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Personnel:
Rachel Podger (baroque violin)
Trevor Pinnock (harpsichord)
Jonathan Manson (viola da gamba)
Tracklisting:
Premier Concert
01. La Coulicam 3:25
02. La Livri 3:04
03. Le Vèzinet 3:26
Deuxième Concert
04. La Laborde 5:56
05. La Boucon 5:31
06. L'Agaçante 2:46
07. Premier Menuet En Rondeau / Deuxième Menuet En Rondeau 4:51
Troisième Concert
08. La La Plopliniere 3:54
09. La Timide, Premier Rondeau Gracieux / La Timide, Deuxième Rondeau 7:09
10. Premier Tambourin En Rondeau / Deuxième Tambourin En Rondeau 2:01
Quatrième Concert
11. La Pantomime 4:31
12. L'indiscrète 1:38
13. La Rameau 4:14
Cinquième Concert
14. La Forqueray 4:26
15. La Cupis 6:25
16. La Marais 2:29
In composing his Pièces de clavecin en concerts, Rameau (1683-1764) created a grand work of chamber music, and at the same time, the first-ever piano trios. The independence of the instrumental parts achieved here far surpasses what Haydn, Mozart and even Beethoven did in their piano trios. It is not until Schubert that we meet with trio writing of comparably elaborate texture. Trio Arcangelo Corelli formed in 1984. At first they worked intensely on early Italian violin music, especially on Corelli’s sonatas, and therefore chose the great Roman master as their "patron saint." Based in Düsseldorf, they have given innumerable concerts and made radio and CD recordings.
Rachel Podger (baroque violin)
Trevor Pinnock (harpsichord)
Jonathan Manson (viola da gamba)
Tracklisting:
Premier Concert
01. La Coulicam 3:25
02. La Livri 3:04
03. Le Vèzinet 3:26
Deuxième Concert
04. La Laborde 5:56
05. La Boucon 5:31
06. L'Agaçante 2:46
07. Premier Menuet En Rondeau / Deuxième Menuet En Rondeau 4:51
Troisième Concert
08. La La Plopliniere 3:54
09. La Timide, Premier Rondeau Gracieux / La Timide, Deuxième Rondeau 7:09
10. Premier Tambourin En Rondeau / Deuxième Tambourin En Rondeau 2:01
Quatrième Concert
11. La Pantomime 4:31
12. L'indiscrète 1:38
13. La Rameau 4:14
Cinquième Concert
14. La Forqueray 4:26
15. La Cupis 6:25
16. La Marais 2:29
In composing his Pièces de clavecin en concerts, Rameau (1683-1764) created a grand work of chamber music, and at the same time, the first-ever piano trios. The independence of the instrumental parts achieved here far surpasses what Haydn, Mozart and even Beethoven did in their piano trios. It is not until Schubert that we meet with trio writing of comparably elaborate texture. Trio Arcangelo Corelli formed in 1984. At first they worked intensely on early Italian violin music, especially on Corelli’s sonatas, and therefore chose the great Roman master as their "patron saint." Based in Düsseldorf, they have given innumerable concerts and made radio and CD recordings.
| SPOILER (DR) |