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Disc 1
Disc 2
Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era...
TRACKLIST |
1. Second Hand News 2. Dreams 3. Never Going Back Again 4. Don't Stop 5. Go Your Own Way 6. Songbird 7. Silver Springs 8. The Chain 9. You Make Loving Fun 10. I Don't Want To Know 11. Oh Daddy 12. Gold Dust Woman |
Disc 2
TRACKLIST |
1. Second Hand News 2. Dreams 3. Brushes (Never Going Back Again) 4. Don't Stop 5. Go Your Own Way 6. Songbird 7. Silver Springs 8. You Make Loving Fun 9. Gold Dust Woman #1 10. Oh Daddy 11. Think About It 12. Never Going Back Again 13. Planets Of The Universe 14. Butter Cookie (Keep Me There) 15. Gold Dust Woman 16. Doesn't Anything Last 17. Mic The Screecher 18. For Duster (The Blues) |
SPOILER (pictures) |
SPOILER (log 1) |
Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 24. March 2011, 22:20 Fleetwood Mac / Rumours (1977) (cd1) (remaster) (expanded) Used drive : HL-DT-STDVDRAM_GSA-H60N Adapter: 3 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 896 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\wavpack.exe Additional command line options : -hlm %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:56.23 | 0 | 13222 2 | 2:56.23 | 4:17.60 | 13223 | 32557 3 | 7:14.08 | 2:14.30 | 32558 | 42637 4 | 9:28.38 | 3:13.26 | 42638 | 57138 5 | 12:41.64 | 3:43.46 | 57139 | 73909 6 | 16:25.35 | 3:20.61 | 73910 | 88970 7 | 19:46.21 | 4:48.59 | 88971 | 110629 8 | 24:35.05 | 4:30.16 | 110630 | 130895 9 | 29:05.21 | 3:36.47 | 130896 | 147142 10 | 32:41.68 | 3:16.64 | 147143 | 161906 11 | 35:58.57 | 3:56.18 | 161907 | 179624 12 | 39:55.00 | 4:55.47 | 179625 | 201796 Range status and errors Selected range Filename D:\FM '77\Fleetwood Mac - Rumours (1977) (cd1) (remaster) (expanded).wav Peak level 98.8 % Extraction speed 0.7 X Range quality 100.0 % Test CRC AD43CC9C Copy CRC AD43CC9C Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 15) [7B9A9CCA] Track 2 accurately ripped (confidence 15) [C8742087] Track 3 accurately ripped (confidence 15) [38205E01] Track 4 accurately ripped (confidence 15) [DC30395A] Track 5 accurately ripped (confidence 15) [A59109F0] Track 6 accurately ripped (confidence 15) [9C842086] Track 7 accurately ripped (confidence 15) [134EB265] Track 8 accurately ripped (confidence 15) [3EEBA161] Track 9 accurately ripped (confidence 15) [8CCF7E68] Track 10 accurately ripped (confidence 15) [1F5FAEDF] Track 11 accurately ripped (confidence 16) [7EB5AB33] Track 12 accurately ripped (confidence 15) [01696713] All tracks accurately ripped End of status report ==== Log checksum B306042F3EDC9A128711FD2039319B3C451B8091D090AB48B95308521C3E3DAF ==== |
SPOILER (log 2) |
Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 24. March 2011, 22:51 Fleetwood Mac / Rumours (Disc 2) (Roughs & Outtakes) [2004 Remaster] Used drive : HL-DT-STDVDRAM_GSA-H60N Adapter: 3 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 896 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\wavpack.exe Additional command line options : -hlm %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:47.40 | 0 | 12564 2 | 2:47.40 | 4:21.41 | 12565 | 32180 3 | 7:09.06 | 2:50.51 | 32181 | 44981 4 | 9:59.57 | 3:33.29 | 44982 | 60985 5 | 13:33.11 | 3:06.00 | 60986 | 74935 6 | 16:39.11 | 3:11.72 | 74936 | 89332 7 | 19:51.08 | 6:07.74 | 89333 | 116931 8 | 25:59.07 | 4:56.59 | 116932 | 139190 9 | 30:55.66 | 5:02.49 | 139191 | 161889 10 | 35:58.40 | 3:58.64 | 161890 | 179803 