Off The Sky - The Geist Cycles (2007), WavPack - CUE, LOG, Covers
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 Posted: 18-10-2009, 18:39 (post 1, #919877)

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Off The Sky - The Geist Cycles
Артист: Off The Sky
Альбом: The Geist Cycles, 2007
Издатель: Databloem / DB07017
Жанр: Abstract, IDM, Experimental, Ambient, Downtempo, Minimal
Формат файла: WavPack (playable ZIP) - CUE, LOG, Covers embedded
Ссылка: CD 27 clicks
Нахождение: eDonkey/Kademlia
Примечание: To extract CUE, LOG and/or covers from this file, open it with WinZIP, WinRAR, or 7-Zip. For playback in separate tracks, open it in foobar2000.

TRACKLIST
 1. Fallopian Silent Film. . . . . . . . .3:00
 2. Saturday Morning Indoctrination. . . .6:26
 3. Mother's Milk Stain. . . . . . . . . .4:52
 4. Feather In A Needle. . . . . . . . . .3:32
 5. The Persistence Of Visions . . . . . .6:04
 6. Of Acids And Angels. . . . . . . . . .7:16
 7. Smoke Span . . . . . . . . . . . . . .2:22
 8. At The Foot Of An Eastern Elevator . .5:22
 9. Geist Taxi . . . . . . . . . . . . . .4:44
10. Waltzing The White Light . . . . . . .5:33

The Geist Cycles began as a series of live collaborations acting out a certain transmutation, that of life into the afterlife. Despite the artists intentions, however, there are other equally prominent transitions happening here: Jason Corder’s shift from ambient post-rock to his own kind of poly-linguistic Babel, for one, a unified multiplicity comprised of crystalline, harmonious note showers and clanking digital transmissions.
The somewhat coarse, rocky surfaces are scoured with strings and vaguely ominous pulses, which flesh them out with more subtlety. Without the sense that someone is working the faders and knobs, and without the sense that the music has the earthly heaviness of limbs, the translucent pieces are able to glide, undergoing changes in musical mood, pace and structure, but always conveying the same sort of non-place.
Inasmuch as the sound is generally rather fluid, all whirling glint, fizzling static and distinctive hums merging and separating in an impersonal yet somewhat singular manner, the intermittent inclusion of strings, piano and appropriated female voices stir the air with nature’s hallucinagenics and lends these otherwise indistinct atmospheres a touch of pathos. The album isn’t exploratory but instinctive, and in that it remains poised and understated throughout, resulting in Corder’s most intimate and enveloping electronic environment yet. ~ by Max Schaefer, Cyclic Defrost

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