easy and as too much of a compromise between Coltrane and Impulse! (the two had just entered into the first year of label representation). Seen as an answer to critics who found his work complicated with too many notes and too thin a concept, Ballads has even been accused of being a record that Coltrane didn't want to make. These conspiracy theories (and there are more) really just get in the way of enjoying a perfectly fine album of Coltrane doing what he always did -- exploring new avenues and modes in an inexhaustible search for personal and artistic enlightenment. With Ballads he looks into the warmer side of things, a path he would take with both Johnny Hartman (on John Coltrane and Johnny Hartman) and with Duke Ellington (on Duke Ellington and John Coltrane). Here he lays out for McCoy Tyner mostly, and the results positively shimmer at times. He's not aggressive, and he's not outwardly. Instead he's introspective and at times even predictable, but that is precisely Ballads' draw.
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