11 | 39:57.29 | 2:55.69 | 179804 | 192997 12 | 42:53.23 | 1:56.42 | 192998 | 201739 13 | 44:49.65 | 3:18.15 | 201740 | 216604 14 | 48:08.05 | 2:11.64 | 216605 | 226493 15 | 50:19.69 | 5:01.23 | 226494 | 249091 16 | 55:21.17 | 1:10.56 | 249092 | 254397 17 | 56:31.73 | 0:59.67 | 254398 | 258889 18 | 57:31.65 | 4:26.52 | 258890 | 278891 Range status and errors Selected range Filename D:\FM '77\Fleetwood Mac - Rumours (Disc 2) (Roughs & Outtakes) [2004 Remaster].wav Peak level 98.8 % Extraction speed 0.5 X Range quality 100.0 % Test CRC B3499EA9 Copy CRC B3499EA9 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 12) [7712775B] Track 2 accurately ripped (confidence 12) [396EC383] Track 3 accurately ripped (confidence 12) [BB27C54F] Track 4 accurately ripped (confidence 12) [D699035B] Track 5 accurately ripped (confidence 12) [D8882E90] Track 6 accurately ripped (confidence 12) [3BAB497D] Track 7 accurately ripped (confidence 12) [D69FE64B] Track 8 accurately ripped (confidence 12) [3B0C6BC3] Track 9 accurately ripped (confidence 12) [DAF224CB] Track 10 accurately ripped (confidence 12) [986B71EB] Track 11 accurately ripped (confidence 12) [DBD86D6D] Track 12 accurately ripped (confidence 12) [C7D6AF14] Track 13 accurately ripped (confidence 12) [584F07DB] Track 14 accurately ripped (confidence 12) [2B37FD1E] Track 15 accurately ripped (confidence 12) [881F9EA8] Track 16 accurately ripped (confidence 12) [B63FB742] Track 17 accurately ripped (confidence 12) [AA356C9D] Track 18 accurately ripped (confidence 12) [491504CB] All tracks accurately ripped End of status report ==== Log checksum 3798002A94A91D6457E2395C45558B186B237F84FAD37364DFBD946DA13BAF85 ==== |
Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era...
SPOILER (read more) |
... Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You're eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson's Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as "Go Your Own Way" an anthemic hit. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time. Rumours is built around a mix of acoustic and electric instrumentation. Buckingham's guitar work and Christine McVie's use of Fender Rhodes piano or Hammond B-3 organ are present in all tracks. The record often includes stressed drum sounds and distinctive percussion such as congas and maracas. It opens with "Second Hand News", originally an acoustic demo titled "Strummer". After hearing Bee Gees' "Jive Talking", Buckingham and co-producer Dashut built up the song with four audio tracks of electric guitar and the use of chair percussion to evoke celtic rock. "Dreams" includes "ethereal spaces" and a recurring two note pattern on the bass guitar.[17] Nicks wrote the song in five minutes and led the vocals, while the band played around her. The third track on Rumours, "Never Going Back Again", was also created as a simple acoustic demo, titled "Brushes"; Fleetwood Mac then added further instrumental audio tracks to make it more layered. Inspired by triple step dancing patterns, "Don't Stop" includes both conventional acoustic and tack piano. In the latter instrument, nails are placed on the points where the hammers hit the strings, producing a more percussive sound. "Go Your Own Way" is more guitar-oriented and has a four-to-the-floor dance beat influenced by The Rolling Stones' "Street Fighting Man". The album's pace slows down with "Songbird", conceived solely by Christine McVie using a nine foot Steinway piano |