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Disc reviews Tom Gibbs "Audiophile Audition"
Three of the works presented here are reconstructions that are based on a good deal of scholarly skullduggery over the latter part of the twentieth century. According to the author of the liner notes, Bach's keyboard concertos are "re-compositions," almost certainly based on earlier works for oboe, violin and strings, the scores of which have since been painstakingly reconstructed as presented here. The fourth work is a transcription by leader Alexei Utkin for oboe, flute and violin, and is rooted in the same research efforts. Regardless of how we arrived at this point, these recordings as presented on this disc from Russian label Caro Mitis represent the best of the best; while anyone familiar with Bach's keyboard concertos will immediately recognize their origins in these works, they possess a freshness and immediacy that are an absolute joy to listen to!
A quick read through the supplied technical information reveals that all the microphone amplification was custom built by Polyhymnia, with the DSD conversion by Meitner and Pyramix, and the proof is in the listening. These recordings just sparkle with life – they're among the most realistic, natural sounding SACDs I currently own. This is a superb effort from Caro Mitis, and as pleasantly surprised as I was with the elegant packaging and beautiful label art, the real treat came with listening to these excellent discs. I could keep piling on the superlatives, but I think you get the picture – these discs are a must-have, and very highly recommended!
Если диск понравился, КУПИТЕ поддержите Отечественного производителя :)
Disc reviews Tom Gibbs "Audiophile Audition"
Three of the works presented here are reconstructions that are based on a good deal of scholarly skullduggery over the latter part of the twentieth century. According to the author of the liner notes, Bach's keyboard concertos are "re-compositions," almost certainly based on earlier works for oboe, violin and strings, the scores of which have since been painstakingly reconstructed as presented here. The fourth work is a transcription by leader Alexei Utkin for oboe, flute and violin, and is rooted in the same research efforts. Regardless of how we arrived at this point, these recordings as presented on this disc from Russian label Caro Mitis represent the best of the best; while anyone familiar with Bach's keyboard concertos will immediately recognize their origins in these works, they possess a freshness and immediacy that are an absolute joy to listen to!
A quick read through the supplied technical information reveals that all the microphone amplification was custom built by Polyhymnia, with the DSD conversion by Meitner and Pyramix, and the proof is in the listening. These recordings just sparkle with life – they're among the most realistic, natural sounding SACDs I currently own. This is a superb effort from Caro Mitis, and as pleasantly surprised as I was with the elegant packaging and beautiful label art, the real treat came with listening to these excellent discs. I could keep piling on the superlatives, but I think you get the picture – these discs are a must-have, and very highly recommended!
| SPOILER (EAC) |
| SPOILER (CUE) |
| SPOILER (Back,CD) |
Если диск понравился, КУПИТЕ поддержите Отечественного производителя :)